2016 Village Theatre Festival of New Musicals Wrap-Up

Jessica Skerritt, Lauren DuPree and Sara Porkalob in String (Sam Freeman)

Musicals are one of the forms of theatrical presentations that take just about the longest to get on their “feet” since they are often the most collaborative, with the most fingers in the pie, and the most complicated, with music, dance and story inter-mingling. So, in order to support them from an idea to a fully complete stage-ready vehicle, a system of presentation opportunities has developed around the country to propel them forward, often a presentation at a time. This is a “festival” system.

Those in Seattle who love new musical development may be well aware of where new musicals have opportunities to develop. Aside from some internal supports from the two major musical theatre companies, Village Theatre and The 5^th Avenue Theatre, there has been, for 16 years now, Village’s Festival of New Musicals, on the second weekend of August. The 5^th Avenue has now added a “festival” of their own, which this year will take place in October.

New company, Studio 18, catches Seattle premiere: musical Bonnie and Clyde

Cast of Bonnie and Clyde (Ashley Joncas)

Bonnie and Clyde

Studio 18 Productions

(at 12^th Avenue Arts)

Through August 13, 2016

How to Mount a Production of a New Musical When You’ve Never Produced a Show Yourselves: I guess the answer is: “Be Studio 18 Productions!” Somehow, the young folks (Matt Lang and Alia Collins-Friedrichs) heading up this effort to bring the Seattle premiere of Bonnie and Clyde (the musical) to town found a way to get the rights, get a highly sought after venue (12^th Avenue Arts) and a stupendous cast for this effort, and they pulled it all together!

Bonnie and Clyde debuted on Broadway in 2011 and is written by Frank Wildhorn (music), Don Black (lyrics) and Ivan Menchell (book). The show did not do very well and only lasted a month before closing. It is, of course, based on the lives of the infamous duo who lived, loved, and robbed in Texas, destined to die in a hail of bullets. Laura Osnes originated the role and she probably was able to elevate the production by force of will.

Benne’s "Terra Incognita" has something to crow about

Gretchen Douma and Lillian Afful Straton in Terra Incognita (Shane Regan)

Terra Incognita

Annex Theatre

Through August 20, 2016

Annex Theatre’s current theatrical opening is a world premiere. That’s not unusual for the tiny (only in physical space), volunteer collective. What’s a bit unusual is that this play, Terra Incognita, by Benjamine Benne, only has four actors. Some of their recent world premieres have had a dozen or more characters.

This is Benne’s first fully-mounted production, but he’s been extremely busy generating product over the last several years, getting noticed by Eugene O’Neill’s National Playwrights Conference, and will be leaving us to serve for a year in Minneapolis’ Playwright Center as a Many Voices Fellow. That’s not to say that more of his plays may well be produced here! He has a unique energy and commitment to his craft.

Here are your August Theater Openings!

Cast in Do It For Umma at Theatre Off Jackson (Ian Johnston)

You can still get out and enjoy many free outdoor Shakespeare and other plays in the parks, but here are the productions opening in August.

Girl, Annex Theatre, 8/2-17/16 (Tue/Wed)

Think of the classic hero’s quest: a rousing call to adventure, legendary challenges and temptations, a road full of trials and perils, transformation, atonement, and an ultimate resolution. The heroes here are young women in modern-day Seattle, who must navigate a male-dominated world and fight their battles in a society that imposes constraints on their gender and generation. This devised ensemble adventure asks, what does it take to be a modern heroine?

www.annextheatre.org

Consummate performer Porkalob opens full length solo show

Sara Porkalob and her grandmother The Dragon Lady (Joe Iano)

The Dragon Lady

Theatre Off Jackson

Through July 30, 2016

Sara Porkalob has been extremely busy lately. She’s been acting and directing up a storm, despite fears of racist barriers in casting due to being an American of Filipino descent. She is a consummate performer, and I’ll bet, just on seeing her perform, that she’s got a bit of OCD tendency. Every detail is thought about and chosen carefully.

