“Blood, Water, Paint” Renews

(Joe Iano)

Blood Water Paint

Macha Theatre Works

(at 12^th Avenue Arts)

Through October 6, 2019

2015 brought us the world premiere of a play by Joy McCullough about a little known 17^th Century painter, Artemisia Gentileschi, titled Blood Water Paint. As good art often does, it may have galvanized audience members to find out more about this amazing painter and appreciate her for many other aspects beyond her paintings.

In particular, we find an amazing tale of a 17-year-old girl in a highly restricted, patriarchal society, who was able to identify a sexual attack as rape, say so publicly, and accuse the man, Agostino Tassi, a well-known painter who had been her tutor, in court! How do we know? The transcript of the trial still exists!

However, the trial backfired on this young woman because in order to “prove” that she was telling the truth, they applied a torture mechanism to her fingers that destroyed her hands! This, in order to make sure she was really telling the truth, and to a painter! Somehow, she withstood the torture and the man was exiled.

So You Think You Know What Is Going To Happen?

Monika Jolly and Quinlan Corbett in People of the Book (Chris Bennion)

People of the Book

ACT Theatre

Through September 29, 2019

The Greek myth of the relationship between Jason (of the Argonauts) and Medea, a king’s daughter is one that can be seen to be a devil’s bargain. Medea bargains to help Jason in his quests if he marries her and takes her away with him. But while Medea is a great help to Jason, she also turns out to have uncanny and murderous tendencies and a lot of people end up dead.

An audience member of Yussef El Guindi’s world premiere play, now playing at ACT Theatre, could keep that myth firmly in mind as they watch the story of newly-celebrated author Jason (Quinlan Corbett) who has published a memoir about being a soldier in Iraq and saving and then marrying an Iraqi woman, Madeeha (Monika Jolly).

“Is God Is” channels mythology

Maya Burton and Kamaria Hallums-Harris in Is God Is (Chris Bennion)

Is God Is

Washington Ensemble Theatre and The Hansberry Project

Through September 23, 2019

It’s not likely that playwright Aleshea Harris is that familiar with local Book-It Repertory Theatre, but her dialogue-as-narration in her play, Is God Is, is strikingly like the “Book-It style” we’ve gotten used to. Twin sisters Racine (‘Cine) and Anaia (‘Naia) describe each other to the audience as they discuss a letter that has arrived from God. It’s from their mother, who they believed was dead, and from whom they have not heard for at least 18 years!

They describe their lives growing up in horrific-sounding foster care as they try to cope with the sudden news that their mother wants to see them. They speak of her as God because she “made” them, so therefore, they are beholden to her in the way they’d be to God.

They determine they need to go see her. The letter comes from a rest home in “Oscarville, MS/AL/FL/TX/TN/AR/KY, Dirty South” followed by a zip code so long that you lose track of the numbers. This helps put the journey on track to be “mythic” in nature. Outside of or bigger than real life.

Atmospheric “Bulrusher” is enjoyable, a little long

Allyson Lee Brown and Ayo Tushinda in Bulrusher (Naomi Ishisaka)

Bulrusher

Intiman Theatre

(at Jones Playhouse)

Through September 14, 2019

Eisa Davis’ play, Bulrusher, presented by Intiman Theatre and directed by Valerie Curtis-Newton, is steeped - like black tea - in atmosphere. Infused with music and poetic dialogue, there is a measured pace, enough time to consider things. Set in a northern California townlet, Boonville, everyone there knows everyone else and most of the folks in the small nearby towns as well.

Boonville even has its own language, Boontling, that is a real dialect they all made up together in the 1800s. But you don’t really have to “harp the lingo” to understand what’s being said when they use those terms. It’s pretty clear what anyone is saying.

The play’s main subject area is race and how the town handles it. Boonville, as set in the mid-1950s, apparently was not nearly as segregated as much of the rest of the United States. Black residents did not have to use a back door and could buy things at local establishments. The play’s namesake and main character is a mixed race 18 year old girl who didn’t know she was “black” until she was 5, says Logger (Reginal Andre Jackson), when he told her she was.

September “Back to Stage” Edition!

A moment from Blood Water Paint (Joe Iano)

September means “back to theater” as many companies launch their new seasons. There are some very exciting world premieres and major productions happening this month. Options abound for young children to old young-at-hearts! Check out this great list and mark your calendars!

My Son The Waiter – A Jewish Tragedy, Kirkland Performance Center, 9/5-29/19

Actor/comedian Brad Zimmerman’s story about the grit and passion required to ‘make it’ as an artist and the sweet rewards that come from never giving up on your dream. Specifically, Brad moved to New York City and “temporarily” waited tables for 29 years, while continuing to pursue his dream of comedic acting.

www.kpcenter.org

People of the Book, ACT Theatre, 9/6-29/19 (world premiere)

Playwright Yussef El Guindi’s new play mixes lust, jealousy, and post-traumatic stress bringing things between old friends to a boil. Jason is a veteran of the Iraq War who returns home to literary glory after writing an international best-seller, a heroic account of his wartime experience. His celebrity is underscored by his marriage to Madeeha, an Iraqi woman he saved in a house-to-house raid. When he reunites with old friends, Amir and Lynn, questions start to emerge about the veracity of the book and its particular patriotic American gaze.

www.acttheatre.org

Spoofing "Tomb Raider" is Hella Fun!

Raiha and Roundhill singing (Marcia Davis)

Indy Jones and the Raiders of the Last Temple of the Doomed Ark 
The Habit
(at the Bathhouse)
through September 28, 2019

If you like farce and bad jokes and good jokes and spoofing innie jokes and physical comedy - all on the theme of Indiana Jones movies, look no further than The Habit's newest show: Indy Jones and the Raiders of the Last Temple of the Doomed Ark. Casey Raiha as Indy and his side kick Marion (Helen Roundhill) - the woman he hates to love or who hates to love him or who loves to hate him or he loves to hate - brandish whips and climb mountains and battle nefarious Mark Siano characters with different accents. And they sing, too!

With help from onstage musicians and a cast of comic actors that are 150% serious about their comedy, this production goes great with generous libations and hot summer days and nights.

The Habit is known for their spoofy comedies. If you've seen them before, you know just what you're in for. If not, try mixing in The Sound of Music and other non-sequiturs to guess at while you laugh.

Kudos to Robin Macartney for pulling off inventive props for the show that have to hit their marks when the lights hit them! Costuming from Valerie Snyder is spot-on, too.

For more information, go to https://www.seattlepublictheater.org/indy-jones. Some shows may be sold out. Check for waitlist information.