A Beautifully Mounted Fairytale at Sound Theatre Company

Goblin Market (Ken Holmes)

Goblin Market

Sound Theatre Company

Through August 27, 2017

Sound Theatre Company has provided us with a fairytale about sisterhood, based on a long poem written in the mid-1800s. Goblin Market, a cautionary tale about alluring Goblin Men who lure good girls into folly, which can kill them, has been turned into a burnished musical reverie performed with high gloss.

Let’s talk about the four talented women who take turns becoming Laura and Lizzie each night in a rotating fashion. Justine Davis and Claire Marx take turns as Lizzie and Kelly Mak and Miranda Trout become Laura. The alternating two become goblins, servants, whatever is necessary. When all four sing together, they make wonderful harmonies.

The harmonies are apparently newly arranged by local musical directer whiz-guy, Nathan Young. There is also a small band of musicians behind a semi-opaque scrim with conductor Aimee Hong on piano, Teresa Sandys on violin, and Rachael Beaver on cello. They sound heavenly and very Victorian. The piano is made to sound like a harpsichord sometimes, unless there is also one back there!

Will You Feel “Much Better”?

Much Better (photo Zoe Burchard)

Much Better

Really-Really Theatre Group

(at 12th Avenue Arts)

Through September 2, 2017

Is it better to feel too much or too little? If you are tormented by your feelings and if you pour your feelings all over your life and if people are exhausted by your feelings and want to avoid too much time with you, is the answer to get your feelings surgically lessened?

This is the essential question in a science fiction play by Elisabeth Frankel, now being presented by new theater company, Really-Really Theatre Group. Much Better debates Ashley’s dilemma as a hyper-empath. Ashley not only feels her own feelings, she feels other people’s too!

But there is a solution, she finds. A technology called “Neuroclear” will lower her ability to feel, and perhaps bring her a measure of relief. It’s pretty clear, though, that it’s permanent, and like all technologies, there could be unintended consequences.

Writers Go Through Musical-Writing Development in Festival

Kirsten DeLohr Helland and Janet Krupin in Afterwords (Sam Freeman)

The second weekend in August has become an annual summer ritual in Issaquah, Washington. Village Theatre produces the Festival of New Musicals. This weekend was the 17th such festival. After a rigorous process of winnowing down hundreds of submissions from all over, even a few other countries, they bring together writers of new musicals and top singing/acting talent from the region (and sometimes New York and Los Angeles among others) for what are termed “29 hour workshops.” They provide directors and music directors and it all culminates in a three-day celebration of musical creation.

This year, there was a musical about Nikola Tesla, one about a little-known burial island in New York City (Hart Island), a developing fantasy musical to be staged by Book-It Repertory Theatre this winter (Howl’s Moving Castle) and a zombie musical.

I was able to interview the women behind a new musical called Afterwords, focusing on a young woman’s quest to uncover more about a suddenly-killed mentor’s secret love life. When she inherits his journals, she then discovers the woman has also suddenly died, and is driven to connect with the woman’s two daughters. The musical has many themes about family and connection and legacy.

“Statements After An Arrest” - a Timely and Compelling Drama

Darian Upshaw in Statements.... (Dave Hastings)

Statements After An Arrest Under the Immorality Act

Theater Schmeater

Through August 12, 2017

A production of the Athol Fugard play, Statements After An Arrest Under the Immorality Act, is a kind of must-see production. It reminds that there was a time not that far in the past where intermingling and romance and sex between folks of different shades of melanin were declared illegal. This happened in South Africa with national laws, but also in the United States in various areas.

The play includes an even more difficult emotional situation because Errol Philander, a "colored" South African is married when he sneaks into the local library at night to meet librarian, Frieda Joubert. His immorality is doubly deep, in that aspect. Once the couple is arrested, they expose to community judgment both themselves and his family.

Café Nordo Presents “Sundown at the Devil’s House”

Rebecca M. Davis in Sundown at the Devil's House and band (Joe Iano)

Sundown at the Devil’s House

Café Nordo

Through August 6, 2017

“It's the Devil's last night on Earth, and she and her cohorts will titillate, beguile, and entertain the audience with stories of the Devil's greatest triumphs and darkest secrets.” So says the website information. If there is a reason in there, somewhere, why it’s the Devil’s “last” night, it escaped notice, but the cast of players certainly did their best to titillate, beguile and entertain.

They sing some songs, and tell a lot of stories. There are pseudo-Biblical tales with completely different, though recognizable components. One of the strongest aspects of the script is the explanation of the Devil as the Fallen Angel, though the description of the jobs that angels do in “Heaven” might not match almost any ideas you ever thought would be done in Heaven, including “doing God’s taxes.” That one is a not-very-appropriate job choice, since God probably is not financially beholden to any country’s laws, no matter which kind of God you believe in.