To that end, the annual critics’
award still chugs along, at least for one more year. Spanning dozens of theater
companies and productions, from large and prominent to small and humble,
the Gypsy Rose Lee Awards honor the excellence found in as
much professional theater as we reviewers can attend in a year. Named in honor
of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a
nod to the vast numbers or theater practitioners forced to travel the country
to earn their living, the Gypsys seek
to acknowledge the excellence of the Seattle theater community. (The group’s online
presence is at www.facebook.com/SeattleTheaterWriters.)
The winners will be announced February 1,
2019.
And without further ado, arranged in
33 categories in two divisions (Large Theaters and Small Theaters). the 2018 Gypsy Rose Lee Award Nominees
are (by category, in alpha order by name):
Excellence in Production of a Play:
(Large Theaters):
Frost/Nixon
- Strawberry Theatre Workshop
|
Native Gardens - Intiman Theatre
|
The Picture of Dorian Gray - Book-It Repertory Theatre
|
The Wolves
- ACT Theatre
|
Two Trains Running - Seattle Repertory Theatre and Arena Stage
|
(Small Theaters):
An Octoroon
- ArtsWest
|
Hand to God
- Seattle Public Theater
|
Hir -
ArtsWest and Intiman Theatre
|
Skeleton Crew
- ArtsWest
|
The Nether
- Washington Ensemble Theatre
|
Excellence in Production of a
Musical:
Annie -
5th Avenue Theatre
|
Hairspray
- Village Theatre
|
Kiss Me, Kate
- 5th Avenue Theatre
|
Lady Day at Emerson's Bar and Grill - ArtsWest
|
The Noteworthy Life of Howard Barnes - Village Theatre
|
Excellence in Direction of a Play:
(Large Theaters):
Juliette Carrillo - Two Trains Running
(Seattle Repertory Theatre and Arena Stage)
|
Sheila Daniels - The Wolves (ACT Theatre)
|
Rosa Joshi
- Richard III (Seattle Shakespeare
Company and upstart crow collective)
|
Malika Oyetimein - And in This Corner: Cassius
Clay (Seattle Children's Theatre)
|
Victor Pappas
- The Picture of Dorian Gray
(Book-It Repertory Theatre)
|
(Small Theaters):
Peggy Gannon
- Year of the Rooster (MAP Theatre)
|
Kelly Kitchens - Hand to God (Seattle
Public Theater)
|
Jay O'Leary
- Skeleton Crew (ArtsWest)
|
Brandon J. Simmons - An Octoroon (ArtsWest)
|
Jennifer Zeyl
- Hir (ArtsWest and Intiman
Theatre)
|
Excellence in
Direction of a Musical:
Valerie Curtis-Newton - Lady Day at
Emerson's Bar and Grill (ArtsWest)
|
Brandon Ivie
- The Noteworthy Life of Howard Barnes
(Village Theatre)
|
Steve Tomkins and Timothy McCuen Piggee
- Hairspray (Village Theatre)
|
Excellence in
Performance in a Play as a Lead Actor (Male):
(Large Theaters):
Andre G. Brown - And in This Corner: Cassius
Clay (Seattle Children's Theatre)
|
Jim Gall -
Native Gardens (Intiman Theatre)
|
Eugene Lee
- Two Trains Running (Seattle
Repertory Theatre and Arena Stage)
|
(Small Theaters):
Evan Barrett
- Hir (ArtsWest and Intiman
Theatre)
|
Ben Burris
- Hand to God (Seattle Public
Theater)
|
Lamar Legend
- An Octoroon (ArtsWest)
|
Ryan Schlecht
- ASL Midsummer Night's Dream
(Sound Theatre Company)
|
James Weidman
- The Nether (Washington Ensemble
Theatre)
|
