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Tuesday, September 09, 2014

Keep On Tapping: Greg McCormick Allen in "A Chorus Line" – Show #23 at the 5th Avenue Theatre

Greg McCormick Allen in A Chorus Line (Tracy Martin)

How you arrive at where your life is at can be quite surprising journey. Greg McCormick Allen says, “From what I’ve been told, I was taking drum lessons when I was 2 ½.  I’m not sure why I was taking drum lessons, but apparently, I really liked making noise but not sitting still. One day I heard a noise and wandered down the hall and there was a tap class going on. I indicated (to my mother that) I would like that. I’ve pretty much been doing it ever since!”

Greg is appearing in A Chorus Line at the 5th Avenue Theatre and it’s his 23rd show in that theater. It’s a pretty impressive number, and is mounting quickly. Almost every 5th Ave show seems to have a role for Greg somewhere in it. At least lately! Not that the 5th Ave is the only place you’ll see Greg. He’s also prepping to perform as Bert in Village Theatre’s Mary Poppins. Most people think that role is perfect for Greg at the perfect time in his life!

But back to his journey. Greg says, “My mom was from Texas and my father from Oregon and they adopted me when I was a couple of weeks old in Tacoma. They are not at all artistic. I’m not sure why they wanted to put me in all these lessons.” Well, we’re glad they did!

Saturday, September 06, 2014

Intiman is all in with Angels in America

Adam Standley and Timothy McCuen Piggee in Angels (Chris Bennion)
(as printed in Seattle Gay News)

ANGELS IN AMERICA (Parts 1 and 2)
Intiman Theatre
Through September 21, 2014


Some people consider Angels In America: A Gay Fantasia on National Themes by Tony Kushner one of the great plays of the 20th Century. Some consider it one of the great plays about Gay characters ever. 

This is a sprawling play, spanning six plus hours, generally done in two parts (Part 1, Millenium Approaches and Part 2, Perestroika), that delves deeply into philosophical ideas of the meaning of life, love and whether angels are real, and that encapsulates the 1980s in the time of AIDS and Gay rights clashing and clanging for attention. 

Part of its genius is that it's incredibly funny; at the very same moments it's terribly tragic. The kind of laugh-and-cry-at-the-same-time moments where the characters themselves are reacting or where the audience finds relief in the humor while recognizing the pain. 

Wednesday, September 03, 2014

Farcical fun at Strawshop

Black Comedy (courtesy Strawberry Theatre Workshop)
Black Comedy
Strawberry Theatre Workshop
Through September 20, 2014

Black Comedy is an hour long one-joke play taken to extremes. Written by Peter Shaffer, known for some very serious plays (Equus, Amadeus) in 1965, its major conceit uses theater lighting to create a trick: when characters flip the house light switch to the “on” position, the stage is dark, and when there is no light in their stage house, lights are fully up on stage. You can say that the play hopes to illuminate what people do in the dark, if you’d like. Really though, it’s an opportunity for stage actors to pratfall their hearts out!

Strawberry Theatre Workshop is doing the play and it is pretty clear that the actors are having a grand old time. A very accomplished troupe is providing the laughs under the direction of Kelly Kitchens. This short play of a very long joke takes place in the living room of Brindsley Miller (Richard Nguyen Sloniker) who is going to meet his fiancee’s (Brenda Joyner) father (Michael Patten) in a moment. Brin is an artist and he’s also expecting the great – and rich – Georg Bamberger, who could turn him into a very in-vogue artist if he likes what he sees.

To gussy up the place, Brin has borrowed furniture from his neighbor (Rob Burgess) hoping the neighbor will stay away just long enough not to notice. Alas, the farce couldn’t continue without dashing those hopes. To make matters even worse, there is a power outage in the building and no one has any candles. A distraught neighbor (Emily Chisholm) comes in for safety, and the electrician (MJ Sieber) is mistaken for Bamberger. As if that wasn’t enough confusion, Brin has an ex-girlfriend (Allison Strickland) who shows up at the wrong time wanting to rekindle romance.

