Emily Chisholm in Bethany (photo Chris Bennion) |
by Laura Marks
ACT Theatre
through May 4
The new play, Bethany, at ACT Theatre moves so quickly and with such power that by the end, you may well feel a bit punched in the gut. Playwright Laura Marks likely does not expect you to like the characters in this play, but you can identify with them.
Director John Langs takes a spare script and amplifies moments with quiet scene play that illuminates the inner life of these characters, caught in 2009 in the devastation of the Great Recession. The play might be realistic and it might not. It teeters on the edge of the fantastical or allegorical with a (typically beautifully wrought) modern kitchen set design by Carey Wong, sometimes-haunting lighting by Andrew Smith and kickass sound design by Brendan Patrick Hogan.
(Side note: BPH's sound designs are things of beauty. It's not that the sound design is so well done that it does not fit the production, but that they fit the production so aptly and amplify it so deliciously that I just have to bust out and say so every once in a while!)