“Urinetown” Makes You Laugh Till You Wanna….

Mikko Juan and Mari Nelson in Urinetown (Jeff_Carpenter)

Urinetown the Musical

ACT Theatre and 5^th Avenue Theatre

(at ACT Theatre)

Through June 2, 2019

There is so much cheeky humor and sarcasm in this ACT Theatre/5^th Avenue Theatre joint production of Urinetown the Musical! Bill Berry’s direction is sharp and pointed. He emphasizes both the humor and an ultimately dark message that hits you on the way out the door. The choreography by Charlie Johnson fits the bill with fun all-company movement that really entertains.

The multi-staircased set by Martin Christoffel helps the audience get different scenes to watch without almost any large scene changes. Lighting by Robert Aguilar is particularly effective in helping us know where we should be looking.

“Marie, Dancing Still” Still Needs Steps, But Beautiful Design Work

Cast of Marie, Dancing Still (Paul Kolnik)

Marie, Dancing Still

5^th Avenue Theatre

Through April 14, 2019

It’s very apparent why young Tiler Peck was cast to dance the lead role as 14-year-old Marie, the piquant young ballet dancer, in the new musical, Marie, Dancing Still. She is energetic, charismatic, and extraordinarily watchable. Peck makes ballet dancing look easy! (There’s a line in the book – the script – about art/ballet looking easy when you don’t know anything about it, and it being very hard to do when you’ve practiced it forever…)

Peck, who is in just about every scene in this long musical, plays a poor ballet dancer whose mother had also danced but not been able to afford to stay in it long enough to “succeed” (meaning make a living that way). Her older sister, Antoinette (Jenny Powers) also didn’t succeed and now it’s Marie’s turn to try. Their hardscrabble life, with hard-drinking laundress mother (Karen Ziemba), is a precarious existence where small problems could spiral them into even worse circumstances.

Stunning "Returning the Bones" returns to stun again

Gin Hammond in Returning the Bones (John Ulman)

Returning the Bones
Written and performed by Gin Hammond
Book-It Repertory Theatre
(at Erickson Theatre)
through May 14, 2019

I saw an iteration of this production in 2010, as Gin Hammond was developing it. It was so solid then that I think much of her current production is similar to that stunning event. I truly regard her as one of our country's best solo artists. Here, she has created a play using a fascinating character in her own family.

Based on the life and times of her aunt, Dr. Carolyn (Bebe) Hammond Montier, it’s about Montier’s struggle, as an African-American, to achieve everything anyone might dream of, a medical degree, and her extraordinary opportunity, in 1946, to represent Howard University at a medical congregation in Europe following World War II. Montier also went to the concentration camp, Auschwitz, in Poland, where she saw bones of recent camp internees.

Rain or Shine, April Theater Obliges

Miranda Troutt in The Diary of Anne Frank at Seattle Children's Theatre (Zach Rosing)

Theatrical productions this coming month touch on politics, history, multicultural and multimodal performances, and include musicals and Shakespeare and Shakespearian interpretations. There’s drama and humor and everything inbetween, it looks like. Got your calendar up? Let’s get shows planned!

Represent! A Multicultural Playwrights Festival, Hansberry Project, eSe Teatro, SIS Productions and Pratidhwani, 3/31/19-4/3/19 (at Langston Hughes Performing Arts Institute)

Local Playwrights Showcase, 3/31, 4:00 PM, In Braunau by Dipika Guha, 3/31, 7:30 PM, Two Big Black Bags by Julieta Vitullo, 4/1, 7:30 PM, We, Too! by local Asian American performing playwrights, 4/2, 7:30 PM, Riverwood by Andrew Lee Creech, 4/3, 7:30 PM.

www.pratidhwani.org

The Diary of Anne Frank, Seattle Children’s Theatre, 4/4/19-5/19/19 (opens 4/5)

This sobering true story of two families hiding in Nazi-occupied Holland during World War II, is based on the real diary of young teen Anne Frank.  Anne’s words reach out to us over the generations, inspiring us to never forget, to never give up on the power and goodness of the human spirit, and to always “fill life with living.”

www.sct.org

The Failures of “A Dolls House Part 2”

Pamela Reed and Michael Winters in A Doll's House, Part 2 (Alan Alabastro)

A Doll’s House, Part 2

Seattle Repertory Theatre

Through April 28, 2019

Ordinarily, a strong cast of well-known Seattle thespians, like Pamela Reed, Michael Winters, Laura Kenny, and Khanh Doan lends itself to an anticipation of a great production. Ordinarily, a script that garnered 8 Tony award nominations, including for Best Play, would augment that anticipation. That would be the case for Lucas Hnath’s play, A Doll’s House, Part 2, that opened at Seattle Repertory Theatre last week.

