Theater Openings in November and December!

 

Adam Standley rehearsing for Mr. Dickens and His Carol - Seattle Rep (Sayed Alamy)

As we nestle into our couches with cups of coffee, tea, or mulled wine, there is plenty to get out and see on our stages, as well. Plenty to warm hearts and entertain for the holidays.
 
Not / Our Town, Pony World Theatre, 11/4/22-12/3/22 (at 12^th Avenue Arts)
With Not / Our Town, Pony World Theatre tackles the most iconic American classic: Our Town by Thornton Wilder. Both the 1938 original and this new play examine family, community, and those journeys in life common to us all. But how much this production feels like Our Town or not is up to audience members who will take a survey with options for several different scenes, staging styles, and even story elements. The winning votes determine that night's performance. This is not improvised theatre, but instead numerous possible variations of the script.
https://www.brownpapertickets.com/event/5587205
 
Jesus Christ Superstar, Reboot Theatre, 11/4-19/22 (at Theatre Off Jackson)
This now-classic musical focuses on the personal relationships between Jesus, Mary, and Judas, and examines the highs and lows of stardom, fanaticism, and mob justice. So, how will applying Reboot’s “style” highlight this musical in a new way?
www.reboot.booktix.com
 
Paddington Saves Christmas, Seattle Children’s Theater, 11/15/22-12/31/22
It’s holiday time in the Brown household and Paddington is here to save the day! When he runs out of sugar for the seasonal marmalade jam, Paddington heads next door to borrow some from Mr. Curry. But Mr. Curry is short-tempered as he prepares for a visit from his great aunt. Paddington volunteers to help with Mr. Curry's chores, but good intentions lead to chaos! Will Paddington be able to fix everything in time? Find out in this fun-filled holiday comedy!
Approx. 70 minutes, no intermission. Recommended for ages 3+
www.sct.org
 
Teatro ZinZanni, with Herban Feast, 11/16/22-3/19/23 (at SODO Park)
Teatro Zinzanni has journey far and come home to entertain! They’re putting up the tent in SODO Park and partnering with Herban Feast for a special holiday season meal. Many of your favorite performers are back to win your hearts and there are new ones to pique your interest.
www.zinzanni.com/seattle

Time to Learn About Our Constitution!

 

Heidi Schreck and Cassie Beck - What the Constitution Means To Me (Joan Marcus)

What the Constitution Means to Me
Seattle Rep
Through October 23, 2022
 
Our Constitution is not a very long document for such an important piece of writing. There is a preamble and seven articles. What has become so consequential over the hundreds of years is the lengthy list of amendments that augment the basic rules that were written in a fairly bare-bones document.
 
The history of some of those amendments and what they created or changed for us can be fascinating. After the Civil War, there was a clear need to amend the Constitution so that freed Black people could never again be enslaved and could take their rightful place in society with the same rights as everyone else.
 
If you think that Heidi Schreck’s play What the Constitution Means to Me might be staid or boring or might be too much like a high school history lesson, your assumptions are incorrect. It is none of those things. Instead, it’s really a deeply personal story about a young high school Heidi and one of the unique ways she earned money to go to college, but also a reflection about what this journey of presentations about our Constitution meant to her then and over time.

October Theater Openings and some November, too

Bianca Raso in La Tofana's Poison Emporium (Joe Iano)

I start this month’s compilation with regrets that it’s not posting until closer to the middle of the month. Life has changed a great deal for many, and that includes me, and my ability to prioritize theater and supporting it has taken a hit from changing focuses during “covid” when there was no theater to cover. To help make sure that November openings are reported more promptly, I’ve included a few of the early November productions here, as well. Get out yer calendars!
 
My Mother’s Italian, My Father’s Jewish & I’m in Therapy!, Kirkland Performance Center, 10/1-23/22
You don’t have to be Jewish or Italian to appreciate this show. All you need to know is what it feels like to leave a family dinner with heartburn and a headache! You’ll meet Uncle Willie, Stuttering Cousin Bob, Demented Cousin Kenny, Steve's new therapist Cousin Sal (and Sal's parole officer) and a myriad of astounding characters we know, love and tolerate from our own families; each one brought to life by Peter J. Fogel. Written by Steve Solomon, this solo comedy is based on Solomon’s life growing up in a wacky family noted for its bi–ethnic diversity. Solomon’s mother is from Palermo, and his father is from Russia. His extended family had an aptitude for dysfunctional behavior and their sole purpose seemed to be to drive him into therapy…and they succeeded!
www.kpcenter.org
 
Misanthropy: A New Dark Werewolf Comedy, Wayward Works, 10/5-15/22 (at Theatre4, Seattle Center) (world premiere)
A new work by playwright Hannah A. Nielsen tells the story of Lyla, a young woman adrift in life until an animal bite spurs a change in her. She lands the job of her dreams, replaces her depression naps with power naps, and improves her diet... Well, perhaps “improves” isn’t precisely the right word. As Lyla scrambles to adapt, her friends and family flounder as they find their own ways of coping with this bloody new reality.
https://www.facebook.com/waywardworksllc
 
The Foreigner, As If Theatre Company, 10/6-23/22
Englishman Charlie Baker wants to escape his boring life and marital strife by disappearing to a fishing lodge in rural Georgia. Painfully shy, he begrudgingly adopts the persona of a foreigner who doesn't understand English. Convinced he’s unable to understand them, the guests begin to speak freely around him. Charlie not only becomes privy to dangerous secrets, he also discovers an adventurous extrovert within himself.
www.asiftheatre.com
 
A White Haunting, MAP Theatre, 10/7-22/22 (at 18^th & Union) (world premiere)
Local playwright Brian Dang introduces Darren, who has invited Tchai over to his home for the first time. They’re flirting, dancing, and discussing the morality of pineapple pizza when things start to go sour: the pizza person acts really weird; the power goes out; Tchai lets his nerves get to him; and last but not least, a masked intruder wielding an axe accidentally gets invited in.
https://www.map-theatre.com/home

September Theater Feels More Like It Used To!

