Kevin Lin Mows Down “Greensward”

Greensward (Shane Regan)

Greensward

MAP Theatre

(World Premiere at 12th Avenue Arts)

Through July 29, 2017

Kevin Lin is fast becoming one of the go-to solid actors in our little town. Last year, he had two prominent roles in two very good productions. In Caught, at Seattle Public Theater, he played an artist and in Book-It’s adaptation of A Tale for the Time Being, he played a man forced to become a soldier even though he could not kill. In Ghostlight Theatricals’ January production of The (curious case of the) Watson Intelligence, he played three different Watsons with very different personalities.

Now you can catch him in the middle of a sci-fi dystopian thriller-comedy by MAP Theatre. It’s also a world premiere by R. Hamilton Wright called Greensward. Lin stars as scientist Dr. Timothy Hei who has invented a most amazing kind of grass – it never needs watering or fertilizer or weed-killer or thatching or even any particular soil, and it only needs mowing once a year!

Donald Byrd, Could You Do (IM)PULSE Again, Please?

(IM)PULSE (Nate Waters)

(IM)PULSE

Spectrum Dance Theater

(at Seattle Repertory)

June 15 to July 2, 2017

Mia culpa! I apologize to myself and to readers for not going to see (IM)PULSE earlier and letting you know how great it was so you would be motivated to go. This effort by Donald Byrd and his company, Spectrum Dance Theater, was a direct gut punch of excellence!

Byrd wanted to create a performance response to the shootings last June at the Pulse Nightclub in Florida. He wanted to make the point that it involved not just gay people and allies, but gay people of color in particular that were the predominant attendees. To do so, he created dance around two written pieces – a short verbal description of a horrific gay-bashing of a friend (by David Wojnarowicz who died of AIDS in 1992), repeated over and over, and a longer play by Brian Quirk, Marrow, that was adjusted to be performed by a solo performer.

The effect folds in aspects of historic gay-bashing and AIDS issues, and the effects on the internal struggles with anyone discovering s/he is LGBTQ and therefore not quite part of the mainstream America zeitgeist.

July Theater is HOT

Statements After An Arrest Under the Immorality Act (Dave Hastings)

Persuasion (Erik Stuhaug)

It’s July, so that means the Seattle Outdoor Theater Festival, at Volunteer Park, July 15th and 16th. It’s an opportunity to try to see all the “park shows” in one weekend, if you’d like. 16 performances by nine local theater companies on three stages over two days. Participating companies are GreenStage (Richard II and The Comedy of Errors), Seattle Shakespeare Company's Wooden O (Pericles and Much Ado About Nothing), Last Leaf Productions (The Comedy of Errors), Theater Schmeater (The Lion, The Witch and the Wardrobe), The 14/48 Projects (Coyote Tails), Freehold Theatre (Hamlet –Engaged), Jet City Improv (The Lost Folio), Young Shakespeare Workshop (Hamlet), and Shakespeare Northwest (Once Upon a Shakespearean Time). The full schedule for the festival is online. http://greenstage.org/sotf/ Of course, all these shows will be at other parks throughout July and into August.

There is also a lot of other really exciting theater to see this month, so take a look at this list and plan to catch some amazing entertainment.

What’s Drag Got to Do With It?

 

Timothy McCuen Piggee and Adam Standley in The Legend of Georgia McBride (Chris Bennion)

The Legend of Georgia McBride

ACT Theatre

Through July 2, 2017

Adam Standley continues to show his considerable talent for captivating a theater audience in his latest outing: The Legend of Georgia McBride at ACT Theatre by Matthew Lopez. The show is a rollicking good time (though maybe a bit “old fashioned” by now) as it focuses on a straight man becoming a drag queen (gasp! how shocking!).

Casey is at his wits’ end when his boss, Eddie, fires him from being an Elvis impersonator in order to let the boss’s cousin perform a drag show. And right when he bounced the rent check and finds out his wife, Jo, is pregnant! He’s asked to bartend, but then suddenly a drugged out drag queen fails her duty and who else is there to step in? Hurry, hurry, you must put on that dress and mean it!

There’s not a lot of mystery to the show. There’s just a lot of good time entertainment! The small cast is clearly having fun and the costumes and wigs put the entire show over the top!

“Braggsville” is Well Worth the Visit

The main characters in Welcome to Braggsville (Alabastro Photography)

Welcome to Braggsville

Book-It Repertory Theatre

Through July 2, 2017

The book, Welcome to Braggsville, by T. Geronimo Johnson, is branded as a sharp, incisive, and funny satire. The play, as adapted by Josh Aaseng and Daemond Arrindell for Book-It Repertory Theatre, is not particularly funny, though it keeps appellations such as sharp and incisive, and it is definitely challenging. It is extremely current, especially given the newly tragic death in “liberal Seattle” of another black person at the hands of the police. As much as we want to believe in some kind of post-racial society, we keep being shown that we have a long way to go to become what we may wish.

The topic at hand is whether our white, liberal conceits are pierce-able by reality on the ground and whether we can allow ourselves to learn and grow after setting aside our self-congratulations. The community that is teased the hardest, in the novel and play, is Berkeley college students. It begins with a diverse group of freshmen going to a party where one is supposed to put a dot “where you’d like to be touched.”

When they all put the dot in the middle of their foreheads, other party-goers excoriate them as lacking the sensibility to realize they were mocking Indians (the dots that are used to denote married or single) and after they are sent packing, they declare themselves the “four little Indians – from different tribes.” The four are: small-town Georgia white boy, D'aron (Zack Summers), feminist, white woman, Candice (Sylvie Davidson), the “kung fu comedian” Asian-American, Louis (Justin Huertas), and the black inner-city Chicagoan, Charlie (Dimitri Woods).

NCTC's "Realistic Joneses" Well Done but Reality Bites

Peter Dylan O'Connor and Brenda Joyner in The Realistic Joneses (Danielle Franich)

The Realistic Joneses

New Century Theatre Company

Through July 1, 2017

There is a terrific four-hander cast doing some lovely acting work and it’s easy to appreciate them doing so. The big problem with New Century Theatre Company’s production of The Realistic Joneses is that they’re doing The Realistic Joneses by Will Eno.

Will Eno’s play, Thom Pain (based on nothing) was a finalist for the Pulitzer Prize in Drama in 2005. It was produced at Seattle Repertory not long afterward in 2006 with stalwart actor Todd Jefferson Moore who has done many plays with great talent. However, my biggest memory of that experience was being yelled at by a solo actor for over an hour. I hated it. Not just didn’t like it…

That play is one of the number of times I have found a play to have won a Pulizter Prize or been a finalist and wondered just what the panel was smoking that caused them to make the choices they made.