I’m working on expanding this list to include nearby cities
and towns and hamlets that are near enough to get to easily. But that means the
list for September is pretty massive. It’s exciting because it truly seems “back
to normal,” and is wonderful to see. Get outcher calendars!
Deep Purple Wiggle, Theatre
Battery, 9/1-10/23 (opened last week) (world premiere)
Milo Cramer writes
about Bro and Sibling who are twins in their thirties who, up until now, have
self-identified as dudes. When one comes out to the other as non-binary
(without either of them fully knowing what it means), a queer Pandora's box is
opened. A new comedy (with music) about contemporary masculinity. Theatre
Battery practices Radical Hospitality: No-Cost Admission for All!
https://theatrebattery.strangertickets.com
Matt & Ben,
Artswest, 9/7/23-10/1/23
From the mind of
multi-award-winning writer and actress Mindy Kaling, Matt
& Ben depicts its Hollywood
golden boys – before J-Lo, before Gwyneth, before Project Greenlight, before
Oscar… before anyone actually gave a damn. When the screenplay for Good Will
Hunting drops mysteriously from the heavens, the boys realize they’re being
tested by a Higher Power. A hilarious satire on the
real and imagined difficulties of pursuing a dream.
www.artswest.org
Autocorrect
Thinks I'm Dead, Sound Theatre Company, 9/7-30/23 (at 12th
Ave Arts) (world premiere)
Local playwright Aimee
Chou writes about three deaf friends moving into an old house during the
centennial anniversary of Alexander Graham Bell's 1922 death, unaware that
things go bump in the night. But when a vintage teletypewriter phone (TTY)
becomes a landline to the afterlife, the trio finds themselves in a madcap
caper of portals - between the hearing and deaf, and living and dead. Meshing
historic and technological realities with the theatrical absurd, this tale is
both a homage and a home to horror fans of all generations.
www.soundtheatrecompany.org
Dream Hou$e, Washington
Ensemble Theatre, 9/8-25/23
Set in a rapidly changing neighborhood, two sisters sign
up for a reality tv show to sell their childhood home after the passing of the
family matriarch. As Julia and Patricia perform for the camera, they confront
their own desires, aspirations, and the sacrifices they are willing to make to
achieve them. What is the cultural cost of progress in America? Is cashing in
always selling out?
www.washingtonensemble.org