What The Constitution Means To Me with Cassie Beck (Joan Marcus)

As we go back to school somewhat normally, and fall weather starts to get a bit more cloudy and damp, Seattle theater companies are bringing back more and more productions! This month, we get some major plays people have been hoping to see (Choir Boy, in a co-pro of ACT Theatre and 5^th Ave, my favorite tour play by ex-local Heidi Schreck – What the Constitution Means to Me) and world premieres! And we get a gift from stalwart company, Theatre22, as they bid us adieu (maybe just for now).
 
Where We Belong, Seattle Rep, 9/8/22-10/9/22 (tour from Woolly Mammoth Theatre Co)
An indigenous theater-maker, Madeline Sayet, journeys to England in 2015 to pursue a PhD in Shakespeare. She finds a country unable to acknowledge its ongoing role in colonialism.  Madeline echoes a journey to England braved by Native ancestors in the 1700s following treatise betrayals – and forces us to consider what it means to belong in an increasingly globalized world.
www.seattlerep.org
 
The Griswolds' Broadway Vacation, 5^th Avenue Theatre, 9/9/22-10/1/22 (world premiere) (opens 9/22)
They’ve been to Wally World, they’ve been to Vegas, and now the Griswolds are going to… Broadway! Yes, the characters you know and love from the hit Warner Bros. Vacation movies are back—and they’re taking their biggest vacation yet. So, get in your family truckster and join Clark, Ellen, Audrey, and Rusty on their big New York City adventure—where of course, everything goes exactly according to plan!
www.5thavenue.org
 
Nonsense and Beauty, Theatre22, 9/9/22-10/2/22, at The Bathhouse (T22’s last show)
The play follows the eminent British novelist E.M. Forster as his romance with Bob Buckingham, a policeman 23 years his junior, falls prey to his fear of discovery. After Bob marries May, a compassionate young woman, Forster remains ensnared in a turbulent and unique love triangle until his death nearly 40 years later. Based on a true story, Nonsense and Beauty captures the wit and wisdom of one of the last century’s great writers.
www.theatre22.org

Sleepy August Theater still has new surprises

 

Talking buildings in People in the Square (photo by Jane Richlovsky)

Theater in the parks is winding down and August is a bit on the quiet side, but there are three shows opening that you can consider. People In The Square is a sweet music-and-narrative new show in a new/old space. There used to be a Skid Road Theatre, and now the folks at Beneath the Streets have opened their location to include stage events, again! So it’s the NEW Skid Road Theatre. At 65 minutes, it is an homage to Pioneer Square and all the various sorts of people who populate it, visit it, and swing through it.
 
Pork-Filled Productions has a swashbuckle show to check out, She Devil of the China Seas, with a female pirate who truly was the most formidable bad-ass ever known, I think. Centerstage is focused on the Pacific Northwest with The Oregon Trail.
 
People In The Square: The Pioneer Square Musical, Creative Hiatus Prods., 8/4-27/22 (at The New Skid Road Theatre, 102 Cherry St.)
People in the Square is a cabaret-style musical revue which invites the audience a glimpse into the many different inhabitants, past and present, of Pioneer Square. A four-member cast and three-piece band bring to life this musical history lesson through time. Based on historical people and events, the show is a collection of songs and short scenes, celebrating the diversity and fascinating stories of Seattle’s first neighborhood. This musical ranges in time from the original inhabitants of the Duwamish and Suquamish Tribes, early pioneers and gold miners, fast-forwarding to those who frequent Pioneer Square today. Converging on the Square are the wealthy, the poor, occupants, visitors, sports fans and art dealers, most never being truly aware of the other, despite occupying the same three acres together. Join us to experience this incredible journey through time of the ever-evolving melting pot in the heart of Seattle!
https://www.beneath-the-streets.com
 
She Devil of the China Seas, Pork-Filled Prods., 8/11-27/22 (at Theatre Off Jackson)
Pirate queen clashes with immortal sorceress in a mashup of true history, sword/sorcery and Marvel Comics! She Devil is based on the real-life figure, Zhang Tse, history’s most successful pirate. She defeated both Imperial Chinese and European fleets in her spectacular career in the 19th Century and ruled over a fleet of hundreds of thousands of pirates!
 
Tse knew one thing: survival. She clawed her way up, using any means possible to aid her injured sister, Hei. But when China’s pirate king, Zhang Ngoi, offers her a chance for more, the sorceress Moh and her dark forces gather to destroy her before she can even accept…and fulfill a destiny from the gods!
https://pork-filled.ticketleap.com/shedevil/
 
The Oregon Trail, Centerstage Theatre, 8/19/22-9/11/22
Funny, provocative, and intelligent, The Oregon Trail follows 90’s kid Jane from Middle School, where she takes solace in her favorite 8-bit video game, to adulthood, where the game seems to follow her with its all-knowing gaze, helping her navigate her growing pains. As she grapples with what it is she truly wants, Jane meets someone entirely unexpected: her own great-great-grandmother, on the Oregon Trail…in 1848.
www.centerstagetheatre.com
 
For more articles, please go to MiryamsTheaterMusings.blogspot.com and subscribe to get them right in your in-box!