She first came to (non-school) notice in Seattle Public Theater’s 2013 production of Edith Can Shoot Things And Hit Them where she was part of a Gypsy Rose Lee Award-winning ensemble. She was pitch-perfect as a young, uncertain teen, and brought all the pathos and humor out of her character.

“Daisy’s” considerable potential not unleashed

Michael Gotch in Daisy (Dawn Schaefer)

Daisy

ACT Theatre

Through August 7, 2016

The very first “attack television commercial” is now thought of as an iconic ad. It was created to support LBJ’s first run for the presidency after becoming “the accidental president” when Kennedy was shot. The commercial had a little girl pulling petals off a daisy and counting them (upwardly) and then a countdown of some official sort from 10 and a bomb exploding. It was meant to take advantage of people’s innate fear of getting bombed and was supposed to make people fear Barry Goldwater – the upstart Republican who many felt was extreme and rash.

That topic, particularly when another rash Republican is running for election, now, is a compelling and potentially fascinating idea. Playwright Sean Devine has been working on a play, Daisy, for a number of years and decided he would focus on the ad agency, itself, that developed the concept and created the ad. They won awards for it, later, too (the Cleo). That particular choice might have undercut the ability to exploit the excitement of that topic…

Third Guirgis play this year shows he is a genius, and so is Sound Theatre Company!

Shermona Mitchell and Jose Abaoag in The Last Days of Judas Iscariot (Photo by Ken Holmes)

The Last Days of Judas Iscariot

Sound Theatre Company

(at Seattle Center’s Armory Theatre)

Through July 31, 2016

I am officially in awe of Stephen Adly Guirgis. This now Pulitzer-Prize-winning playwright (2015 for Between Riverside and Crazy) has had four of his plays done fairly recently in Seattle. Three of them so far have been met with critical and popular acclaim, with several Gypsy Rose Lee Award nominations and wins (many for Jesus Hopped the “A” Train, produced by Azeotrope).

This year alone, we had Motherfucker with a Hat and In Arabia (Washington Ensemble Theatre/Hansberry Project/eSe Teatro) and In Arabia, We’d All Be Kings (Theater Schmeater). Now, newly opened, we have a fantastic full-throated, killer-casted production of The Last Days of Judas Iscariot. Sound Theatre Company reliably produces solid and well-chosen plays each summer. This is absolutely up there with their best! This is now one of the best of the year for me, no question.

Exquisite “Gentleman” will murder your funny bone

Kristen Beth Williams and Kevin Massey in A Gentleman’s Guide to Love & Murder (Joan Marcus)

A Gentleman’s Guide to Love & Murder

The 5^th Avenue Theater

Through July 31, 2016

The Tony Award winning best musical, A Gentleman's Guide to Love & Murder, just opened at The 5th Avenue Theater with the national tour. If you’ve been wondering why it got such smashing reviews on Broadway, what earned it a Tony, well, it is absolutely a barrel of fun and well worth checking out.

It’s got the new-fangled device of having one actor play all the people who get killed. Possibly a good budget support, but the one actor has got to be on his game. John Rapson is absolutely up to the daunting task, though some of his costume changes must be magic. His turn for clowning is an opportunity to study a master. His timing is perfect.

Wait, what? One guy gets killed 9 times? Starting over: Montague Navarro (Kevin Massey) has just lost his mother and an old friend arrives who helps him find evidence that he is a far-down-the-line heir to an enormous Dysquith fortune. Indeed, he has a birth certificate with that name in the middle. But there are 9 people in his way. It’s not long before the idea of helping them die pops into his fertile brain.

Things You Can Do omits actual advice

Things You Can Do (Roberta Christensen)

Things You Can Do

Live Girls! Theater

(at ACTLab)

Through July 31, 2016

Things You Can Do is a world premiere play by Kristen Palmer, a playwright with a solid list of produced plays who is also the artistic director of a theater for young people in Connecticut. The play includes three intelligent women, an intelligent girl, and a street-smart guy. Live Girls! Theater has been working on the script for quite a while, starting with public readings in 2013.

