Allyson Lee Brown and Ayo Tushinda in Bulrusher (Naomi Ishisaka) |
Bulrusher
Intiman Theatre
(at Jones Playhouse)
Through September 14, 2019
Eisa Davis’ play, Bulrusher, presented by Intiman
Theatre and directed by Valerie Curtis-Newton, is steeped - like black
tea - in atmosphere. Infused with music and poetic dialogue, there is a
measured pace, enough time to consider things. Set in a northern California
townlet, Boonville, everyone there knows everyone else and most of the folks in
the small nearby towns as well.
Boonville even has its own language, Boontling, that is a
real dialect they all made up together in the 1800s. But you don’t really have
to “harp the lingo” to understand what’s being said when they use those terms.
It’s pretty clear what anyone is saying.
The play’s main subject area is race and how the town
handles it. Boonville, as set in the mid-1950s, apparently was not nearly as
segregated as much of the rest of the United States. Black residents did not
have to use a back door and could buy things at local establishments. The
play’s namesake and main character is a mixed race 18 year old girl who didn’t
know she was “black” until she was 5, says Logger (Reginal Andre Jackson),
when he told her she was.