July Starts Theater In the Park Time

Titanish picture (Truman Buffett)

 
As most summer-theater-park-goers know, a whole weekend is devoted to “park shows” all in one lovely location to fit them all: Volunteer Park. Known as Seattle Outdoor Theater Festival, a combination of all the Shakespeare shows and some kid-specific entertainments are spread throughout the park and throughout both weekend days. Organized mostly by the folks at Greenstage, you can find the schedule here: https://greenstage.org/sotf/ Yes, they are all free. But yes, you could consider donating to all the hardworking companies getting out in the (hopefully) hot sun to entertain you with merriments!
 
Drum and Colors: A Midsummer Night’s Dream and Cymbeline, Seattle Shakespeare Company and Wooden O Productions, 7/7/22-8/7/22 (at various parks in the area)
Midsummer Night’s Dream
When two pairs of mixed-up lovers, along with a troupe of amateur players, stumble into the forest of two feuding fairies, it results in an enchanting mix of merriment. After a love potion plan goes awry, the fairy queen’s heart is captured by an unlikely community actor transformed into a donkey. Mischief maker Puck not only creates romantic chaos, but also has to fix things right, again. (Includes puppets.)
Cymbeline
Follow Imogen on a magical journey. With their lover banished and family torn apart, Imogen sets out on an adventure to reclaim their love and reconcile the family. Forbidden love, mistaken identities, banishment, and a magic potion— Shakespeare combines multiple styles in this endlessly inventive fairy tale.
www.seattleshakespeare.org

Mega Hero Rangers Go Go Go Supreme!!!, The 14/48 Projects, 7/9-30/22 (at various parks in the area) We meet the Mega Hero Rangers, a group of friends and superheroes who meet their ultimate adversary and have their powers taken away! Deep-rooted tensions come to a head, splitting up the super friends... Will the Rangers discover how to navigate the world on their own, without their powers?
https://www.the1448projects.org/parks-show
 
Black Coffee, Taproot Theatre Company, 7/13/22-8/13/22
The formula for a secret weapon has been stolen, and that isn’t the only mystery in the Amory house! When Sir Claude discovers the theft, he locks his family in the library. Moments later, there’s a dead body, a room full of suspects, and a Belgian sleuth at the door. Witness Agatha Christie’'s famous Hercule Poirot untangle a jumble of deceptions to discover whodunit.
www.taproottheatre.org

"The Bonesetter’s Daughter" – Beautiful and Moving at Book-It Repertory Theatre

Mara Palma and Desiree Mee Jung in The Bonesetter's Daughter (Anthony Floyd)

The Bonesetter’s Daughter
Book-It Repertory Theatre
Through July 3, 2022
 
If you are a “reader,” and you love how novelists artfully draw you into the world of the book, you might already revere Amy Tan. Tan’s writing is compelling, descriptive, and sketches the personalities she writes about in vivid terms. She is not likely everyone “cup of tea” in terms of being an “easy” read. While her first book became a blockbuster and a movie (The Joy Luck Club), a later book, The Bonesetter’s Daughter, is a more patient read, one that takes time to allow to unfold.
 
The Bonesetter’s Daughter has at least one story-within-a-story. It’s a fairly long book, and Desdemona Chiang and Book-It Repertory Theatre have decided to adapt it into a play using about a third of the entire book. Chiang’s choices, as adapter, seem well-decided and the experience of seeing this book come to life is delightful and intense. The production, at over two and a half hours, immerses you into China a century ago.
 
Ruth (Sunam Ellis) is a modern Chinese-American woman who has a busy life and a mother who is descending into Alzheimer’s. Ruth and her mother, like many relationships in Tan books, have a difficult relationship. Part of that is because the mother, Lu Ling (Desiree Mee Jung) was quite harsh with Ruth, strict and even abusive, as she demanded that Ruth “channel” the spirit of her mother’s “nursemaid” Precious Auntie (Khanh Doan). Precious Auntie was so maimed and disfigured around her mouth that she cannot speak, but Lu Ling understood her.
 
Ruth tries to support her mother, but there are emotional barriers. Then she finds a manuscript that her mother had offered her many times, but she never got around to translating it or reading it. Now, as her mother forgets, Ruth realizes that she must find out what the book says.

“Bruce” – A Musical About Tension With Absolutely No Tension

Jarrod Spector and E. Faye Butler in Bruce (Lindsay Thomas)

Bruce
Seattle Rep
Through June 26, 2022
 
My question before I saw the world premiere musical, Bruce, at Seattle Rep was: What is it? And my question after I saw it was: Why?
 
So, quick rundown: “Bruce” equals JAWS the movie, the shark named by director Steven Spielberg when he was just 26 years old as he began planning it from the script, and The JAWS Log by last-script-doctor Carl Gottlieb as he worked on the film and subsequently published a book.
 
