Special One Night Performance of Jason Robert Brown with Roosevelt High!

Jason Robert Brown in concert (Erika Kapin)

Roosevelt High students performing The Trumpet of the Swan (James Bernard)

The Trumpet of the Swan

Roosevelt High School

March 7, 2020

A very exciting event is happening this weekend (3/7, Saturday night, 7:00p.m.) at Roosevelt High School! Their theater department has paired with their orchestra program to present composer/musical writer Jason Robert Brown’s The Trumpet of the Swan. Not only that, but Jason Robert Brown is going to be there! Not only that, but he’s going to perform a special benefit concert after the school’s 70-minute presentation as a benefit!

The benefit is to help pay for subsidized tickets of K-8 students and for buses to bring them to hear the work. Tickets are on sale now at www.rhstheatre.net.

March Brings Fresh Theater – even if it showers

 

Lisa Estridge in Sister Act (Mark Kitaoka)

At least five world premieres are opening this month. That’s an impressive number! Look for puppetry and programming for the youngest audience member to the oldest. Find a company you’ve never been to before and take a chance on their work! Broaden your artistic horizon. Get outcher calendars!

Last Days of the Tsars, Witness, 3/1/20-3/22/20 (at Stimson-Green Mansion) (world premiere)

A fully immersive experience, Last Days of the Tsars will plunge the audience into Imperial Russia circa 1917. Surrounded by figures such as Tsar Nicholas II, Princess Anastasia, and Grigori Rasputin, audience members will be free to roam throughout Stimson-Green Mansion and follow whichever characters they please. Watch the unraveling of the Romanov household from an intimate vantage point, and explore the dark and mystical final days of the Russian Empire.

www.witnessimmersive.com

The Highest Tide, Harlequin Productions, 3/1-21/20

The beach talks to Miles O’Malley. Obsessed with all things aquatic, 13-year-old, stature-challenged Miles loves combing the tidal beaches near his Puget Sound home in the middle of the night. When one of his discoveries lands him unexpectedly in the news, he is launched into involuntary celebrity, shaking his world in a way that is only topped by the Nisqually earthquake.

www.harlequinproductions.org

Ugly (Black Queer Zoo), Washington Ensemble Theatre, 3/5-16/20

GUSH is WET’s series that presents contemporary theatrical works from artists outside of Seattle, curated by the Ensemble. Written, directed, and performed by the internationally recognized choreographer Raja Feather Kelly, this event is part dance theater and part pop culture collage about black queer subjectivity in the mainstream.

www.washingtonensemble.org

Victorian Murder-Fest Takes Over Cafe Nordo

Creepy moment in The Angel in the House (Bruce Clayton Tom)

The Angel in the House

Café Nordo

Through March 15, 2020

You’re invited to the home of Mr. Edmund and Mrs. Amelia Brown (David S. Hogan and Angela DiMarco) for New Year’s Eve, December 31, 1899. They and their close friends Fletcher and Clara James (Ray Tagavilla and Ayo Tushinde) and Dorian and Bertha Williams (Robin Ian HallSmith and Tatiana Pavela) will lead you through a mysterious ceremony during the celebration.

You’ll meet their trusty servant Daisy (Maddie Brantz) as well. But when Amelia’s “cousin,” Henry Smith (Jordi Montes) arrives and is suddenly found dead, the evening turns dark and forbidding.

The story of the evening was written and directed by Sara Porkalob. She chose this Victorian theme of religious righteousness (with overtones of blasphemy) and includes a feminist retribution of pagan origins.

Artistic Dilemma – When No Stories Have Been Told, Who Tells Some?

The cast of XY, Festival of New Musicals 2019 (Sam Freeman)

We’re awash, these days, in commentaries about cultural appropriation and who gets to tell stories about marginalized populations. The book American Dirt by Jeanine Cummins, sparked controversy as it was revealed that Cummins is not of Latinx heritage, though her book “tells the story of a Mexican mother whose husband is murdered by cartels and who flees to America with her son, “says an article in Daily Beast.

The article continues, “Despite the sky-high sales, the book has been dogged by claims of cultural appropriation for its representation of Latinos and the migrant experience. Author Jeanine Cummins is not Latina... Cummins, who is Irish-American, said she did hundreds of hours of research and interviews for the book but critics have said it simplifies and glosses over the reality of immigration.” (https://www.thedailybeast.com/myriam-gurba-author-who-sparked-american-dirt-controversy-placed-on-leave-amid-calif-teacher-abuse-probe)

But what exactly is cultural appropriation? A Huffington Post article states, “Cultural appropriation is defined as ‘the act of taking or using things from a culture that is not your own, especially without showing that you understand or respect this culture.’ While this sounds simple enough, … the lines between something that's obviously offensive (blackface) and something that might be considered as embracing another culture (exotic cuisine) can be blurry.” (https://www.huffingtonpost.com.au/2017/10/25/what-exactly-is-cultural-appropriation-heres-what-you-need-to-know_a_23253460)

Solving Nuclear Disaster So “The Children” Don’t Have To?

R. Hamilton Wright, Jeanne Paulsen, Carmen Roman in The Children (Nate Watters)

The Children

Seattle Repertory Theatre

Through March 15, 2020

Lucy Kirkwood’s contemporary play, The Children, includes unusual characters – retired nuclear scientists, and focuses on climate disasters with surprising ideas. Performing now at Seattle Rep, the play is both a kitchen sink drama, literally in the kitchen of a dingy decrepit farmhouse, and an exploration of a world-class dilemma.

It begins slowly and builds slowly. So, one must summon patience. We first see Hazel (Jeanne Paulsen) in this kitchen who is interrupted by Rose (Carmen Roman), an old friend/adversary. Rose has separated herself for years and it takes a fair while for her reasons for returning to fully emerge.

Hazel and her husband, Robin (R. Hamilton Wright), are living outside of an exclusion zone after a huge nuclear disaster. The area of the disaster, this time, is on the coast of some portion of the U.K. Kirkwood developed this play after the Fukushima disaster in Japan. So, their home and farm, inside the area, has become toxically irradiated. Electricity is regulated and scarce, so they can barely use devices like cell phones and computers and therefore are thrown back toward an older, non-technical way of life. But they’re coping.

Not much “Bliss” in new musical

Mario Cantone in Bliss (Mark Kitaoka)

Bliss

The 5^th Avenue Theatre

Through February 23, 2020

The new musical at the 5^th Avenue Theatre, Bliss, wants to turn fairy tales on their heads and to create a more modern and more feminist version. The writers, Emma Lively and Tyler Beattie, wrote about four princesses in one family who are all different and quirky, one from another.

Princess Carmella (Katy Geraghty) is a little rounder, a lot more gregarious than her sisters, and apparently a “good singer.” Princess Piper (Gizel Jimenez) is nerdy and scientific. Princess Faye (Kristolyn Lloyd) is the sword wielder and wants to slay dragons. Princess Holly (Claire Neumann) speaks to animals – even worms – and seems to be asexual or possibly non-binary, though no one ever speaks to her identity that way.