The big theme in the play is glacial ice, permafrost, and climate change. The small theme is whether you can do much about the big issues in life when your individual life is pretty much falling apart. Stevie (Hannah Ruwe) is a scientist, writing her PhD thesis on permafrost. But something has driven her to leave her school and suddenly appear back in her small Virginia town, even before she’s called her mother to say she’s back.

It’s ‘60s Time again at Twister Beach

Gabriella Scherrer in Twister Beach (John Cornicello)

Twister Beach

Marxiano Prods. and Café Nordo

Through July 30, 2016

I had this imaginary scene in my head: Mark Siano and Opal Peachey were sitting around saying, “Hey, we have this giant hammer head shark costume and this giant whale costume… Let’s write a mini-musical called Twister Beach for Café Nordo!” Turns out I had it backward. They actually decided to make enormous costumes of a hammer head shark and a whale for their new musical dinner extravaganza!

If you have any wish to see an enormously silly conversation about killing people between a hammer head shark and a whale, while eating great and interesting food and watching various Frankie and Annette types cavort in bathing suits while preparing for a talent show, then Twister Beach is exactly what the diner ordered!

Big Fish might not be your catch

Chelsea LeValley and Chris Ensweiler in Big Fish. Photo by Erik Stuhaug

Big Fish

Taproot Theatre

Through August 13, 2016

Taproot Theatre almost always has a summer musical. They are, pretty dependably, “feel good” musicals with a heart-warming center. Such a feel-good, heart-warming musical is on tap now. Big Fish is by reliable composer, Andrew Lippa, with book (script) by John August. It’s based on the novel by Daniel Wallace and the movie of the same name, also written by John August.

The musical did get to Broadway in 2013, but didn’t last very long. It’s much more suited to being in a small, more unassuming performance house. In that sense, Taproot is perfect for it.

Everyday folks are the focus of "The Aliens" - ReAct Theatre

Cast of The Aliens (David Hsieh)

The Aliens

ReAct Theatre

(at West of Lenin)

Through July 24, 2016

Now that Seattle theaters have produced three of Annie Baker’s plays (Seattle Rep: Circle Mirror Transformation, New Century Theatre Company: The Flick, and now ReAct Theatre: The Aliens), we have a solid experience set to her style. Most important in her plays is the storytelling importance of silence.

Silence on stage is particularly difficult. An audience sits waiting for “something,” and silence is often not considered “something.” So, an important item to bring to an Annie Baker play is patience and a sense of noticing. Of all three productions, here, The Aliens is most in need of noticing.

Must of what can be discovered in the play is done in silence; either silent communication or in an action of a character that reveals a lot of inner thought. The three men in The Aliens do a lot of onstage thinking or contemplating.

July means Free Theater in the Park and so much more!

Sara Porkalob and her real grandma, Maria Porkalob, Sr. aka "The Dragon Lady" (Joe Iano)

July means Free Theater – in the parks, of course. Go to http://greenstage.org/sotf/ to see the whole schedule including children’s shows for the annual Seattle Outdoor Theater Festival, July 9 and 10 all over Volunteer Park. That weekend explodes with eight (8!) other shows, so unless you’re a clone, you’re going to miss something. Get out those calendars!

The Aliens, ReAct, 7/1-24/16 (at West of Lenin)

In the back of a Vermont coffee shop, a pair of society's misfits spend their days singing songs, writing novels and lamenting past loves. When a young barista asks them to leave, the duo initiate him in the ways of the world, the writings of Bukowski, and the true worth of life. A 2010 Obie Award-winning play by Annie Baker.

https://reactaliens.brownpapertickets.com/

Big Fish, Taproot Theatre, 7/6/16-8/13/16

Edward Bloom has never been much of a dad, but as fantasy wages war with reality his tall tales of mermaids and giants may make his son a better man. Let yourself be reeled in by this adventurous and romantic musical as a son fishes for the answer to the looming question: Is Edward Bloom a lunatic, a liar or a living legend? Taproot’s summer musical.

www.taproottheatre.org

Don't be "Sorry" - See this show...