The musical is not a “bad” one… and in fact there are some very, very good parts. So, it’s not that it’s boring, exactly. But the entire musical is about the “making” of the movie we all know was a major blockbuster, the first summer blockbuster ever, and a world-wide phenomenon. But does that mean it should then get turned into a musical? Be worked on by people for several years? Have tens of thousands of dollars spent on it?

June Is Flowering in Seattle Theater

The cast of LIZZIE (courtesy Just Us Girls & Co.)

Check out this list of productions opening this month and see if something meets your fancy. Get outcher calendars!

 
Air Play, Seattle Children’s Theatre, 6/1-12/22
Wmbrellas fly, fabrics soar over the audience, balloons swallow people, and snow swirls, filling the stage. Part comedy, part sculpture, part circus, part theater, this play has it all.  No translation necessary in this circus-style adventure of two siblings journeying through a surreal land of air, transforming ordinary objects into uncommon beauty.  Great for all ages (5 and up).
https://www.sct.org/onstage/productions/air-play/

 
Skin Flick, The Phoenix Theatre, 6/4-27/22
Norm Foster is Canada’s version of Neil Simon – a prolific comedy playwright. The Phoenix Theatre loves performing Foster’s work! Here, Rollie finds himself in a financial bind. He’s always provided for his wife Daphne, but now he’s lost his job at the costume shop, and he’s going to have to come up with something fast! What he finds leads Rollie and Daphne to learn what’s at the heart of their marriage.
www.tptedmonds.org/season-13--20202021.html
 
The Bonesetter’s Daughter, Book-It Repertory Theatre, 6/8/22-7/3/22 (world premiere)
Ruth wants to be a better daughter to a mother whose mind is quickly sliding into the haze of dementia. If only her mother—who spent Ruth’s childhood talking to ghosts, lamenting a family curse, and refusing to acclimate to life in America—was just a little easier to love. When Ruth rediscovers a stack of papers in the bottom of a drawer, carefully penned in calligraphy, she realizes that it may not be too late to meet a woman she thought had been lost to her long ago. The Bonesetter’s Daughter is a deeply moving chronicle of war and revenge, joy and connection, and the profound love that can exist between mothers and daughters. Adapted by Desdemona Chiang from award-winning Amy Tan’s intimate novel.
www.book-it.org

Sephardic Jewish Community in Seattle Gets a Theatrical Treatment

 

The Seattle case of Arrivals - Art Feinglass standing center (Brendan O'Connor)

It’s likely that most non-Jews don’t know a thing about the difference between “Ashkenazi” and “Sephardic” or even what they label. But those labels enfold vast differences. The Ashkenazi Jews are what the world mostly knows about Judaism. The majority of those Jews came from countries around Russia and inside the U.S.S.R. and Europe. These are the people who brought Yiddish (a blend of Hebrew and German) and cooking with chicken fat (schmaltz) and the thick, funny, New York-Yiddish accents that people associate with Jews in movies.
 
The Sepharadim (a plural of Sepharad) came from Spain and Portugal and after the “diaspora” (you know, the Inquisition that no one expected – sorry, Monty Python), Morocco, and Northern Africa, and Mediterranean countries like Turkey, Greece, Egypt, Syria and Iran/Iraq (Persia). They spoke Ladino (a blend of Hebrew and Old Spanish).
 
The diet differences of the two sets of Jews are also very different. Ashkenazis eat a lot of wheat, for instance, and the holiday of Passover focuses on matzah, an unleavened (wheat) bread. Sepharadim eat a lot of rice dishes and have a very “Mediterranean” diet – lots of olive oil. While the Jewish religion stayed relatively intact in either group, the us/them growth of prejudice between them made “community” non-existent even in the face of the same racism that all Jews faced.

No Sweat for ACT Theatre - Best Show in Town

 

A moment from Sweat (Truman Buffett)

Sweat
ACT Theatre
Through May 22, 2022
 
It contains the sweat of people’s brows and their efforts standing for a dozen hours a day or more on a factory line. And the sweat of the swelter of the factory workers in warehouse-level heat without air conditioning. Also the sweat of walking a union strike line and the sweat about paying bills on low salaries or on walk-out stipends.
 
It includes the sweat of a worker being promoted to management and what they fear about giving orders to previously same-level friends and workers. There is the sweat, as well, of a drug-addicted soul shaking for the next fix, or their sweat as they beg friends and family for another drink or smoke. There’s also the sweat of rage that can cause blind reactions that change lives in seconds, with tragic results.
 
All of this sweat is in Lynn Nottage’s excellent script, Sweat, now on stage at ACT Theatre. It also has the worthy sweat of the excellent ensemble of actors ready breathe life into the words on a page, transforming into the way it’s meant to be absorbed – on stage.