Excellence in
Performance in a Musical as a Lead Actor (Male):
Joshua Carter
- The Noteworthy Life of Howard Barnes
(Village Theatre)
|
Joshua Castille and E.J. Cardona - The Hunchback of Notre Dame (5th
Avenue Theatre)
|
Nick DeSantis
- Hairspray (Village Theatre)
|
Timothy McCuen Piggee - Annie
(5th Avenue Theatre)
|
Excellence in
Performance in a Play as a Lead Actor (Female):
(Large Theaters):
Mary Ewald - Timon of Athens (Seattle Shakespeare Company)
Sarah Harlett - Richard III (Seattle Shakespeare Company and upstart crow
collective)Kirsten Potter - Ibsen in Chicago (Seattle Repertory Theatre)
Amy Thone - Frost/Nixon (Strawberry Theatre Workshop)
Dedra D. Woods - Wild Horses (Intiman Theatre)
(Small Theaters):
Nabilah Ahmed
- A Small History of Amal (Forward
Flux Productions and Pratidhwani)
|
Sunam Ellis
- Hand to God (Seattle Public
Theater)
|
Tracy Michelle Hughes - Skeleton
Crew (ArtsWest)
|
Gretchen Krich - Hir (Artswest and
Intiman Theatre)
|
Eleanor Moseley - Wit (SecondStory
Repertory)
|
Excellence in
Performance in a Musical as a Lead Actor (Female):
Caitlin Frances - Disenchanted (Mamches
Presents)
|
Cayman Ilika
- Kiss Me, Kate (5th Avenue
Theatre)
|
Felicia Loud
- Lady Day at Emerson's Bar and Grill
(ArtsWest)
|
Excellence in
Performance of a Play as a Supporting Actor (Male) - any non-lead:
(Large Theaters):
William Hall Jr. - Two Trains Running
(Seattle Repertory Theatre and Arena Stage)
|
Chip Sherman
- And in This Corner: Cassius Clay
(Seattle Children's Theatre)
|
Brandon J. Simmons - The Picture of Dorian Gray
(Book-It Repertory Theatre)
|
Michael Winters - Timon of Athens (Seattle Shakespeare Company)
|
Joseph Steven Yang - The Great Leap (Seattle
Repertory Theatre and Denver Center for the Performing Arts Theatre Company)
|
(Small Theaters):
Jose Abaoag
- An Octoroon (ArtsWest)
|
Martyn G. Krouse - Hand To God (Seattle
Public Theater)
|
Charles Leggett - Hir (Artswest and
Intiman Theatre)
|
Christopher Quilici - Peerless (ArtsWest)
|
Shane Regan
- Year of the Rooster (MAP Theatre)
|
Excellence in
Performance of a Musical as a Supporting Actor (Male) - any non-lead:
Peter Crook
- Hairspray (Village Theatre)
|
Chris Ensweiler - Matilda (Village
Theatre)
|
Jeff Steitzer
- The Noteworthy Life of Howard Barnes
(Village Theatre)
|
Excellence in Performance of a Play as a Supporting Actor (Female) - any non-lead:
(Large Theaters):
Cheyenne Barton - The Wolves (ACT Theatre)
|
Julie Briskman - Timon of Athens (Seattle
Shakespeare Company)
|
Christine Marie Brown - The Wolves
(ACT Theatre)
|
Sarah Harlett
- Frost/Nixon (Strawberry Theatre
Workshop)
|
Annette Toutonghi - Ibsen in Chicago
(Seattle Repertory Theatre)
|
|
Excellence in Performance
of a Musical as a Supporting Actor (Female) - any non-lead:
Ann Cornelius - Matilda (Village Theatre)
Lisa Estridge - Mamma Mia (5th Avenue Theatre)Robyn Hurder - Kiss Me, Kate (5th Avenue Theatre)
Shaunyce Omar - Hairspray (Village Theatre)
Jasmine Jean Sim - The Noteworthy Life of Howard Barnes (Village Theatre)
Excellence in
Performance as an Ensemble:
(Large Theaters):
And in This Corner:
Cassius Clay - Seattle Children's Theatre (Sydney Andrews, Andre G. Brown, Andrew
Lee Creech, Brace Evans, Bria Samone Henderson, Lamar Legend, Charles Leggett,
Cobey Mandarino, Chip Sherman)
Native Gardens - Intiman Theatre (Julie
Briskman, Sophie Franco, Jim Gall, Phillip Ray Guevara, Gloria Alcala, Yolanda
Suarez)
The Picture of
Dorian Gray - Book-It Repertory Theatre (Ian Bond, Anastasia Higham, Imogen Love,
Jon Lutyens, Michael Patten, Chip Sherman, Brandon J. Simmons, Jon Stutzman)
The Wolves - ACT Theatre (Cheyenne
Barton, Emma Bjornson, Christine Marie Brown, Madilyn Cooper, Meme Garcia,
Rachel Guyer-Mafune, Emilie Hanson, Alyssa Norling, Zoe Tziotis Shields, Martha
Kathryn Smith)
Two Trains Running - Seattle Repertory Theatre
and Arena Stage (Eugene Lee, Nicole Lewis, William Hall Jr., Carlton Byrd,
Reginald Andre Jackson, David Emerson Toney, Frank Riley III)
(Small Theaters):
5 Lesbians Eating A
Quiche -
Fantastic.Z Productions (Jessica Severance, Jana Gueck, Jane Martin, Jessica
Stepka, Alexandria Stevens)
A Small History of
Amal - Forward
Flux Productions and Pratidhwani (Nabilah Ahmed, Gurvinder Pal Singh, Abhijeet
Rane, Meenakshi Rishi, Varsha Raghavan, Jay Athalye)
An Octoroon - ArtsWest (Lamar Legend, Mike
Dooly, Jose Abaoag, Jessi Little, Heather Persinger, Dedra Woods, Jéhan
Òsanyìn, Jazmyne Waters)
Hand to God - Seattle Public Theater (Ben
Burris, Sunam Ellis, Arjun Pande, Hannah Mootz, Marty Krouse)
Hir - Artswest and Intiman Theatre
(Gretchen Krich, Charles Leggett, Adrian Kljucec, Evan Barrett)
Skeleton Crew - ArtsWest (Tracy Michelle
Hughes, Allen Miller III, Charles Wright, Allyson Brown)
Year of the Rooster - MAP Theatre (Brandon Ryan,
Shane Regan, Mia Morris, Zenaida Rose Smith, Lantz Wagner)
Excellence in Set
Design:
(Large Theaters):
Catherine Cornell - MAC BETH (Seattle
Repertory Theatre)
|
Shawn Ketchum Johnson - Richard III
(Seattle Shakespeare Company and upstart crow collective)
|
Misha Kachman
- Two Trains Running (Seattle
Repertory Theatre and Arena Stage)
|
Pete Rush
- The Picture of Dorian Gray
(Book-It Repertory Theatre)
|
Matthew Smucker - Matilda (Village
Theatre)
|
(Small Theaters):
Lex Marcos
(with Mandy Greer) - Parliament Square (Pony World Theatre)
|
Christopher Mumaw - Hand to God (Seattle
Public Theater)
|
Tristan Roberson - The Nether (Washington
Ensemble Theatre)
|
Julia Hayes Welch - An Octoroon (ArtsWest)
|
Burton Yuen
- Skeleton Crew (ArtsWest)
|
Excellence in
Costume Design:
(Large Theaters):
Ron Erickson
- The Picture of Dorian Gray
(Book-It Repertory Theatre)
|
Alex Jaeger
- Hairspray (Village Theatre)
|
G.W. (Skip) Mercier - Ibsen in
Chicago (Seattle Repertory Theatre)
|
Rose Pederson
- The Noteworthy Life of Howard Barnes
(Village Theatre)
|
Melanie Taylor Burgess - Matilda
(Village Theatre)
|
(Small Theaters):
Cherelle Ashby and Jonelle Cornwell - She Kills Monsters (Theater Schmeater)
|
Amy Baldwin
- 5 Lesbians Eating a Quiche
(Fantastic.Z Productions)
|
Kat Henwood
- The White Snake (ReACT Theatre)
|
Sadiqua Iman
- Skeleton Crew (ArtsWest)
|
Pete Rush
- Hir (Artswest and Intiman
Theatre)
|
