Little Mermaid is fun for the Whole Family

The wonderous visuals of Disney's The Little Mermaid (Mark Kitaoka)

Disney's The Little Mermaid

5th Avenue Theatre

through December 31, 2016

The new iteration of The Little Mermaid now at 5^th Avenue Theatre is entrancing and delightful! And it has so many local talents who are going on a year-long national tour that it makes me so excited for them!

Diana Huey, Dane Stokinger, Matthew Kacergis, Allen Fitzpatrick, Connor Russell, Kristin Burch, Brenna Wagner, Becca Orts, Taylor Niemeyer, Frederick Hagreen, and maybe others, are all folks who have perhaps grown up here or at least have performed on multiples stages here, and whom I have gotten to love seeing on stage.

The musical has all the songs you’d recognize from the hit cartoon video and some more that add background and richness to some of the favorite characters. Ariel (played with complete Disney-style enchantingness by Diana Huey) has more reasons why she doesn’t quite fit where she was born. Prince Eric (the dashing and to-die-for baritone Matthew Kacergis) has some lovely new songs to sing about how he loves the sea and looking for the voice of his love.

Seattle Men's Chorus gets Soul-ful

Up close with Paul Caldwell (courtesy Seattle Choruses)

Silver & Soul

Seattle Men’s Chorus

Benaroya Hall:

December 11, December 18, December 21, December 22, 2016

Everett Civic Auditorium, December 17, 2016

Rialto Theater, Tacoma, December 10, 2016

You know you’re in for a great concert from the very first moments of Seattle Men’s Chorus’ holiday concert! Titled Silver & Soul, this is where most subscribers will be introduced to new artistic director Paul Caldwell. He starts out with a drum!

Drummer John Stout gets center stage with a box drum and leads the chorus in a haunting, insistent, rhythmic song called Guadete, a sacred Christmas carol, which is thought to have been composed in the 16th century. (Michael Engelhardt is credited, perhaps as the arranger). Soloists Matthew Sherman, Tyler Stoops, and Nathan Wilson sound wonderful.

The concert is full of solemn and sacred music, as well as fun from Captain Smartypants, a cadre of dancers, some scarcely-clad reindeer, and an audience sing-along. The arrangements are tight and the men seem ready to ring in the season.

The Trial of Ebenezer Scrooge celebrates the Christmas spirit

The Trial of Ebenezer Scrooge (Eric Stuhaug)

The Trial of Ebenezer Scrooge

Taproot Theatre

Through December 30, 2016

While everyone, likely, is overly familiar with A Christmas Carol and Ebenezer Scrooge’s journey, playwright Mark Brown has come up with a twist that actually has some funny moments in it with The Trial of Ebenezer Scrooge. It sounds like Scrooge is on trial, but that’s not exactly true. In fact, a year after his life-altering visits by ghosts, it seems that crotchety Scrooge is back!

Scrooge (Nolan Palmer) has decided to take the Christmas Ghosts and Jacob Marley to court on charges such as trespassing, kidnapping, and assault! In a snappy presentation by Taproot Theatre, there are moments to chuckle at while some absurdities are on the docket.

Defense attorney Solomon Rothschild (Bill Johns) has all these clients to manage as well as Scrooge-like Judge Pearson (Steve Manning). In fact, the judge is more Scrooge-like than Scrooge in this version!

Treasure Island might be great counter-holiday programming

Geoffrey Simmons and Alex Silva in Treasure Island (John Ulman)

Treasure Island

Book-It Repertory Theatre

Through December 24, 2016

Shiver me timbers and hey ho me hearties, argh! If you haven’t read Treasure Island in longer than you want to remember, you might want to sail on over to Book-It Repertory to catch their new adaptation of Treasure Island, now on stage. This might be a brilliant idea of counter-programming against the regular holiday fare.

This is not a simple book to adapt. Not that they take on simple books! It has all kinds of adventures and a complicated plot involving double-crossing pirates and honor and treasure and doing right by your friends. It has sword fights and mutinies, and cannon fire.

In the middle of it all is an almost-thirteen-year-old boy, Jim Hawkins (a terrifically poised and talented Alex Silva). Jim’s life as a help-meet to his mother at an inn is turned upside down when his father dies and a blustery pirate, Billy Bones (Jim Gall), draws other disreputable types to the inn to find Bones’ treasure map.

Intriguing “King Charles III” at Seattle Rep

Robert Joy in King Charles III. Photo by Michael Doucett.

King Charles III

Seattle Repertory Theatre

Through December 18, 2016

The new and much anticipated play at Seattle Rep is King Charles III and it has a very intriguing premise. We all know that Queen Elizabeth II will die, like we all will at some point. That’s not very startling, and her son, Prince Charles, has been on tap to be king for a long time. Playwright Mike Bartlett supposes what a newly inherited King Charles might be like, and chooses some very contemporary problems to fold into the fantasy.

As the pomp and ritual of the Queen’s burial is ending, the new King Charles is presented with a bill to sign from the British Parliament by the Prime Minister. But it happens that the bill fundamentally restricts freedom of Britian’s famously rowdy and incendiary press. As Prime Minister Evans (a suitably restrained Ian Merrial Peakes) explains it, it seeks to reasonably prevent invasions of privacy like tapping of royal cell phones and then leaking photos and emails to the public (which we heard really happened in 2011).

Tapping and “Singing in the Rain” at Village

Singing in the Rain (Mark Kitaoka)

Singing in the Rain

Village Theatre

Issaquah: Through December 31, 2016

Everett: January 6-29, 2016

Village Theatre has perfectly cast its tap-happy production of Singing in the Rain! The entire ensemble has great energy and many of the roles have just the right actor on stage for it.

You have seen the movie numerous times. It’s a new experience on a theater stage, especially when people must perform all the way through what might have been many takes for the screen version.

The storyline is about the advent of the “talkies” when silent film suddenly finds itself dead in an instant, once audiences find out technology is capable of melding voice with picture. Lockwood and Lamont are a famous silent film duo and the studio has made a love story out of their relationship, for publicity only. With the advent of The Jazz Singer, they need to make a talkie, but Lina Lamont (the supremely funny and on-point Jessica Skerritt) has a terrible, screechy voice and can’t sing or act a lick. What to do?