New “Shrew” Lacks Love

Shrew - Jocelyn Maher and Rachel Guyer-Mafune (photo Giao Nguyen)

Shrew
Union Arts Center
Through 11/2/25
 
The blurb for this production, Shrew, said, “Girl meets boy. Girl hates boy. Girl agrees to marry boy against her will so her sister can get married too. Got it? Shrew uses the classic Shakespearian (Taming of the Shew) text — but inverted, upended, and overturned — to offer a modern-day perspective on how far we’ve come when it comes to love — and how far we still have to go.”
 
It is a new adaptation of Shakespeare’s The Taming of the Shrew. But the promise was perhaps oversold on the “modern-day perspective.” Many playwrights have been updating Shakespeare’s plays these days because we all know the 1500s were not shining examples of egalitarian attitudes towards women. Sometimes, people will argue that Shakespeare himself took great pains in some of his plays to empower his women characters, so there’s that.
 
The Taming focuses on Kate, an independent-minded woman who doesn’t suffer fools lightly, and as Shakespeare’s language portrays her, is rude and indifferent. She’s “untamable.” Because of her dowery – and maybe because she’s pretty, Petruchio decides to marry her and sets out to prove that he can tame her. Essentially, he starves her, isolates her, and demands that she learn to accept his word as the law.
 
And it’s a comedy. All this does not mean I dislike the play. It really does need to be contextualized for its time. And this is one of his more egalitarian storylines, in spite of the barbaric plot line.

October Theater Offers Mystery, Monsters, and World Premieres

Outside Mullingar (courtesy As If Theatre)

October looks like fun on our stages with quite a number of world premieres and a few shows with murder and mystery. Get out yer calendars!

The Coast Starlight (Michael Brunk)

The Coast Starlight
Now open through 10/19/25 (at Kennedy Catholic High School, 140 S. 140th St., Burien)
Burien Actors Theatre, https://battheatre.org/the-coast-starlight-2025
A young man with a life-changing secret boards a long-distance train, the Coast Starlight. With the help of his fellow travelers, who are reckoning with their own choices, he has roughly a thousand miles to find a way forward. This story of “what ifs” looks at what happens when we step beyond being strangers to connect, and how our interactions can change ourselves and others. A story about our capacity for invention and re-invention when life goes off the rails.
 
Outside Mullingar
10/2-10/25
As If Theatre, www.asiftheatre.com
Anthony and Rosemary are two introverted misfits who live on adjoining farms in the Irish countryside. Neighbors for generations, things come to a head when Tony Reilly, Anthony’s father, reveals his plan to disinherit him and sell the farm to another relative. As a feud simmers between the two families, old secrets, surprising truths, and long-hidden feelings threaten to emerge. In this quintessentially Irish story, the heartbreaking and the hilarious are woven together to create a deeply moving story of yearning, loss, family, romance, and the vulnerability of taking a chance on love.

Ms. Frankenstein's Monster (courtesy The Phoenix Theatre)

Ms. Frankenstein’s Monster
10/2-29/25
The Phoenix Theatre, https://www.tptedmonds.org/season18shows.html
You've never seen Frankenstein like this! Baron Frankenstein is down on his luck. The sparsity of viewers staying up to see his old monster on late, late TV shows depresses his ego and his credit at the bank. Can he renew his fame and fortune as a monster maker? Yes! He’ll create a football superstar cheered by millions. But his sister, Baroness Frankenstein, has her own ideas. She furtively creates a female monster attractive enough to become a Hollywood star. The town’s husbands are on one side, and their wives are on the other. The Baron commands his monster to destroy his sister’s. The reaction of the monsters at their first meeting is a tour de force of comic action.
 
Stage of Fools (world premiere)
10/3/25-11/2/25
Seattle Public Theater, www.seattlepublictheater.org
A scrappy feminist theater company is about to go under when it receives an offer it can't refuse: has-been ’80s action movie star Jake Stone will give it more money than ever dreamed of, if it will produce King Lear, with him in the titular role. Never mind that he's an entitled, egotistical blowhard. These women can survive anything for the sake of the theater they love...right? A world premiere written by local playwright Joy McCullough.