Friday, August 29, 2014

Seattle Musical Theater Starts New Season Liberated From Ugly Past

The cast of Man of La Mancha rehearsing at Seattle Musical Theatre (Photo: Roy Arauz)
(As printed in Seattle Gay News)

Seattle Musical Theatre is launching their 37th season in a few weeks. They’re starting with Man of La Mancha and the lead role of Cervantes/Don Quixote is being played by Jeff Church. In many ways, that signifies enormous change for the somewhere-between-high-school-and-community-and-professional theater company.

SMT, renamed from the long-known CLO (Civic Light Opera), has been a very important presence in the Seattle musical community. Many of our veteran musical theater performers got their first out-of-school productions at this company. Many performers who went on to gain their Equity cards and perform at Village Theatre and the 5th Avenue Theatre trod the boards at SMT first.

SMT has had a lot of struggles over the years, but last year’s credibility fiasco nearly succeeded in destroying the company altogether. Some of you who love musical theater might know what happened, but it is worth discussing what happened because the aftermath has produced some very very good changes. However, they are by no means out of the woods financially, so it’s important that you know you should definitely now start supporting this company. That’s especially true if you felt like you should stop supporting it last year.

Coming Up: Dream Role for Actor Jeff Church as Don Quixote at Seattle Musical Theatre

Don Quixote (Jeff Church) pledges his loyalty to Aldonza (Cherisse Martinelli) (Photo: Jeff Carpenter)

Jeff Church is finally getting to perform a dream role as Cervantes/Don Quixote in Seattle Musical Theatre’s production of Man of La Mancha (September 12-28th tickets at http://www.brownpapertickets.com/producer/404659) . He’s been performing in Seattle for some years, at Village Theatre and the 5th Avenue, and started his Seattle career performing at Civic Light Opera.

Jeff says about Man of La Mancha, “I did the show years ago in Wichita (Kansas) as Pedro, one of the muleteers. (With Cervantes/Don Quixote) you’re playing two characters in a show within a show. The clarity of each character is really important: finding the comedy in Don Quixote without making fun of him. There is a lot of comedy in his madness, (but) know that it’s a serious story he’s telling. I love the language, as well.

“(I’m performing with) a bigger voice than I use most of the time. Working with John Allman, music director, a person I trust to tell me what he’s hearing, is really great. The songs are such big baritone songs, but you don’t really get a chance to perform them until you’re at the right age for the role. It’s amazing to finally get the chance to do that. I’m 52 and I’m the perfect age.

“It’s a show many people know and being true to the story is hard, because people want a fresh take or a new version. It doesn’t need to be new, it just needs to be true.”

Friday, August 15, 2014

Exiting Managing Director Charlotte Tiencken addresses bringing new audience to Theater

Charlotte Tiencken, Myra Platt & Jane Jones accepting the Governor’s Arts Award (photo courtesy of Book-It Repertory Theatre)
We have a few unsung arts heroes in our community that join boards, serve on commissions, and support multiple artistic efforts in quiet and prolific ways. One of those is Charlotte Tiencken, and she is leaving us! She’s not just leaving her post as Managing Director of Book-It Repertory Theatre, but her bio says she also has, “taught at Seattle Pacific University, the University of Washington, The Evergreen State College, and the University of Puget Sound. She has been an adjunct faculty member at Lesley University in Cambridge, Mass. for ten years. Charlotte is past president of the Board of Arts Northwest. She has served on the Board of the Pat Graney Dance Company, on granting panels for the Washington State Arts Commission and 4 Culture, and was president of the Board of Theatre Puget Sound. Her most recent directing credits include Into the Woods for Vashon Drama Dock, Eugene Onegin for Vashon Opera, and Rashomon for Seattle Pacific University.”

That is just part of the effort she has poured into the Pacific Northwest artistic community over the past twenty years! She has been at Book-It for seven years. She is moving to Charleston, South Carolina to teach arts management at the College of Charleston. They will be very lucky to have her, because there is no doubt that she will busy herself becoming invaluable there, too.

