New Meaker play, "The Lost Girls," has some spooks

The cast of The Lost Girls (Dangerpants Photography)

The Lost Girls

Annex Theatre

Through November 19, 2016

Courtney Meaker writes engaging and untypical and very “current” dialogue in her plays. Her characters do and say things you don’t often expect and talk about life in often-blunt and sometimes funny ways. Having lived here for a number of years, she’s off in Iowa studying how to be an even better playwright.

Her latest work, The Lost Girls, is on stage at Annex Theatre. It contains aspects that Meaker likes to include: women characters (in this case, only women characters) and characters of fluid or Gay sexual orientations. These aspects are still far under-represented in the vast theatrical universe, so her additions are generally making up for that, one play at a time.

The successful parts of this play include a lot of the dialogue and relationship building among the five camp counselor college-aged women who all have been recruited for the very first time to this spooky camp. Except one of them attended camp as a teen and tells them the tale of the foundation of the property and why it has that haunted reputation. And there’s an interesting “women empowered girls and got killed for it” story in there.

“The Big Meal” doesn’t fill one up much

The Big Meal (Chris Monsos)

The Big Meal

New Century Theatre Company

Through November 19, 2016

New Century Theatre Company aka NCTC has done some wonderful productions and for this play, The Big Meal, they have assembled a really good cast of actors and a good director, Makaela Pollock. This particular script by Dan LeFranc, however, didn’t convince me that it was essential to produce.

Since NCTC programs itself, it’s not always clear what drives them to choose the works they choose. In this case, this play is a progression of scenes over the course of one couple’s journey through meeting cute at a casual-dining restaurant and spanning some 40 or 50 years of their life together. Some have compared it to A Long Christmas Dinner by Thornton Wilder.

Taut, terrific “Dangerous Liaisons” takes the stage at ACT Theatre

Dangerous Liaisons

ACT Theatre

Through November 20, 2016

Begin with a beautiful “moment” of set (an ornate door here, a small French desk there, a divan) and add two handfuls of beautifully dressed and coiffed actors sailing through and around the set, mix in some biting sarcasm on love and fidelity, sprinkle a dash – or maybe two or three – of seduction, and you have the delicious recipe for a murderous dramedy. This is the world of Dangerous Liaisons at ACT Theatre.

The world of these pre-revolutionary French aristocrats is one of cards, wine, social one-upmanship and appearance of propriety. Christopher Hampton’s play, which you might have seen as a movie, strips away the velvet coating so we might see the toxic underground of a few particular combatants. Two in particular are hell-bent on revenge and winning. Or maybe winning and revenge.

Some of the biggest theater openings of the year are saved for November

Cast of Big Bad (Dangerpants Photography)

Three of the biggest musicals of the year are crammed into November. The 5^th Avenue kicks off the new national tour of Disney’s The Little Mermaid, starring our local favorite Diana Huey, who moved to NYC to forward her national career. She’ll be on the road for a year, after the Seattle debut! We wish her the best of experiences.

Village Theatre presents Singing in the Rain, which few of us have seen on stage. Make it rain, folks! ArtsWest brings us Peter and the Starcatcher, continuing the new efforts of this stalwart West Seattle theater to musicalize up our town.  In addition to that excitement, we also have upstart Reboot Theatre Company giving us the local premiere of a new off-Broadway musical, Fly By Night.

Then there is the anticipated arrival of King Charles III at Seattle Rep. It’s a big month!

Shatteringly good - "The Pride" by Theatre22

Angela DiMarco, Andre Nelson, Trevor Young Marston in The Pride (Margaret Toomey)

The Pride

Theatre22

(at 12^th Avenue Arts)

Through November 19, 2016

A shattering emotional catharsis awaits audience members who attend The Pride, now being staged by Theatre22 at 12^th Avenue Arts! Every SGN reader should make plans to see this production, if you can. It’s exceptionally well-acted, intelligently well-written, and is a great reminder of how far society has changed in a fairly short period of years regarding Gay life and issues.

It’s almost criminal that this play is Alexi Kaye Campbell’s first play, since it is so well-written. Perhaps more of his plays will be produced here in the near future, so we can experience the growth of his writing.

In The Pride, we meet Philip (Andre Nelson), Sylvia (Angela DiMarco) and Oliver (Trevor Young Marston) in two time periods: 1958 and 2008. But no, they don’t “age” – they are two different sets of characters with two different sets of concerns. In 1958, Philip and Sylvia are married and Oliver is a writer that Sylvia works with. In 2008, the three are all very contemporary friends.

Music elevates this sleek production of "Medea" even more

Sylvester Foday Kamara and Alexandra Tavares in Medea (John Ulman)

Medea

Seattle Shakespeare Company

Through November 13, 2016

A taut, sleek and musicalized version of Medea is on tap by Seattle Shakespeare Company. The normally unmusical drama includes original compositions by Shenandoah Davis that are aptly provided and allow a Greek Chorus to actually sing! This aspect elevates this well done production even more.

Ritualistically directed by Kelly Kitchens, the play runs about an hour and forty minutes straight through as the Euripides’ story of Medea unfolds on a spare, modern bedroom suite set by Andrea Bryn Bush. The translation used, by Kenneth McLeish and Frederick Raphael, feels contemporary and because of that feeling, it both helps the audience understand the words well, yet hurts the understanding of an ancient story.

Certainly, the language feels immediate and accessible, and with contemporary costuming by Chelsea Cook, it feels like it could be a story that happens today. But part of what we need to understand about Medea is that she is a woman “of her time.” Euripides wrote more than two thousand years ago about a woman treated as worthless when her husband decides to throw her over for a princess and a crown.