|Evelyn DeHais in Chaos Theory at Annex Theatre (Dangerpants Photography)|
(as published in the December 26th issue of Seattle Gay News)
Here we are, again, at year’s end and I’m about to recap some of the highlights of the Theater Year. The year was more eclectic, I think, than some, and includes exciting developments, particularly in local writing. Of course, it is just not in me to call out only five or ten productions…
But before I plunge in too deeply, I want to acknowledge the tremendous writing of Robert Schenkkan and effort that is Seattle Repertory Theatre’s All the Way and The Great Society in performance. You can still see these performances through January 4th, though tickets are getting scarce. Since it is almost an import, it’s hard to claim it as completely “our own,” but it is important work and a chance to see work that has already received national acclaim. Jack Willis needs to be acknowledged as the hardest working actor on stage this year!
This might be called The Year of Local Playwriting! More world premiere plays were performed and, in my opinion, at a higher level of sophistication and polish than I think I’ve ever seen.