It’s Definitely December! (Stage Openings)

The cast of The Bishop's Wife at Taproot (Erik Stuhaug)

As we close out the year and wait for the holidays, there are reprises galore and some counter-programming for those needing a break from the routine. Here are some of the productions opening in December.

The Bishop’s Wife: A Live Radio Play, Taproot Theatre, 12/1-28/19

Based on the classic Lux Radio Theatre broadcast starring Cary Grant, this original adaptation of the beloved holiday tale, adapted by Karen and Mark Lund, will fill you with warmth and nostalgia for the golden age of radio. Dudley is an angel and the answer to Bishop Brougham’s prayer to build a new cathedral. But when the angel turns his attention to the bishop’s friends and family, Dudley’s minor miracles require divine intervention.

www.taproottheatre.org

The cast of A Very Die Hard Christmas at SPT(Truman Buffett)

A Very Die Hard Christmas, The Habit Comedy and Marxiano Productions, 12/1-28/19 (at the Bathhouse Theater)

This musical parody borrows from the iconic film and promises lots of action, 80s jokes, smooth soft rock jams, and snarky German terrorists.

www.seattlepublictheater.org

“Howls Moving Castle” Casts a Charming Spell

Rachel Guyer-Mafune and cast in Howl's Moving Castle (Aaron Wheetman)

Howl’s Moving Castle

Book-It Repertory Theatre

Through December 29, 2019

A charming-though-complicated musical, Howl’s Moving Castle, has been crafted from a complicated book and is now making an updated and streamlined presentation at Book-It Repertory Theatre. Justin Huertas (music and lyrics) and Myra Platt (book adaptation) have mostly successfully captured the story, though if they’d trim a few more confusing details, it would feel a little less overwhelming to audiences that don’t already know the book or the movie.

The story focuses on the Hatter family, the mother, Fanny (Alyssa Keene), and daughters Sophie (Rachel Guyer-Mafune), Lettie (Fawn Ledesma), and Martha (Varinique “V” Davis). In the land of Ingary, a kingdom of magical properties where the story takes place, everyone has a particular job to do. Fanny decides that Lettie should apprentice at a bakery, Martha should learn spells, and Sophie should help run their hat shop. Sophie thinks her lot in life is to “never be successful” and tries to resign herself to it.

“Head Over Heels” is Go-Go Fun

Cast of Head Over Heels (John McLellan)

Head Over Heels

ArtsWest

Through December 29, 2019

Head Over Heels, a somewhat silly and slight musical, is very like another silly and slight musical, Xanadu, without roller skates. It’s also got a Greek theme for the story, and instead of original music, writer Jeff Whitty chose the musical canon of the girl-group The Go-Gos to include as the songs.

The Go-Gos’ music is really well integrated into the plot which makes familiar songs pop as story-forwarding content. That’s hard to do well, and is a credit to the writers.

What makes this musical a teeny tiny bit more substantial than Xanadu is that the language is somewhat Elizabethan, rather than American Teenagan, and the characters include a non-binary Greek oracle and lesbians. Still, it’s a feel-good and farcical evening that most of the family can enjoy together.

"Shout Sister Shout" - Great 'Jukebox' Musical or more?

A moment from Shout Sister Shout (Bronwen Houck)

Shout Sister Shout

Seattle Repertory Theatre

Through December 22, 2019

Did you know that Down By the Riverside was written by Sister Rosetta Tharpe? Did you know she was a prolific song writer of significant gospel songs, aside from being a virtuoso guitar player who can be credited with creating “rock and roll” and who influenced Elvis, Little Richard, Johnny Cash and more? I certainly didn’t know this.

In a rousing introduction to Rosie-etta at Seattle Repertory Theatre, you can learn more about this extraordinary woman and her life’s journey. The cast is stellar. Many are new to the Seattle stage and have been drawn in as if they are getting ready to charge back into New York City and take it by storm. Maybe that’s the plan for this play-with-music, Shout Sister Shout, by playwright Cheryl L. West, with support from her director Randy Johnson.

Fresh Choreo Enlivens “Guys and Dolls”

Cast of Guys and Dolls (Mark Kitaoka)

Guys and Dolls

Village Theatre

Issaquah: through December 29, 2019

Everett: January 3, 2020-February 2, 2020

“What’s playing at Village? I’ll tell ya what’s playing at Village: a thing about a guy who wants a doll but can’t stop gambling and needs a thousand bucks so his blood doesn’t make a big spillage. That’s what’s playing at Village!” (with apologies to Frank Loesser)

It’s an oldie but goodie, Guys and Dolls is! The almost three-hour musical classic is so good that you can examine it through and through and still probably can’t figure out what to cut to make it shorter. That’s class!

A splendid version is now at Village Theatre, helmed by stage vet Billie Wildrick who is making her name as a musical director more often these days. You might have seen Wildrick as Miss Adelaide at the 5^th Avenue in 2011.

Guest Post: Nathan Cox Writes About Saving "Jet City Improv"

Courtesy Jet City Improv

On the north end of the Ave in the University District, nearly every day of the year, there are people laughing at live theater in an old, bright yellow building with Jet City Improv painted across the front of it. In about a year that building will be gone, replaced by apartments. You’ve probably heard a similar story before, but you can do something about it now. We need your help and here’s why you should.

Growing up in Seattle, my parents surrounded me with all of the arts experiences that they could on a meager budget. This city felt like a vibrant, thriving space where you could experience most anything, but everything still felt like Seattle. I moved away to Whatcom County in 1995 and before I returned in 2011, I had fallen in love with improv, or improvisational theater. I’ve been performing, teaching, directing and watching a lot of shows in the past 15 years. Jet City Improv fast became my artistic home in Seattle, even if the arts friendly Seattle I grew up with has changed.