Cast of Sorry (Alabastro Photography)

Sorry

Thalia’s Umbrella

(at 12^th Avenue Arts)

Through June 26, 2016

If you’re a certain age (middle), you might get pretty tired of all the plays focused on young people. Why the hell are there So Many Plays About Teenagers??? Well, Thalia’s Umbrella is giving you a welcome break with a wonderful script, Sorry, by Richard Nelson that presents a quad of middle-aged siblings dealing with their elderly uncle.

The three sisters, Barbara, Marian, and Jane Apple (Jeanne Paulsen, Macall Gordon, and Leslie Law) and brother Richard (Terry Edward Moore) have a difficult decision to put into effect. They have decided it’s time to move their beloved uncle Benjamin (William Hall, Jr.) into a facility, because it has become too much for Barbara to manage caring for him by herself.

"9 Circles" is a Hell of a Ride

Sylvester Kamara and Conner Neddersen in 9 Circles (John Ulman)

9 Circles

Strawberry Theatre Workshop

Through June 25, 2016

Playwright Bill Cain is also a Jesuit priest. This combination of background allows his compassion for everyone to be written into the complex stories that he presents on stage. A real life story about a young man with a probable personality disorder who is accused of raping and killing a 14-year-old Afghan girl and her family prompted the writing of 9 Circles.

Strawberry Theatre Workshop is presenting a taut and exciting production starring Conner Neddersen as Pfc Daniel Edward Reeves. Reeves echoes the circumstances of Pvt Steven Green (convicted in 2009) in real life. Neddersen gives the role everything he’s got, which is considerable. His character is tense, he is wary, he absorbs everything fed to him and feeds it back appropriately. It’s a brilliant portrayal in a whip-smart play.

"The Mystery of Love & Sex" fails to reflect 2016 sensibilities

Cast of The Mystery of Love & Sex (Chris Bennion)

The Mystery of Love & Sex

ACT Theatre

Through June 26, 2016

The Mystery of Love & Sex, the new play at ACT Theatre, ought to be buried and never done again anywhere. At least for the Greater Seattle area. Or at least for LGBT folks….

My opinion is not because playwright Bathsheba Doran is a bad writer, because there are some very good jokes in the play, and you can hear that there is a good writer in there somewhere. But the script is presented as if it is something new and different and edgy, and in fact it is dated and appallingly unaware of how retro and unattractive its sentiments are about growing up and coming out Gay, and the supposed daringness of people now in their early twenties to be able to get along across racial lines! “WHAT? How CAN they?”

It’s clear that white, older, liberal Seattle will eat this tepid dish up. The audience loved it. But it’s a pretty fair bet that they don’t know how easy it is for young folks these days to talk about maybe being Gay or Bi or even Trans, and as far as having friends from different racial backgrounds, that’s almost not even something they talk about! Some probably barely notice!

"Stick Fly" a good way for Intiman to start off summer of African-American playwrights

Tyler Trerise and Chantal DeGroat in Stick Fly (Inye Wokoma)

Stick Fly

Intiman Theatre

(at Langston Hughes Performing Arts Institute)

Through June 19, 2016

Intiman’s season, this summer, is a celebration of African-American women playwrights. That is a great plan! A chunk of time in the summer will be used for readings from several playwrights, and you should check the website: www.intiman.org for times and dates and writers. They are mounting two full productions; the first is open and staging at Langston Hughes Performance Arts Institute.

Stick Fly is by Lydia R. Diamond. It notably avoids the stereotype of the poor black family, setting this family drama in a Cape Cod cottage during a family get-together. But issues of class, historic racism in the community, and absentee fathers play heavily in the script.

