|A moment in The World of Extreme Happiness (John Ulman)|
Seattle Public Theater
(with SiS Productions)
Through November 5, 2017
In The World of Extreme Happiness, by playwright Frances Ya-Chu Cowhig, the Chinese people are presented with two essential choices: to stay in the country and be penniless farmers or go to the City to work in factories to try to become someone more, someone famous, someone rich.
This is a dark look at Chinese culture, but it easily resonates with any subculture, anywhere in the world, where people toil in thankless jobs that sap their courage, individuality, aspiration, belief, or health. If Cowhig wrote it about American field workers or factory workers, it would be no less applicable.
But if she did write it about America, it might be that audiences would be less open to consuming what she’s presenting. We don’t want to think about the unceasing toil that many people worldwide provide when we use what they’ve created, whether it’s Apple products or organic strawberries.