October Theater Openings for your pleasure

Don Darryl Rivera returns home (from starring for years on Broadway in Aladdin as Iago) to the 5th Avenue Theatre for Man of La Mancha (courtesy 5th Avenue)

October productions are fraught with big emotion. Catharsis awaits along with mystery and suspense. See what October has to offer. Note world premiere plays by locals Karen Hartman and Courtney Meaker are on tap.

Man of La Mancha, 5^th Avenue Theatre, 10/7-30/16

Local performer turned Aladdin’s Broadway Iago, Don Darryl Rivera, returns to perform in a multi-ethnic production of this classic musical. Inspired by one of the greatest novels in Western literature, Man of La Mancha enters the mind and world of the mad knight Don Quixote as he pursues his quest for the impossible dream. In a tale told by Author Cervantes himself, Quixote is against all odds, a man who sees good and innocence in a world filled with darkness and despair.

www.5thavenue.org

Forward Flux presents two one-acts of note: The Wedding Gift and The Summer House

The Wedding Gift (Joe Moore)

The Wedding Gift

Forward Flux Productions

(at Gay City Arts)

Through October 8, 2016

Chisa Hutchinson wrote a whole new language for her 80 minute play, The Wedding Gift! What’s fascinating is that by the end of the play, we understand a whole lot of it, or at least can clearly understand what has happened. Don’t worry, there’s some English in there, too.

Hutchinson turns the slavery story on its racial head in Forward Flux’s production. A white guy, Doug (Andrew Shanks) wakes up mostly naked in a strange, strange land. He doesn’t know how he got there, but once shackled and threatened, he realizes he’s a slave.

Cafe Nordo strays a bit with spooky show, better menu

Hotel Nordo (Bruce Clayton Tom)

Hotel Nordo

Café Nordo

Through November 20, 2016

Café Nordo continues their fun mission, creating new scripts paired with innovative menus, with Hotel Nordo. The atmosphere is of a spooky 125 year old former Pioneer Square hotel with lots of stories embedded in the walls. They attempt to evoke a history of dark deeds, while feeding squares of various courses for reasons revealed toward the end of the meal.

Their press release says, “Each plate of surrealist cuisine is paired with an episode of this Hotel's history, beginning with a 1927 wedding that ended in tragedy. Hotel Nordo tells four haunting tales of memories, death, loss, and regret. Audiences are encouraged to don their drop-waist dresses, spats, and boas and raise a toast at the ill-fated wedding that whets the Hotel’s appetite for human suffering.”

For a spoof-­tastic good time see STAGEright’s "Toxic Avengers"

Jessi Little not eyeballing Brian Lange in The Toxic Avenger Musical (Galen Wicks)

The Toxic Avenger Musical

STAGEright

(at Ballard Underground)

Through October 1, 2016

Joe DiPietro and David Bryan created a musical version of the 1984 film Toxic Avenger in 2008. It’s basically a spoof-takeoff of cartoon stories like Spiderman and there are no real surprises once the introductions are done. But it is very fun, especially when performed by some of Seattle’s most spooftastic performers.

In STAGEright's production, we have Brian Lange, Seattle’s geek heartthrob, who turns from the mild-mannered Melvin Ferd the Third (and a thin, querulous vocal style) to the hunky but eyeball dropping Toxy (and a powerful, hunky vocal). We have Ann Cornelius, the mama with the mostest as Ma Ferd and the hatingest mayor of Tromaville ever. We have Jessi Little stumbling blindly around as the silliest librarian west of the Mississippi.

Then there are the two hard-working ensemble members who get to be everyone else, and crack us up in every iteration: Sara Henley-Hicks and Nick Michael Watson. They play cops, robbers, henchmen, doowap backup dancers, best friends, and many others.

Spend time with "A Tale for the Time Being" at Book-It

Mi Kang at Nao in A Tale for the Time Being (John Ulman)

A Tale for the Time Being

Book-It Repertory Theatre

Through October 9, 2016

Book-It’s new production, A Tale for the Time Being, adapted from the Ruth Ozeki novel by Laura Ferri, is a heart-breaking and mesmerizing story. Book-It hired Desdemona Chiang to direct it, which was a great move, because she helps create a fluid and graceful rhythm to the production.

The tale has many flavors, including dark ones, but is all told first-person by Nao (Mi Kang), a sixteen year old in Japan, through her diary that has floated, carefully wrapped in plastic and a Hello Kitty lunchbox from Japan to the coast of Canada. A writer, Ruth (Mariko Kita) finds the package floating near her island home and becomes obsessed with the contents of the lunchbox.

Her husband, Oliver (a warmly geeky Michael Patten), contextualizes the lunchbox’s potential travel from the tsunami-wrecked Japan to Canada, and adds key moments of bird lore about various crow species that wind through the tale. Ruth reads passages of diary to Oliver as they try to unwind the mystery of Nao’s life.

"The Royale" perfection

The Royale (Chris Bennion)

The Royale

ACT Theatre

Through October 9, 2016

Sometimes, you can experience a stage production where everything is just about as perfect as it can be made. The Royale at ACT Theatre is one such production. This will be remembered for a long, long time if you get a chance to see it. I recommend it unreservedly for all people over about age 10!

This is a startlingly fast production at about 70 minutes that encompasses the challenge of Jay “Sport” Jackson (Jarrod M. Smith) to become the first African American heavy weight boxing champion of the world. The story is based on the real life Jack Johnson, who spurred many movies and documentaries of his accomplishments in the early 1900s.

We meet his trainer (G. Valmont Thomas), his promoter (R. Hamilton Wright), his sparring partner (Lorenzo Roberts) and his sister Nina (Zenobia Taylor). We are privy to the conversations and maneuvering to get him a fight with the white heavy weight champ that he longs to beat in order to break the color barrier. We hear about the formidable barriers, including the concerns of his sister, who is terribly afraid of what might happen to her and her children if he wins! This kind of concern is not the “usual fare” of under-dog plays.