“Caught” at Seattle Public Asks What Is True

Lin Bo (Kevin Lin) in Caught (John Ulman)

Caught

Seattle Public Theater

Through June 12, 2016

We hang a lot on “truth” and believing in something real. We like to feel anchored and then free to explore. How many like to go somewhere new and then put your clothing and possessions into hotel drawers so you feel “at home” before you wander off explore the new environment?

Caught, by Christopher Chen, is a play at Seattle Public Theater. But it’s more an experience in disorientation than any kind of story. It asks what truth is. It challenges us to look at what we believe or understand and then shakes us up to ask that again and again and again.

"Billy Elliot" – A Joyous Event at Village

Billy Elliot older and younger duet (Mark Kitaoka)

Billy Elliot the Musical

Village Theatre

Issaquah: through July 3, 2016

Everett: July 8-31, 2016

Village Theatre has undertaken an enormously difficult challenge with the mounting of the musical Billy Elliot, by Elton John and Lee Hall. I think they’ve pulled it off, by golly!

It’s based on the movie about a young British boy who finds a love of ballet, during the 1983 mining troubles there. The gritty miners, including Billy’s own family, have great difficulty moving past their prejudices about ballet, but finally find their way to supporting Billy in his quest to get to ballet school.

June Theater Openings Aren't Quite Busting, But Nice

Justin Gregory Lopez in Paint Your Wagon at the 5th Avenue Theatre (Mark Kitaoka)

June has a smaller group of theater openings than usual for this city. Maybe that means you can make it to each one of these before the month is out!

9 Circles, Strawberry Theatre Workshop, 6/2-25/16

9 Circles is based on the infamous case of former 101st Airborne Division Pfc Steven Dale Green, convicted in a federal court in 2009 of raping and killing an Iraqi fourteen-year-old girl and murdering her family. Green was discharged from the military in May 2006 after being found to have a personality disorder. He was sentenced to multiple life sentences in civilian court and hung himself in prison. 9 Circles won the 2011 Steinberg/ATCA New Play Award.

http://www.strawshop.org/9-circles.html

Paint Your Wagon, 5th Ave, 6/2-26/16

This may look like a classic musical, but it’s being billed as a “revisal” – a reworking of an old version. The music remains, with classics like They Call the Wind Maria, but the book (script) has been rewritten by Jon Marans. It’s the story of the rise and fall of a remote mining town during the height of the Gold Rush. Men and women from around the world take a leap of faith and journey to California to seize hold of the American dream, only to find themselves swept up in a clash of culture, passion, greed and romance. Filled with local veteran performers and a few imported powerhouses, this is an exciting opportunity.

https://www.5thavenue.org/show/paint-your-wagon

"Emily Linder" at Taproot Hits the Funny Bone as Well as the Heart

Charity Parenzini and Laura Kenny in The Realization of Emily Linder (John Ulman)

The Realization of Emily Linder

Taproot Theatre

Through June 11, 2016

Emily Linder has had a realization. She’s going to die in a couple of days. She tells her daughters, who have mixed feelings of belief, and demands that they plan her funeral. But she tells them exactly what she wants to have at the funeral, including helium balloons!

So begins the current play, The Realization of Emily Linder, at Taproot Theatre. Playwright Richard Strand includes a lot of contemporary stressors of families: elder care issues, managing illness, losses of spouses in later life, adult children coping with aging parents, sibling rivalry and more.

ArtsWest Presents Exquisite "Death of a Salesman"

Kyle Anton Johnson, David Pichette, Drew Highlands in Death of a Salesman (Michael Brunk)

Death of a Salesman

ArtsWest

Through May 29, 2016

I can’t say I wasn’t a bit skeptical when I heard that ArtsWest was planning to mount Arthur Miller’s Death of a Salesman in their season. It just didn’t seem like a play that fit all that well into their oeuvre, nor was I sure that it was a classic that stood the test of time all the way to now.

That was before I saw the production that slayed me with its precision and relevance! This is a stunning effort!

There are still two more weekends to see this play, and to see David Pichette play Willie Loman at the exact right moment in Pichette’s career. He is heartbreaking, alternately optimistic and caustic, and no holds barred either way.