May Flowers Are Blooming on Seattle Stages

 

Rehearsal for The Watsons at Seattle Children's Theatre (Eliane Rodriguez)

World premiere musicals (we all love those don’t we?), important stories from diverse writers and populations, several world premiere stage plays, and more, are what May Days are bringing to Seattle. Our stages are brimming with gotta-see works that should entice you to grab your mask and sit next to strangers! Get outcher calenders and get to work! Here’s what’s opening this month:
 
The Watsons Go To Birmingham – 1963, Seattle Children’s Theatre, 5/3-22/22
This powerful play, adapted for stage by local and nationally-acclaimed playwright Cheryl L. West, follows 10-year-old Kenny Watson and his family on a road trip from Flint, Michigan to Birmingham, Alabama. As the family travels though unfamiliar territory in the Deep South during the Jim Crow era, they encounter racism unlike anything they have experienced before. After a local church is attacked, an event that marks Civil Rights history, the Watson family comes together and proves that perseverance and resiliency can be found in the most unimaginable places. Recommended for ages 8 and over.  
https://www.sct.org/onstage/productions/watsons-go-to-birmingham-1963-2/
 
Alma, ArtsWest, 5/5-22/22
Playwright Benjamin Benne honed some of his early writing talent right here in the PNW. Having gone on to amazing adventures, ArtsWest is providing an opportunity to experience his most sophisticated work yet. We meet working mom, Alma. She singlehandedly raised her daughter, Angel, on tough love, home-cooked comida and lots of prayers. Just before the all-important SAT test, Alma discovers her daughter isn’t at home studying. La chancla (an ass-whooping) awaits Angel at home—but so does a creeping realization that more’s at stake than just a test score. A sacrifice from Alma’s past weighs heavy; now, Alma fears that her worst nightmare may soon be their reality.
www.artswest.org

Benjamin Benne’s Journey to Become a Major American Playwright

 

Playwright Benjamin Benne (Chris Larson)

Alma
ArtsWest
May 5 – 22, 2022
 
Benjamin Benne’s play, Alma, opens May 5^th at ArtsWest. It’s the third play Seattle audiences have been able to see, with his early work performed at Annex Theatre, Terra Incognita, and a one-act done by Forward Flux, las mariposas y los muertos.
 
Since leaving Seattle, he’s had some amazing opportunities and experiences, but it was clear back in 2016/17 that he had the talent and the drive necessary to propel himself into success and the writing chops that would open those doors to him. I had the lovely opportunity to chat with him this week just before Opening Night at ArtsWest. My most intense interest was to catch up on his most recent exploits and also to understand his journey.
 
Much of his early playwriting has centered on strong women, influenced by his mother, a previously undocumented immigrant from Guatemala. His themes are often an intersection of domestic relationships and poetic reveries.
 
His journey into playwriting started as an undergrad at California State University, Fullerton. “I was a theater major starting in acting as many do, and then went to theater education and then faculty members told me I was excelling in directing, so I changed my major to directing.

Super Tech Support Enhances Sound Theatre's "Gaslight"

Gaslight
Sound Theatre Company
Through May 14, 2022 (at 12^th Avenue Arts)
 

Inspector Rough (Hisam Goueli, standing) and Bella (Kathy Hsieh, seated) observe an offstage moment. Rough has a mustache and wears a grey-green tweed suit with black bowtie. Behind him are a mix of picture frames, some without an image - and two brightly gas-lit sconces. Bella, clutching a handkerchief, has long black hair in an elegant bun, and wears a shiny turquoise Victorian grown. (photo by Nikeesha Gooding)

From the Victorian thriller novel to a play to a movie, Gaslight (originally titled Angel Street) is now on stage by Sound Theatre Company. If you didn’t know where the slang term for lying-and-making-you-think-you’re-crazy comes from, it stems from this classic tale.
 
Kathy Hsieh carries the main role of Mrs. Bella Manningham, who is treated as a child-woman by her husband (Johnny Patchamatla) as he causes her to believe that she is going mad like her mother did at an early age before dying young. In fact, the audience isn’t quite sure (unless you’ve seen the film) that she’s not mentally ill.

Feel-Good Spitfire Grill with Standout Cast

Sarah Garcia in The Spitfire Grill (Robert Wade)

The Spitfire Grill

Taproot Theatre

through April 30, 2022 

The Spitfire Grill is a feel-good musical. It’s a little schmaltzy with heart-tuggy, yearning songs (think Judy Garland singing Somewhere Over the Rainbow only not quite that classical a song) but ultimately it’s also accessible and fun and ends on a note that you can walk out of the theater feeling satisfied at the journey.
 
It’s a natural for Taproot. They’ve done it before, in 2003, when it was newer. But it hasn’t lost its sweetness or appeal in ensuing years. A young woman, Percy (Sarah Garcia) who has nowhere to connect to after five years in prison has circled a tiny article about Gilead, Wisconsin, and gets on a bus to a place she hopes will be all that she dreamed. She’s guided to the Spitfire, where there’s a room to stay and a job helping out.
 
Of course, the curmudgeonly proprietor, Hannah (Pam Nolte) warms to Percy over time. Of course the townies (Effy played by Marlette Buchanan, Caleb played by Brian Pucheu, and the Sheriff played by Fune Tautala) are suspicious, but get used to Percy. Caleb’s wife Shelby (Kelly Karcher) comes to help at the Grill – against Caleb’s wishes – when Hannah trips and breaks her leg.
 
When Percy finds out Hannah’s been trying to sell the Grill for years, she comes up with a raffle where people can send $100 and an essay about why they should “win” the Grill. Somehow, her advertisement finds a viral audience and they’re flooded with raffle entries. The town itself even gets some recognition and tourists begin to come. Suddenly, this downtrodden little town is feeling spiffy. And there’s a small subplot mystery about Hannah’s son (played by Chip Wood).
 
It's a lovely cast. The newcomer, Sarah Garcia, to our fair city makes quite a terrific impression. There’s something so naturally appealing in her as an actress (that can’t be taught) that draws your attention. Since she’s on stage almost the whole time, she “makes” the play. And when she and Karcher sing, their voices blend beautifully.
 
