Get Your Ticket for “Two Trains Running”

Carlton Byrd in Two Trains Running (Nate Watters)

Two Trains Running

Seattle Repertory Theatre

Through February 11, 2018

It is a satisfying feeling to know that Seattle Repertory Theatre is doing an August Wilson play and that you can depend on them doing Wilson proud! Their current production of Two Trains Running, a co-production with Arena Stage, is exactly that satisfying, soul-comforting excellence that you would hope to experience.

The cast delivers Wilson’s real-life-with-poetry dialogue beautifully, led by director Juliette Carrillo’s impeccable precision. The scenic design by Misha Kachman of the once-vibrant restaurant with the oddly flickering jukebox creates the ambience to sink into. Composer David R. Molina helps the scene changes become added bonus moments instead of dead silence. Period costuming by Ivania Stack effortlessly evokes the 1960s. Lighting by Sherrice Mojgani helps determine the times of day and evening as the slice of life clock runs through their Pittsburgh days.

WET Presents “Straight White Men”

Frank Boyd in Straight White Men (Chris Bennion)

Straight White Men

Washington Ensemble Theatre

Through February 2, 2018

Washington Ensemble Theatre just had something fairly unprecedented happen to them: their first show of 2018 was completely sold out for the entire run as of opening weekend! Straight White Men, by Young Jean Lee, had a couple of extra performances added but with that kind of demand, the only way you might see the production is if you choose to go and get on a wait-list for a performance.

Young Jean Lee is a genre-breaking playwright/performer who has come here on occasion with riveting shows hosted by On the Boards. Her pieces are exactly what On the Boards is famous for around here – like nothing you’ve ever seen before. Perhaps the sales are a reflection of her fame and draw. Perhaps it’s the topic – a hot one of white privilege.

Seattle Theater Writers announces the (7th Annual) 2017 Gypsy Rose Lee Awards!

Dreamgirls at Villlage Theatre (Mark Kitaoka)

Members of Seattle’s critics group, Seattle Theater Writers, announce the nominees of excellence in Seattle theatrical productions. This year’s nominee favorites include Ragtime from the 5th Avenue Theatre, Dreamgirls from Village Theatre, Hoodoo Love from Sound Theatre Company, Lydia from Strawberry Theatre Workshop and Teh Internet Is Serious Business by Washington Ensemble Theatre, with multiple nominations each.

Spanning dozens of theater companies and productions, from large and prominent to small and humble, the Gypsy Rose Lee Awards honor the excellence found in as much professional theater as we reviewers can attend in a year. Named in honor of the famed theater entrepreneur and Seattle native, Gypsy Rose Lee, and in a nod to the vast numbers or theater practitioners forced to travel the country to earn their living, the Gypsys seek to acknowledge the excellence of the Seattle theater community.

The winners will be announced January 26, 2018. ​

Timon of Athens Would be a 1%er Now

Mary Ewald and Peter Crook in Timon of Athens (John Ulman)

Timon of Athens

Seattle Shakespeare Company

Through Feb 4, 2017

We all know that Oprah was born dirt poor and achieved the American Dream and is part of the 1%. Maybe some people like her because she’s rich and she’s generous and she might give them a car….. What if she suddenly ran out of money and could no longer be generous and it means you will definitely not get the car? Would you dislike her then?

Besides the “born poor” part of above, that is the situation that Shakespeare puts Timon (Tie-mun) in. Seattle Shakespeare Company is presenting Timon of Athens.

Timon thinks that generosity means to give and not to receive. I think a lot of us would agree in general with that sentiment, thinking that to turn generosity into a transaction – I give and then I get – would negate the generous nature of the gift. Timon thinks that by doing this giving, he is cementing his friendships. Then he finds out he’s spent himself into penury and everything is lost.

What Was the Best Theater of 2017?

Carolyn Marie Monroe and Sofia Raquel Sanchez in Lydia (John Ulman)

It’s that time for the annual recounting of theater in the Seattle area. 2017 was a pretty great year for musicals. The 5th Avenue Theatre started off the year with a rousing version of Pajama Game with the by-now taken-for-granted wonderful local cast and then bookended the year with a warm, sweet Holiday Inn with another terrific local cast augmented by special guest Lorna Luft. They also provided a moving, historic and excellent production of Ragtime.

We sometimes need a reminder of just how strong our pool of musical performers is. Seattle has become a hub for new musical development and continues to strengthen as a “try out” venue for musicals heading for New York City. That brings more top talent to town to stay.

Village Theatre strengthened its already-strong new musical program by hiring Brandon Ivie to formalize his already created bi-coastal lifestyle and backing their new Beta Program (debuting this week with the next trio of developmental musicals). Their season provided my pick for Best Musical production of 2017: Dreamgirls! It was said to be on Steve Tomkins “bucket list” before he transitions from Village Artist Director and our fair community now has enough top African American talent that they can blow our socks off in productions such as these. Their vigorous productions of Newsies and Into the Woods were also a lot of fun.

What January Brings to Seattle Stages

From Crime + Punishment by Akropolish Performance Lab (Margaretta Campagna)

We’re off to an eclectic start to 2018 with all kinds of flavors of shows. We have musicals, and a new adaptation of Crime and Punishment, Shakespeare with a woman at the helm, David Frost and Nixon played by women, August Wilson and more!

Crime + Punishment, Akropolis Performance Lab, 1/5-13/18 (at West of Lenin)

Raskolnikov, a debt-ridden and disillusioned university drop-out, devises this theory … then acts upon it. After dehumanizing, robbing, and murdering a pawnbroker, Raskolnikov descends into a guilt-ridden fever dream where he is plagued by the ghosts of his crime and conscience. In this original adaptation of Dostoevsky’s master work, APL ventures into the lower depths of 19th-century St. Petersburg, where the mysteries of the Russian soul and intellect, crime and love are deeply, irrevocably entwined as we reveal the mind of a killer in his search for meaning and redemption.

https://www.artful.ly/akropolis

How to Break, Village Theatre, 1/5-14/18 (Part of the Beta Series – developmental musical)

Book and Lyrics by Aaron Jafferis, Songs and Lyrics by Rebecca Hart, Beatbox Score by Yako 440

Ignited by an electric collision of theatre, breakdancing, and lyrical flow, this new musical follows two teenage hip hop dancers as they battle not only their disease, but also the hospital caregivers, for control over their own bodies. With a score backed by a beatboxed soundscape of the patients’ breaths and IV beeps, tensions rise as race, class, and language create life-threatening rifts between the patients and their treatment team.

www.villagetheatre.org