Sprawling “The Brothers K” gives as much as it demands!

The Chance family (Chris Bennion)

The Brothers K

Part 1: Strike Zones

Part 2: The Left Stuff

Book-It Repertory Theatre

Through June 26, 2016

Last year, Book-It Repertory Theatre took a big gamble: they adapted a very long book, The Amazing Adventures of Kavalier & Clay, into a two-part play that asked audiences to spend an entire day at Seattle Center, eat, wait, and watch the entire event. The plays were about the history of Jews in comic-book creation and a couple of fictitious cousins. Both productions were so well done, so well-acted, adapted, presented, that the experiment succeeded.

That success, following another blockbuster two-part presentation of The Cider House Rules, was apparently enough for them to contemplate trying again with another big book, The Brothers K, about a nuclear family, baseball, and the 1960s into and surrounding the Vietnam War. Since the plays just opened, the success at the box office is still to be determined, but my opinion is that they have again succeeded in presenting a compelling and excellent work that justifies the time demanded of an audience!

Don’t Miss “A Hand of Talons“

Stephanie Kim-Bryan in A Hand of Talons (John Ulman)

A Hand of Talons

Pork Filled Productions

Through May 21, 2016

The third time’s more than the charm! Ms. Maggie Lee has written three steampunk plays all set in the same “universe” and the third installment, A Hand of Talons, is now on stage at Theatre Off Jackson, produced by Pork Filled Productions.

Lee’s world includes magic and spicy Asian women who kick things and hit things and shoot things, if they need to. In this iteration, three scions of the Yao family are being threatened with expulsion from the larger Yao clan, and must put aside their differences to save their control of their portion of the world.

Where’s the Passion? Shakes’ "R&J" falls flat

Romeo and Juliet (John Ulman)

Romeo and Juliet

Seattle Shakespeare Company

Through May 22, 2016

So here are some good aspects of Seattle Shakespeare Company’s current production of Romeo and Juliet: the actors clearly know what they’re saying. This is a really good thing, because there are some unfortunate productions where the actors don’t appear to understand Shakespeare enough to know what their lines mean.

The music is wonderful. It is composed by rising star, Justin Huertas, and performed live by him and a few others. It’s kind of cool to have movie-atmospheric-music played live in the room.

There are aspects of the set (Craig Wollam) and lighting (Tim Wratten) that work really, really well (even though the set is so spare, but there are techniques like tying a bed to a bower to move it that are really keen).

"Puny Humans" Frames the Male vs. Female Gaming Debate with Spot-On Accuracy

(poster by Peter Hon)

Puny Humans

Annex Theatre

through May 14, 2016

Puny Humans, a new play co-written by Bret Fetzer and Keiko Green, is a fascinating look at what comic conventions have become, and even gives a bit of history (via Cole Hornaday's character of a comics seller) about how they started. The overarching theme of the play is that we all think we're "puny" and wish not to be, so we try to find ways to assume the heroic side of ourselves and if we can't live it, all the time, we can at least hope people see us that way.

Director Gavin Reub manages a very large cast (13) on the tiny stage where a half-dozen storylines interweave among ComiCon attendees ranging from old gamers to young bloggers. The storylines include a budding love triangle (Te Yelland, Grace Carmack and Kevin Bordi), a mom supporting her "spectrum" daughter (Heather Persinger and Rachel Guyer-Mafune), two long-time gamer friends growing apart (David Rollison and Ben McFadden), an older movie star living off old fame (Patty Bonnell) and a younger star trying to live off current fame (Nic Morden), a teen blogger who is trying to make a splash and isn't sure how to manage anti-woman troll commentary (Zenaida Smith), and a reporter (Kelly Johnson) who doesn't want to be there, an organizer who barely keeps it together (Lauryn Hochberg) and the comics seller.