So… go and have a good time, especially if you really need a break from the horrid world events and want to participate in the collective fantasy at Taproot.

April Theater Seems Pretty Happy - Lots of comedies

Down The Rabbit Hole at Cafe Nordo (courtesy Cafe Nordo)

Theater companies seem pretty happy, this month, as many launch comedies or comedic productions. There are also a couple of world premiere works. Have you started attending again? Hope so! Everyone is still masked and checked for vaccinations, so it feels pretty safe.

 
Down The Rabbit Hole, Café Nordo, 4/1/22-5/28/22
Part theatre and live music, part art installation, and part dinner with drinks - guests of Down The Rabbit Hole will find themselves at a Wonderland cabaret! Watch Alice stumble into a world full of mad characters with a modern twist – here audiences play judge and jury in the court of the Queen of Hearts. During this original and immersive art experience, audiences will be entertained, they will wander, and they will enjoy whimsical food and drink, perfectly themed with the evening of entertainment. This cabaret experience has a karaoke twist! On Friday and Saturday night, guests who wish to step up to the White Rabbit’s microphone are encouraged to give their song requests to the furry footed MC – curtain call could feature YOUR rendition of a Rabbit Hole themed tune!
www.cafenordo.com
 
Ghosts, Seattle Rep, 4/1/22-5/1/22 (tour)
In a new translation of Henrik Ibsen’s controversial drama, Mrs. Alving welcomes home her beloved son Oswald after many years away. Rebuilding her life after the death of her unfaithful husband, she struggles to keep her husband’s debauchery hidden to protect his reputation for the sake of her son. But when Oswald begins a new romance, secrets of all kinds emerge, and Mrs. Alving must decide what course to take to truly be free.
www.seattlerep.org

Seattle Men's Chorus Live and In Color!

 

Alexandria J. Henderson and Robin Henderson guest-starred with Seattle Men's Chorus

Motown and More
Seattle Men’s Chorus
March 2022
 
Seattle Men’s and Women’s Chorus(es) are back in person and sounding as great as ever! (I exhort you, if you’ve never gone to any of their performances and you’re part of the LGBTQ+ “family,” you owe it to yourself to get introduced to them and why they exist! They need your support!)
 
Like all arts organizations, the last two years have been an incredible challenge of reorganizing and rethinking how to fulfill missions and entertain people and keep going even with fewer donations and no ticket sales. This performance, if you saw it, was an exuberant re-establishing of in-person glorious song with a few laughs, a bit of choreography, and the inimitable duo of Robin Henderson and her daughter Alexandria J. Henderson as the guest stars.
 
It was a tight and sprightly two hours of carefully curated songs from the “Motown Era” primarily in the 1960s and ‘70s. Alexandria Henderson, as a DJ for WSMC radio, helped introduce many of the selections with a bit of history thrown in. The songs were all well-known, at least for the older crowd, and emotional heart-tuggers.
 
They ranged from The Marvelettes and Martha and the Vandellas, through Diana Ross, Aretha Franklin, Marvin Gay, Smokey Robinson, Stevie Wonder and more. The evening ended on a powerhouse rendition by Robin and Alexandria of Think by Aretha Franklin, where each singer let it all sing out and the crowd danced on their feet with happiness.
 
The men, lead by director Paul Caldwell, seemed excited and happy to be back in front of a live audience and the audience seemed as appreciative as could be.
 
As life creeps back to a “normal,” the Seattle Choruses are going to back to live gala fundraisers. Their next one, sure to be a special evening of gathering with friends and associates of the Choruses in person, will be at Fremont Studios on Saturday, April 30. If you’d like to have a great deal of fun – the theme of the evening is In the Center Ring – a circus theme, and maybe find some awesome treasure in the silent or live auctions, tickets on sale here!
 
This will not be a sit-down dinner. It’s a cocktail party with a buffet and signature cocktails – The Highflyer and The Contortionist – along with a hosted bar.
 
The next concert will be Voices Rising by the Women’s Chorus, featuring Sister Rosetta Tharpe, who created some of the music that changed the world. It will be at Town Hall Seattle on May 14th and you can choose either 2pm or 7pm concerts.

Reading Is Fundamental in The Book Club Play

 

Maya Burton, Lauren Paris, Arlando Smith in The Book Club Play (courtesy Village Theatre)

 
The Book Club Play
Village Theatre
Issaquah: Through April 3, 2022
Everett: April 8 – May 1, 2022
 
Book clubs probably comes in all shapes, sizes, and tastes. But the stereotype is that snooty people get together to read heavy classics of hundreds of pages. Karen Zacarias, a nationally known and produced playwright, chooses to skewer just such an elitist book club to explore the idea of classic versus popular culture.
 
The Book Club Play, now at Village Theatre, pinpricks a lot of very current cultural tropes and pitfalls, as many of her plays do. She likes to play with racial and class stereotyping with an eye to bring it up in a way that allows us to laugh a little while we explore our internal responses. Here, she brings us Ana’s book club (Marquicia Dominguez) and shows us what happens when it’s suddenly forced to change.

Enchanting New "Red Riding Hood" Is a Hit With the Kids!

