Charming "Becky" shows off a great Dietz script

Veronica Tuttell and Jake Friang in Becky's New Car (Ted Jaquith)

Becky's New Car
Phoenix Theatre
Through May 1, 2016

Becky's New Car is a terrific script by Steven Dietz, a prolific playwright who spend half of each year here, so we can call him "local!" Part of its joy is that it showcases the life of a middle-aged woman. How many scripts can you think of, off hand, that have the main character be a woman, much less middle aged!? You can enjoy the play at Phoenix Theatre in Edmonds, a little theater that knows its comedy.

Becky doesn't have a terrible life, it's fairly ordinary. She's got a demanding but fairly ordinary job in a car dealership. She's got a loving, fairly ordinary husband who, less-ordinarily, pays attention to little things she likes and listens to her. She has a young adult son who lives at home, still, and so poses a fairly ordinary problem.

She also doesn't think of herself as a person who would do unusual things, like fall into an affair. Yet, here she is, meeting a rich widower, letting the rich widower mistake her for a widow, and somehow she's sitting in a car, driving to a party, wondering how she got here.

Café Nordo: To Savor Tomorrow – A gastrosongical delight!

The cast of To Savor Tomorrow (Bruce Clayton Tom)

Café Nordo: To Savor Tomorrow

Through June 5, 2016

Challenging noshes, creative cocktails, some singing and dancing, and a clichéd-to-laugh-at storyline are on available for an affordable price as Café Nordo reprises and revises one of its earlier ventures, To Savor Tomorrow.

It’s 1962. This James Bond knock-off flies you overseas on a transcontinental flight from Asia to Seattle, just in time for the World’s Fair. We meet several spies loading aboard as flight crew. Chinese spies Jiang Ping (Sara Porkalob) and her henchman (Richard Sloniker) are bar crew. Russian spy Svetlana Romanova (Opal Peachey) is a stewardess (no “flight attendants” yet). CIA agent Bob (Mark Siano) is a supposed pilot. They are all trying to get their hands on Professor Peter Proudhurst’s briefcase.

The professor (Evan Mosher) is educating passengers about new technology, genetically alterned grain, that will enable crops to feed thousands of more people as they become resistant to pesticides. Of course, in 2016, we have many opinions about whether that development by Monsanto and others made for better crops or much worse ones. The spies look at the seed technology in the briefcase as either a terror to avoid or a way to destroy America from within!

Episodes of BRASS - nuggets of good stuff amid a bit of chaos

Fatal Footsteps (Dave Hastings)

BRASS: Fatal Footlights

Theater Schmeater

Through April 30, 2016

There is a media conglomerate building, called BRASS. The brainchild of writers John Longenbaugh and Louis Broome, it includes radio and podcast episodes (via KIXI 880AM), stage presentations like the episode Fatal Footlights, now appearing at Theater Schmeater, and film. Their website is www.battlegroundproductions.org.

The stage presentation at The Schmee has some charming elements, including a lot of fun stage jokes. An example, the narrator, George Bernard Shaw (Matthew Middleton), questions what the audience would think of such a bare set without various pieces of furniture and even a door, and then instructs the audience to imagine them.

Let us not forget Tray’s “brownsville song” (Seattle Rep)

brownsville song (b-side for tray) (Chris Bennion)

brownsville song (b-side for tray)

Seattle Repertory Theatre

Through April 24, 2016

The 21^st century internet has made most of us much more aware of the tragedies occurring routinely in poor neighborhoods, riddled with gangs, and poorly policed. While it’s not “fun” to go see a sad story about a murder of a bright young man with a compelling future, Kimber Lee’s play, brownsville song (b-side for tray), layers in a beguiling central character, Tray (played adorably by Chinaza Uche) and a perhaps-cliché’d difficult family life to tell the story.

Lee’s play wants to shed light on the multitudes of young people killed each year in hard-to-police neighborhoods. Her subtitle, referencing the lesser side of records, the “b” side, reflects the desire to bring attention to people that don’t make the news and don’t get attended to. Lee started with a real person, Tray Franklin, who lived and died (in 2012) in Brownsville, a community in New York City. In an article in the program, Claire Koleske says that Franklin’s name wasn’t even included in news articles about his death.

I imagine those saying, “Another young man was gunned down in Brownsville today.” It’s a collective shrug. So, I admire Lee’s impulse to help us meet this aspiring boxer who dreamed of attending college.

Abba and Ryan are fun to watch, maybe in a comedy

Kiki Abba and Brandon Ryan in Belleville (Shane Regan)

Belleville

MAP Theatre

Through April 16, 2016

A loving couple, transplanted to Paris for the husband’s great job working with Doctors Without Borders, can have issues even after a long relationship spanning years. Maybe it’s because they’re in a foreign country, but slightly bigger cracks are developing between Abby (Kiki Abba) and Zack (Brandon Ryan) than they are used to.

The oh-so-very-American and “regular” couple at the heart of the beguiling Belleville, now staging by MAP Theatre, feels very accessible. The couple are cute and loving; their hassles seem on the edges of their relationship and not too threatening; maybe a good conversation will fix stuff.

We’re All Going to “The Other Place”

Amy Thone, Ray Gonzales and Jocelyn Maher in The Other Place (John Ulman)

The Other Place

Seattle Public Theater

Through April 17, 2016

Have you started forgetting things you used to dependably know? Names? Words? While scientists say that this phenomenon, which often starts in early 40s, is a normal part of aging, we also might start wondering if something more sinister is happening in our brains.

In The Other Place, now staging at Seattle Public Theater, Juliana (Amy Thone), a brain scientist, is pretty convinced that she could have brain cancer – a terrifying idea. What is clear is that the ground is shifting under her feet and her brain is not working the way it should.

Playwright Sharr White seems to like to embed mysteries in his plays. We recently were treated to another of his 90 minute one-acts, Annapurna, by Theatre22, which also had a mystery drive its action forward. In some respects, that play, with a singular mystery, was easier to understand than this play. This play seems to have several mysteries to unravel.