Excellence in
Lighting Design:
(Large Theaters):
Robert J. Aguilar - MAC BETH (Seattle
Repertory Theatre)
|
Geoff Korf
- Richard III (Seattle Shakespeare
Company and upstart crow collective)
|
Sherrice Mojgani - Two Trains Running
(Seattle Repertory Theatre and Arena Stage)
|
Andrew D. Smith - The Picture of Dorian Gray
(Book-It Repertory Theatre)
|
Matthew Webb
- The Journal of Ben Uchida: Citizen
13559 (Seattle Children's Theatre)
|
(Small Theaters):
Ryan Dunn
- The Nether (Washington Ensemble
Theatre)
|
Emily Leong
- Peerless (ArtsWest)
|
Thorn Michaels - Hand to God (Seattle
Public Theater)
|
Thorn Michaels - Ironbound (Seattle
Public Theater)
|
Rick Paulsen
- Lonely Planet (AJ Epstein
Presents)
|
Excellence in Sound
Design:
(Large Theaters):
Erin Bednarz
- MAC BETH (Seattle Repertory
Theatre)
|
Brendan Patrick Hogan - Frost/Nixon
(Strawberry Theatre Workshop)
|
Johanna Melamed - The Picture of Dorian Gray
(Book-It Repertory Theatre)
|
Christopher Walker - Ride the Cyclone (5th
Avenue Theatre and ACT Theatre)
|
Rob Witmer and
Meghan Roche - Richard III (Seattle Shakespeare
Company and upstart crow collective)
|
(Small Theaters):
D.R. Amromin
- Silhouette (Annex Theatre)
|
Mariah Brougher - The Nether (Washington
Ensemble Theatre)
|
Stephon Jamaa'l Dorsey - Skeleton
Crew (ArtsWest)
|
Matt Starritt
- An Octoroon (ArtsWest)
|
Rob Witmer
- Hand to God (Seattle Public
Theater)
|
Excellence in
Musical Direction:
Dennis Castellano - The Hunchback of Notre Dame
(5th Avenue Theatre)
|
Zhenya Lavy
- The MaidsVexations (Akropolis
Performance Lab)
|
RJ Tancioco
- The Noteworthy Life of Howard Barnes
(Village Theatre)
|
Excellence in
Choreography or Movement:
Al Blackstone
- The Noteworthy Life of Howard Barnes
(Village Theatre)
|
Alice Gosti
(movement) and Peter Dylan O'Connor
(fight) - Richard III (Seattle
Shakespeare Company and upstart crow collective)
|
Michele Lynch
- Kiss Me, Kate (5th Avenue
Theatre)
|
Crystal Dawn Munkers - Hairspray
(Village Theatre)
|
Excellence in Local
Playwriting:
Christopher Dimond - The Noteworthy Life of
Howard Barnes (Village Theatre)
|
Nathan Kessler-Jeffrey - Don't Split
the Party (Transparent Storytelling Group)
|
Joy McCullough-Carranza - Smoke and
Dust (Macha Theatre Works)
|
Lauren Yee
- The Great Leap (Seattle Repertory
Theatre and Denver Center for the Performing Arts Theatre Company)
|
Y York - The Impossibility of Now (Thalia's
Umbrella)
|
Christopher Dimond and Michael Kooman - The
Noteworthy Life of Howard Barnes (Village Theatre)
Scotto Moore - Silhouette (Annex Theatre)David Molina - Two Trains Running (Seattle Repertory Theatre and Arena Stage)
Excellence in Video
Design:
Ahren Buhmann - Parliament Square (Pony World Theatre)Tristan Roberson - The Nether (Washington Ensemble Theatre)
Suzi Tucker - Veils (Macha Theatre Works)
No comments:
Post a Comment
This is a moderated comment section. Any comment can be deleted if the moderator feels that basic civility standards are not being met. Disagreements, however, if respectfully stated, are certainly welcome. Just keep the discussion intelligent and relatively kind.