 

Claudine Mboligikpelani Nako and Conner Nedersen in Red Riding Hood (Angela Sterling)

Red Riding Hood
World Premiere
Seattle Children’s Theatre
Through March 6, 2022
 
Playwright Allison Gregory and director Steven Dietz make a great team. Long-time marital partners, they also have a lot of experience in the realm of children’s theater. And here is the world premiere of Gregory’s new play, Red Riding Hood, they have teamed to produce a winning production.
 
They’ve mind-melded with two of Seattle’s best performers, Claudine Mboligikpelani Nako and Conner Neddersen for a two-person, enchanting, silly re-enactment of the famous fairytale. Neddersen plays a theater-geek named Wolfgang who sees an empty theater and decides he’s going to treat the audience to a one-person show about this tale. Suddenly, he’s interrupted by a deliveryperson who is intrigued by his idea and wants to join the fun.

Look what March is blowing onto Seattle stages!

 

The Cake, As If Theatre, 3/3-3/20

Here in this list, you will find what, in March 2019, was considered a “normal” month of show openings! Are we back to “normal”? While no one can quite say, there is a blessed lot of theater to see in person in March 2022! (ALSO!!! Covid-19 protocols are changing in March of 2022 in Washington State. Masking and providing proof of vaccination requirements are being dropped by the state during March. But, masking is still mandated in some situations like in healthcare facilities and public transit as well as at the discretion of business and organization owners. Theater companies, venues and producers can still require/request you wear a mask/provide vaccination proof. If in doubt, we suggest checking with individual theaters/producers about their requirements and/or bring your mask/proof of vaccination just in case it’s required!)

 
The Book Club Play, Village Theatre, 3/2/22-5/1/22
Issaquah 3/2/22-4/3/22 | Everett 4/8/22-5/1/22
The Book Club Play follows a group of people whose book club is the subject of a famous documentary filmmaker. The members of the club differ in perspective, race, sexual orientation, and viewpoint on the world so completely, that their colliding assumptions also create a ripe environment for the comedy. With novels that audience members of all ages will recognize, this is a comedy that everyone can love, and a booklover will adore.
www.villagetheatre.org
 
A Thousand Ways (Part Three), On the Boards, 3/3-12/22
Obie Award-winning 600 Highwaymen present A Thousand Ways (Part Three): An Assembly, a timely and intimate return to togetherness. 16 strangers construct a unique and intimate theatrical event, using a stack of instructive notecards. The audience will collectively recount a story of audacity in the face of uncertainty. This elucidating experience invites participants to consider one another—individually and collectively—and the significance of coming together after so much time apart. A Thousand Ways (Part Three): An Assembly is the final experience of the triptych of encounters between strangers, following Part One: A Phone Call and Part Two: An Encounter. Each installment brings people together in the creation of a moving live experience. The work explores the line between strangeness and kinship, distance and proximity, and how the most intimate assembly can become profoundly radical. 
www.ontheboards.org

Run to Taproot to “See How They Run”

 

"Best clowns" Sophia Franzella and Shanna Allman in See How They Run (Robert Wade)

See How They Run
Taproot Theatre
Through March 5, 2022
 
They’re back, bitches!!! You have no idea how good it feels to be able to sit back and relax to enjoy good theater again, especially when it’s in the hands of Karen Lund and her band of merry clowns! There are few people who can consistently pull off the form of farce on stage, and Karen Lund is one of those few.
 
Is it broad? Is it over the top? Is it groan-worthy? Is it door-slammiest? Is it predictably silly? Sure! And so it’s truly just to have fun! Lund has assembled, for the first farce post-covid, a band of some of the merriest in town! While everyone in this cast is on their game, Shanna Allman and Sophia Franzella are simply point-perfect in their timing, their grimaces, their pratfalling (Allman) and their conceit (Franzella).

Feminism Makes Waves - Review of 'The Fifth Wave' at Macha Theatre Works

 

Hugo Monday and Mari Nelson in The Fifth Wave (Joe Iano)

The Fifth Wave
Macha Theatre Works
At West of Lenin
Through February 27, 2022
 
Actors-turned-playwriting team, Lisa Every and Jenn Ruzumna, are tackling a complex subject with their new play, The Fifth Wave. You won’t find an actual “ending” in this piece because we are all in the difficult process of figuring out our changing society and how we’re going to navigate to a better place.
 
The title is important, though there are differing opinions about what the fifth wave – of feminism – should actually represent. Wave 1 was voting and the suffragettes, the ability of women to be elected to political office. Wave 2 was economic power for women, the right to have their own credit, work outside the home – and be paid equally for it, be unmarried if they wished, and a crucial right to manage their own bodily reproduction. Wave 3 was an embrace of diversity, LGBTQ rights, non-binary lifestyles. Wave 4 was (is?) combating sexual assault and harassment, and working against misogyny. Many people think we are still in the fourth wave. Those who postulate we are in or are in need of a fifth wave suggest that it flips the script to focus on and empower the bottom portion of the economic scale, 70% of which is made up of women.
 
The subject of this play is sexual assault and harassment. It’s a big topic. We’ve seen the breakout of the “Me, Too” movement about rape. There is definite change in the air and we’ve seen powerful people brought down due to accusation, even when there is no trial and the complaint is that accusations mean there is no “due process.”

Seattle Theaters Forge Ahead with Openings

"The Fifth Wave" at Macha Theatre Works

Despite the brisk wintery air of February and attendant struggles with in-person entertainments, Seattle theater companies continue to provide and protect as much as they can. Some are postponing, but others are forging ahead. We’ve got world premieres and a national tour to see. Get your ids and your shot records ready, mask up and go!

