Rose Cano shines light on homeless with her play (her company eSe Teatro presents “Don Quixote and Sancho Panza: Homeless in Seattle” at ACT Theatre’s Central Heating Lab)

Rose Cano in a humorous moment pretending to be Don Quixote (courtesy Rose Cano)

Rose Cano has spent 19 years as a medical translator for patients at Harborview. She’s heard a lot of stories. Some of the stories from the emergency room and from homeless shelters formed the basis of the characters in the play Don Quixote and Sancho Panza: Homeless in Seattle she and her company eSe Teatro will present from September 10 to September 28 at ACT Theatre’s Central Heating Lab.

Rose, busy with (besides a full time job) running her theater company, directing, developing community, talks about the development of the play. She says it is her first multi-character play and “it’s my first fully produced full length play. I’ve done a few one person shows and written two bilingual musicals.

“2011 is when I got the idea. Working at Harborview in the emergency department, I saw a number of homeless Latinos on the weekends. We see highway accidents, violent crimes, jail inmates and indigent people. Based on some of the men – we see mostly men in the ER – some were gentlemen and some succumbed to the street. And I started to think about how they keep their dignity on the street.

25000 is a big number in James Lapan's solo show

James Lapan in his solo show 25,000 Posts (John Ulman)

James Lapan can teach you how to properly dig a post hole if you want to put up your own “For Sale” sign at your house. He’s a very thorough teacher, and while he teaches you, he tells you all kinds of other interesting tidbits about himself and his life. He says, about his show 25,000 Posts, “It’s 39 monologues about life love and real estate.”

In May, 2014, he has a two week stand at West of Lenin performing this show and he is remounting it at the Penthouse Theatre on UW Campus from September 12-14 (tickets at brownpapertickets.com - Jim says it’s basically by donation and no one will be turned away for lack of funds!).

I asked Jim about his playwriting experience. He says, “I tend to write a play every eight to ten years. I (recently) contributed to The Betty Plays, a collection of four short plays for Betty Campbell to play. (Note: Betty Campbell is a long-time Seattle actor who is getting to an age where standing and acting is a problem and four playwrights contributed to a special work where she specifically could act sitting down!) Mine was adapted from a news story about an 83 year old woman who had to land a plane when her pilot husband had a cardiac incident.

“(The seeds of this play came out of writing for a) 14/48 production in 2012. The theme was “how did this happen” and I wrote a play called “Short Sales” with a cartoon-like storytelling about how someone could end up with a house in a short sale situation. It was less fictional than I expected my writing to be.

Keep On Tapping: Greg McCormick Allen in "A Chorus Line" – Show #23 at the 5th Avenue Theatre

Greg McCormick Allen in A Chorus Line (Tracy Martin)

How you arrive at where your life is at can be quite surprising journey. Greg McCormick Allen says, “From what I’ve been told, I was taking drum lessons when I was 2 ½.  I’m not sure why I was taking drum lessons, but apparently, I really liked making noise but not sitting still. One day I heard a noise and wandered down the hall and there was a tap class going on. I indicated (to my mother that) I would like that. I’ve pretty much been doing it ever since!”

Greg is appearing in A Chorus Line at the 5^th Avenue Theatre and it’s his 23^rd show in that theater. It’s a pretty impressive number, and is mounting quickly. Almost every 5^th Ave show seems to have a role for Greg somewhere in it. At least lately! Not that the 5^th Ave is the only place you’ll see Greg. He’s also prepping to perform as Bert in Village Theatre’s Mary Poppins. Most people think that role is perfect for Greg at the perfect time in his life!

But back to his journey. Greg says, “My mom was from Texas and my father from Oregon and they adopted me when I was a couple of weeks old in Tacoma. They are not at all artistic. I’m not sure why they wanted to put me in all these lessons.” Well, we’re glad they did!

Intiman is all in with Angels in America

Adam Standley and Timothy McCuen Piggee in Angels (Chris Bennion)

(as printed in Seattle Gay News)

ANGELS IN AMERICA (Parts 1 and 2)
Intiman Theatre
Through September 21, 2014

Some people consider Angels In America: A Gay Fantasia on National Themes by Tony Kushner one of the great plays of the 20th Century. Some consider it one of the great plays about Gay characters ever. 

This is a sprawling play, spanning six plus hours, generally done in two parts (Part 1, Millenium Approaches and Part 2, Perestroika), that delves deeply into philosophical ideas of the meaning of life, love and whether angels are real, and that encapsulates the 1980s in the time of AIDS and Gay rights clashing and clanging for attention. 

Part of its genius is that it's incredibly funny; at the very same moments it's terribly tragic. The kind of laugh-and-cry-at-the-same-time moments where the characters themselves are reacting or where the audience finds relief in the humor while recognizing the pain. 

Farcical fun at Strawshop

Black Comedy (courtesy Strawberry Theatre Workshop)

Black Comedy

Strawberry Theatre Workshop

Through September 20, 2014

Black Comedy is an hour long one-joke play taken to extremes. Written by Peter Shaffer, known for some very serious plays (Equus, Amadeus) in 1965, its major conceit uses theater lighting to create a trick: when characters flip the house light switch to the “on” position, the stage is dark, and when there is no light in their stage house, lights are fully up on stage. You can say that the play hopes to illuminate what people do in the dark, if you’d like. Really though, it’s an opportunity for stage actors to pratfall their hearts out!

Strawberry Theatre Workshop is doing the play and it is pretty clear that the actors are having a grand old time. A very accomplished troupe is providing the laughs under the direction of Kelly Kitchens. This short play of a very long joke takes place in the living room of Brindsley Miller (Richard Nguyen Sloniker) who is going to meet his fiancee’s (Brenda Joyner) father (Michael Patten) in a moment. Brin is an artist and he’s also expecting the great – and rich – Georg Bamberger, who could turn him into a very in-vogue artist if he likes what he sees.

To gussy up the place, Brin has borrowed furniture from his neighbor (Rob Burgess) hoping the neighbor will stay away just long enough not to notice. Alas, the farce couldn’t continue without dashing those hopes. To make matters even worse, there is a power outage in the building and no one has any candles. A distraught neighbor (Emily Chisholm) comes in for safety, and the electrician (MJ Sieber) is mistaken for Bamberger. As if that wasn’t enough confusion, Brin has an ex-girlfriend (Allison Strickland) who shows up at the wrong time wanting to rekindle romance.

Seattle Musical Theater Starts New Season Liberated From Ugly Past

The cast of Man of La Mancha rehearsing at Seattle Musical Theatre (Photo: Roy Arauz)

(As printed in Seattle Gay News)

Seattle Musical Theatre is launching their 37^th season in a few weeks. They’re starting with Man of La Mancha and the lead role of Cervantes/Don Quixote is being played by Jeff Church. In many ways, that signifies enormous change for the somewhere-between-high-school-and-community-and-professional theater company.

SMT, renamed from the long-known CLO (Civic Light Opera), has been a very important presence in the Seattle musical community. Many of our veteran musical theater performers got their first out-of-school productions at this company. Many performers who went on to gain their Equity cards and perform at Village Theatre and the 5^th Avenue Theatre trod the boards at SMT first.

SMT has had a lot of struggles over the years, but last year’s credibility fiasco nearly succeeded in destroying the company altogether. Some of you who love musical theater might know what happened, but it is worth discussing what happened because the aftermath has produced some very very good changes. However, they are by no means out of the woods financially, so it’s important that you know you should definitely now start supporting this company. That’s especially true if you felt like you should stop supporting it last year.