Following along as a sequel to the celebrated Henrik Ibsen play, A Doll’s House, Hnath imagines what happened after the famous “door slam” in Ibsen’s play. It’s incumbent, for this play, that you know and understand, already, the preceding play, in order to pull from it all its meaning.

“Always” Go See Ilika and Jaeger in “Always…Patsy Cline”

Cayman Ilika and Kate Jaeger in Always...Patsy Cline (Robert Wade)

Always…Patsy Cline

Taproot Theatre

Through April 6, 2019

“Anytime” I can hear Cayman Ilika sing like Patsy Cline and watch Kate Jaeger worship her in adorably fanciful ways, “I Fall in Love” and go “Crazy” and want to “Come On In and Sit Right Down” and give them both “True Love!”

Seriously folks! This is the shit! These two did the expertly-crafted musical homage, Always…Patsy Cline by Ted Swindley, back in 2009 and were terrific. I have remembered it very fondly over the years, and I’m pretty sure it was my first exposure to Ilika and her luscious, smooth, and warmly comforting voice.

Sugartime Trio sings in sweet harmony

Sugartime Trio (courtesy Sugartime Trio)

If you're ever having an event where you wished to yourself, "If only the McGuire Sisters were still around to serenade our guests!" then I have a great surprise for you! A local trio of performers have mastered the tricky three part harmonies and smooth delivery of those famous sisters.

Recently, the newly constituted trio, Meg McLynn holding down the low ranges, Caitlin Frances standing strong in the middle, and Kim Maguire soaring mostly toward the high notes, performed at University Heights to an enthusiastic crowd. They took on recognizable songs such as Blue Skies, Banana Split, Good Night Sweetheart, Makin' Whoopee, and Sincerely.

Ooh Ooh "Trevor" is the MAPpiest!

Teri Lazzara and Brandon Ryan in Trevor (Shane Regan)

Trevor
MAP Theatre
(at 18th & Union)
Through March 30, 2019

MAP Theatre loves themselves play-oddities! You'll never see a "kitchen-sink" drama from them unless the kitchen sink is really a spaceship and the family is aliens that look like giraffes.

Their current play, Trevor, by Nick Jones, features Brandon Ryan in the kind of role that Ryan and few others can master with abandon - that of an adult chimpanzee! While adults around him pretend that he can understand Human and that he behaves in ways they understand, Trevor obsesses about his one chance at tv-stardom when he performed in a commercial with Morgan Fairchild of long-ago tv-hit Falcon Crest. 

“Sheathed” Fulfills Sci-Fi Fantasy On Stage!

A moment in Sheathed (Joe Iano Photography)

Sheathed

Macha Theatre Works

(at Theatre Off Jackson)

Through March 24, 2019

An epic struggle of philosophies – vengeance versus reconciliation – plays out on stage at Theatre Off Jackson in Maggie Lee’s world premiere play, Sheathed! Powerful women, highly trained in sword combat, debate and spar, verbally and physically, about whether it’s better to follow through with the honor-code of vengeance or if the world is better off trying to accept prior battle-strife and the thousands of dead combatants in order to build a more lasting peace.

The feeling of the play is akin to the science-fiction fantasy on the shelves of your local bookstore. By the end of the play, you’re pretty sure that Lee’s premise is that vengeance doesn’t work out so well, but the journey is one great ride, with a lot of laughs sprinkled in to leaven the debate.

Ren (Ayo Tushinde) is a young woman on a quest to find and duel the last of five generals who she believes conspired to betray her father-general during an epic war. She meets Bala (Sunam Ellis), a veteran fighter from the recent war, who can hardly be bothered to associate with the young quester, but grudgingly agrees to travel “in the same direction.”