Dragon Lady/Dragon Mama, Café Nordo (in repertory), 2/1/22-3/6/22
Sara Porkalob, solo performer extraordinaire, began a planned trilogy of memoir/biography plays with Dragon Lady: It is the year of the Water Dragon and the eve of Grandma Maria’s 60th birthday. By the light of the karaoke machine, fueled by pork dumplings and Diet Pepsi, she shares a dark secret from her Filipino gangster past with one lucky grandchild. Traversing 50 years of faulty family memories, this timely new musical is about what it means to come to America.

Her second play, Dragon Mama, continues down the generation from grandmother to mother.

Maria Porkalob, Jr., yearns for a gayer, more POC-filled life than Bremerton, WA, can offer. When presented with an opportunity to make a quick fortune, Maria must make an important decision: leave her debt-ridden mother, four young siblings, and newborn daughter Sara for the wild unknown of Alaska, or stay close to home, family, and intergenerational trauma. Traversing 25 years filled with queer love in a barren land, Dragon Mama features ghosts, Filipino gangsters, and a dope ‘80s and ‘90s soundtrack.
These play in repertory, and can be seen without Nordo’s traditional “meal and show” and are offered on the eve of Porkalob’s departure (finally, after a covid-delay of many months) to perform in a Broadway show.
www.cafenordo.com
 
Photograph 51, UW School of Drama, 2/2/22-2/6/22
London, 1953. Scientists are on the verge of discovering what they call the secret of life: the DNA double helix. Providing the key is driven young physicist Rosalind Franklin. But if the double helix was the breakthrough of the 20th century, then what kept Franklin out of the history books? A play about ambition, isolation, and the race for greatness.
www.drama.washington.edu
 
Red Riding Hood, Seattle Children’s Theatre, 2/1/22-3/6/22 (world premiere)
Fairytale Farce! Wolfgang (Conner Neddersen), the greatest actor in the world, is preparing for the performance of his lifetime in the “true story” of Red Riding Hood when a Delivery Driver (Claudine Mboligikpelani Nako) carrying a mysterious package interrupts his rehearsal. She boldly calls into question Wolfgang’s story, adamant that he should only tell the classic tale. As their story flourishes, a madcap romp through the popular fairy tale ensues. This lively adaptation reminds us that when something is important, bravery knows no bounds.
https://www.sct.org/onstage/productions/red-riding-hood-2/

Voices and Talent Shine in “Songs for a New World” but the songs are not so shiny

 

Songs for a New World (Gabriel Corey)

Songs for a New World
Village Theatre
Issaquah: through Feb 13, 2022, Everett: Feb 18-Mar 13, 2022
 
My experience in attending this musical ran along two very, very different tracks. The first track was glorious! I was attending a musical again at Village Theatre and there were four hugely talented performers on stage. I didn’t feel like four was too few; I did not feel like the harmonies were “light” because there were only four singers.
 
The talented quadruplet filled the stage, harmonized beautifully, and satisfied everything about the performance one could want. Maria Habeeb has a lovely soprano that flows easily and sweetly. Alexandria Henderson has an edge and a keen sense of drama that reflects in her voice. Tyler Dobie’s face showed every single emotion, even fleeting ones, as he felt each emotion in a song. Cal Mitchell is energetic and powerful and sometimes scene-stealing.

January Theater is Alive and Happening!

 

Bohemia (Truman Buffett)

It’s a bit later in the month than usual, but there are some great shows still scheduled for this blustery month. So far, no theater listed here has cancelled, but always check just in case! It looks like a pretty glorious month of shows.

Songs for a New World, Village Theatre, 1/12/22-3/13/22
(Issaquah 1/12/22 to 2/13/22 | Everett 2/18/22 to 3/13/22)
It’s actually the Puget Sound premiere of the show by Jason Robert Brown (which is a bit surprising), featuring powerful songs of life, love, the choices we make, and the hope they inspire. This production embraces life’s challenging events and strives to show us that renewal and survival is always within reach. This is an all-BIPOC cast of all-star performers.
www.villagetheatre.org
 
Fannie: The Music And Life Of Fannie Lou Hamer, Seattle Repertory Theatre, 1/14/22-2/13/22
Locally cherished playwright, Cheryl L. West, pens a bioplay. Fannie: The Music and Life of Fannie Lou Hamer tells the impassioned story of American civil rights activist and hero, Fannie Lou Hamer. Part theater, part revival, and all power – this play with music will have your head nodding and hands clapping from start to finish. From her humble origins as the daughter of a Mississippi sharecropper to co-founding the Mississippi Freedom Democratic Party and demanding recognition at the National Democratic Convention, Fannie is a story of justice that will not be denied. (Solo performer)
www.seattlerep.org
 
Bohemia, Marxiano Productions, 1/20-30/22 (at the Triple Door)
The story centers around famous Bohemian composer Antonín Dvorák who has hit a wall prior to composing his magnum opus. In a move of desperation he turns to a bottle of absinthe for inspiration. In this whimsical and mystical dream cabaret, Dvorák is visited by the ghost of late composer Frédéric Chopin and a host of green fairies. Chopin and many other famous Bohemians guide Dvorák as they search for the true source of inspiration and grasp at artistic immortality.
www.thetripledoor.net