Mike Daisey's "A People's History" - a riveting historic look at the U.S.!

Mike Daisey ready to begin (Angela Nickerson)

A People’s History

Seattle Repertory Theatre

Through November 25, 2018

Mike Daisey has an uncanny ability to cut subject matter down to bite-sized incisive bits of information. If you have never heard him opine, you owe it to yourself to pay a visit, at least once, to his current sit-down at Seattle Repertory Theatre!

This iteration, in A People’s History, Mike has decided to compare, in his roundabout, talk-about-everything-at-once way of discussing, his own public school history education during high school (the textbook used in his classroom) to Howard Zinn’s seminal book, “A People’s History of the United States.” He started, with Chapter 1, in 1492 when Christopher Columbus “sailed the ocean blue” over toward the New World. He’ll end, 18 specific performances later, in 2018. He says that is 27 hours of planned speaking, but those who attend Daisey performances know his 90 minute events are often at least 15 minutes longer. (There are 18 monologues; these are the "chapters"; they repeat once each during the run of this Seattle production.)

Sing Out, November! (Theater Openings)

Y York's play Framed (Tom Chargin)

Somehow, November programming seems to be primarily MUSICALS. If you love musicals, you’ll be really happy this month!

Lonely Planet, West of Lenin, 10/24/18-11/18/18

An intimate portrait of two friends at the height of the AIDS epidemic, Lonely Planet is set in small map shop on the oldest street in an American city. Growing increasingly fearful of the outside world, Jody, the shop owner, retreats inside his store and refuses to leave. Jody’s quiet denial is in sharp contrast to his fantastical and extroverted friend Carl, who repeatedly urges Jody to leave the store. Through Carl's surreal extravagance, the friends are forced to confront their lives and a vanishing community and come to terms with their place in a changing world.         “Lonely Planet was born in Seattle and written in Seattle, dedicated to two of Seattle’s finest actors [Laurence Ballard & Michael Winters],” states playwright and director Steven Dietz. “I am delighted to have the chance to bring it back home to Seattle.”

www.westoflenin.com

Muhammad Ali started life as Cassius Clay – Get to know him at SCT!

A moment from And in This Corner: Cassius Clay (Elise Bakketun)

And in This Corner: Cassius Clay

Seattle Children’s Theatre

Through November 25, 2018

“Float like a butterfly, sting like a bee.” That quote might immediately bring Muhammad Ali to mind. He was known for pithy poetic sayings and poetry and rhyming were signatures of his career. But before he was Muhammad Ali, he was Cassius Clay, a young boxer who trained hard and went to the Olympics, winning a gold medal in boxing.

Cassius Clay’s early days and the tumult of the Civil Rights era are the focus of a new play at Seattle Children’s Theatre, And in This Corner: Cassius Clay, by Idris Goodwin. Directed by newly-minted University of Washington MFA Malika Oyetimein, a robust cast beats out a rhythmic telling of his life from age 11 to his Olympic victory and the challenges along his way.

“Come From Away” Still Fun

The cast of Come From Away (Matt Murphy)

Come From Away

5th Avenue Theatre

Through November 4, 2018

If you saw the pre-Broadway production of Come From Away at the Seattle Repertory Theatre (co-produced by the 5th Avenue Theatre), you can be assured that the national touring post-Broadway production is still:

*a charm-filled, energetic performance.

*a simply designed, clean, homey set with musicians on stage.

*a stirring story about the immediate effects of the 9/11 bombings on airplanes currently in the air to arrive in the United States, air space declared “closed” and all flights being diverted to any close airport. 38 of them got diverted to a tiny town in Newfoundland called Gander.

*an uplifting account of how a tiny town of 9000 people and surroundings came together to provide for more than 7000 frightened passengers, plus exotic animals!

SWC Makes Jubilant Noise

Alexandria Henderson guest stars with SWC (Conrado Tapado)

Hear Me Roar

Seattle Women’s Chorus

October 12-13, Seattle First Baptist Church

October 20, 2018, Highline Performing Arts Center, Burien

The Seattle Women’s Chorus is making jubilant noise – it’s their 15th anniversary and their current concert focuses on energetic empowerment of women. Gathering this past weekend in the upstairs chapel of their normal basement rehearsal hall, the women performed a range of both classic songs and covers of up-to-date rockers. Saturday, they will perform in Burien, if you would love to see them and missed the Seattle performances.

The first song is a history of humble beginnings. “Genesis” says first there was “a potluck.” That belies a much longer story of struggle to convince the leaders of the already-venerable Seattle Men’s Chorus to stretch and add a Women’s Chorus. It was by no means a simple proposition and the growing pains were both difficult for some and a no-brainer for others at the same time.

Today, just as the Men’s Chorus is one of the largest male choruses in the world, the Women’s Chorus is one of the largest female choruses in the world. Yep, right here in Seattle! You’d think New York or Los Angeles would have bigger LGBTQ choruses, but you’d be wrong.

Stunning “A Thousand Splendid Suns”!

Rinabeth Apostol and Denmo Ibrahim in A Thousand Splendid Suns (Nate Watters)

A Thousand Splendid Suns

Seattle Repertory Theatre

Through November 10, 2018

TW: There is a peculiar difficulty for people (mainly female) who might want to see A Thousand Splendid Suns, the masterfully mounted co-production with San Francisco’s American Conservatory Theatre, which opened Wednesday at Seattle Repertory Theatre. Many hearts are torn and weeping from current politics, and this piece is likely to exacerbate that pain.

This is one of the most stunning pieces of theatricality to grace our stages – and for that reason, it would really be a shame if you miss it. It is a beautifully told tale with gorgeous technical aspects, top-of-their-game acting, and a sensitive adaptation by Ursula Rani Sarma of Khaled Hosseini’s book. The production is absolutely one of the highest level theatrical experiences one can have.

The story, however, is almost unrelentingly bleak. It accurately reflects women’s experiences in most of the world, even though it focuses on two women in Afghanistan around the time the Taliban take-over. Every horrible event in a woman’s life that you can imagine happens in this play. And then some.