Charlotte and I had a conversation, recently, discussing her tenure at Book-It. She describes some of what she found when she got there and found a much smaller (than present) organization with a high turnover in staffing and an unclear future plan. “When I took over in 2007 the budget was half what it is now. I asked, ‘What do you want?’ And we determined a direction. Part of that vision was being sustainable, having staff that was committed and not going anywhere.

Thursday, August 07, 2014

Sparkly – if long – comedy, “Balconies” bubbles at Annex

Katherine Karaus, Drew Highlands, Evelyn DeHais in Balconies (photo Dangerpants Photography)
Balconies
Written by Scotto Moore
Through August 30, 2014

Opposites attract premises, particularly the conservative/liberal variety could be kind of eye-rolling, but at the hands of playwright Scotto Moore, it turns out to be a whole lot more fun than hackneyed. His newest work, Balconies, at Annex Theatre, has many of his signature elements: fast-paced dialogue, high tech speak, agile plot devices.

Instead of a just-ahead-of-its-time future fantasy (Moore’s previous works), this play stays rooted in 2014, but makes fun of a Scientology-type cult and lets the geeks win. Characters who, at first glance, seem stereotypically boring turn out to be a whole lot quirkier than their book-cover.

Cameron (Drew Highlands) is having a best-launch-ever party in his condo for Sparkle Dungeon 5. (I would love for that game to become a reality!) He’s invited dozens of geek friends in costume. But just next condo over, Annalise (Katherine Karaus) is hosting a fund-raiser for her politician mother (Laura Hanson), politicians including the Chief of Police, and a key funder, Lonso (Jason Sharp), a creepy world-thought-dominator.

Monday, August 04, 2014

"Time Stands Still" at ReAct Theatre

Brian Pucheu and Maria Knox in Time Stands Still (Photo David Hsieh)
Time Stands Still
Starring Maria Knox, Brian Pucheu, John Bianchi and Mona Leach
Through August 24, 2014

Two war correspondents, a writer and photographer, are forced by injury to come home, heal, and figure out if that life is still theirs. Donald Margulies has written an absorbing play, with interesting characters, in Time Stands Still. Of course time doesn’t stand still for anyone, but James and Sarah stand in a moment of transition. ReACT Theatre is producing this play at the Ethnic Cultural Theater in the U. District.

If casting is 75% of the effort, director David Hsieh cast well. Each of the four players here is well positioned to perform each role. While opening night turned out to be “first audience,” and therefore, the timing and rhythm of performing to others wasn’t settled in, I’m certain that each will deepen into “the pocket” in short order.

Friday, August 01, 2014

Next Week: 2014 Village Originals’ Festival of New Musicals

The 2013 developmental production of Watt?!? (starring Hugh Hastings - front) during Festival of New Musicals (photo by Sam Freeman)
The annual musical development party is almost here. Village Theatre’s robust Festival of New Musicals is a well-established, nationally and internationally known, incubator of musicals, many of which move on to more development. Often, one of the festival’s musicals makes it to Village’s next Main Stage season. Once in a while, excitingly, one makes it to Broadway! Two were next to normal and Million Dollar Quartet. That hope fuels everyone’s ambitions.

The format, now, is five draft musical “readings” (unmemorized, but rehearsed, with music stands and zero to rudimentary costuming) and one musical that gets a “developmental” production, with full staging and memorization, though only a two weekend run.

The developmental production this year had its debut last summer as a reading: The Noteworthy Life of Howard Barnes is created by book and lyrics writer Christopher Dimond and composer Michael Kooman. This is a delightful story that will tickle the funnybone of musical theater lovers, with some inside jokes. Why? Well, the press release says, “Howard Barnes is a perfectly average American guy; he likes baseball and grilling things. That is, until he wakes up to discover that his life has become a musical.” It’s actually not so fun to have your life be a musical and Howard has to go on a quest to find the person who knows how to escape from Musical Land.