Macha Monkey presents the world premiere of Yussef El Guindi’s “The Collaborator”

Hayley Guthrie in The Collaborator (photo by Kristina Sutherland Rowell)

The Collaborator

Macha Monkey Productions

Through May 14, 2016

Macha Monkey Productions is doing a little world premiere… Little in terms of size of cast – one (Hayley Guthrie). Little in terms of time – about 75 minutes. But big in terms of playwright – nationally known, but local Yussef El Guindi, and a big dip into female/male sexual politics.

Directed by Anita Montgomery, who has worked with El Guindi on at least two of his plays, the script of The Collaborator begins with an actor, Cass, addressing the audience. She’s dressed in night clothes and explains that she and her collaborator, whom she clarifies is male, decided on the costume and the set, together.

The actor speaks about the actor-ego, the desire for people to watch an actor, the despair for the actor if people don’t seem interested, the awareness of people yawning, sleeping or leaving. Then she begins to tell a story about walking home from her theater-gig as a French maid in what sounds like a terrible farce where everyone ends the play by slapping each other’s butts.

New Holmes mystery has an "American Problem" but is still fun

Cast of Sherlock Holmes (Chris Bennion)

Sherlock Holmes and the American Problem

Seattle Repertory Theatre

Through May 22, 2016

Our community has had some real successes bringing new Sherlock Holmes material to life in the last few years. John Longenbaugh had his Sherlock Holmes and the Case of the Christmas Carol done to great acclaim in 2010 and again in 2011. In 2013, the Seattle Rep staged R. Hamilton Wright and David Pichette's adaptation of "The Hound of the Baskervilles." That also was greeted with delight.

There was a good deal of anticipation when the Rep announced that they would do another Holmes play from Wright (without Pichette this time), a new work entitled Sherlock Holmes and the American Problem. This concept entwines historic American Annie Oakley with her lauded visit to Britain with a mystery involving murder, theft of a tunnel-boring machine (deliberate shades of Bertha!), and Sherlock’s estranged older brother.

Massive shows opening in May, 2016! (and lots of others, too)

Part of the cast of Bernie's Apt. (Maryssa Lagervall)

There are some “big” shows opening this month. A sprawling adaptation of a sprawling The Brothers K  at Book-It, and a huge effort for Billy Elliot at Village… Intiman’s  festival kicks off…  and plenty more. May is coming for ya!

The Brothers K, Part One: Strike Zones and Part Two: The Left Stuff, Book-It Repertory Theatre, 5/3/16-6/26/16 (in repertory)

This two-part adaptation (similar to Book-It’s work last year on Kavalier and Clay) encapsulates the sprawling tale of four brothers, influenced by a strong father, that spans the middle decades of the 20th century. The Chance family in Camas, Washington is baseball-immersed, but the story includes the interplay of faith and spirituality, war and politics, family, and love. The title also refers to notifying a ball thrown as a strike, with either a forward or backward “K”. A cast of 26 actors play 83 roles in two full-length parts. (Options for seeing both parts in one day are available.)

http://book-it.org/the-brothers-k/

Romeo and Juliet, Seattle Shakespeare Company, 5/4-22/16 (at Cornish Playhouse)

You know Shakespeare’s doomed lovers. For a new take, Seattle Shakespeare Company will construct a playing space on the stage with audience members on both sides watching the game/play unfold. Director Vanessa Miller has added two characters to the production: Fate and Dream who operate outside the “game,” manipulating the action on the stage and serving as game masters.

http://www.seattleshakespeare.org/

"My Name is Asher Lev" packs a lot of life conflict into a small space

The cast of My Name is Asher Lev (Elise Bakketun)

My Name is Asher Lev

New Century Theatre Company

Through May 21, 2016

“My name is Asher Lev,” he begins, and assures us he is the painter of the “crucifix paintings.” We (apparently) know all about them. Thus begins the new play at New Century Theatre Company named My Name is Asher Lev that feels like an older story. It’s adapted from an acclaimed Chaim Potok book of the same title, though the adaptation by Aaron Posner is only several years old.

Coincidentally, we can see another Aaron Posner adaptation across town at ACT, Stupid Fucking Bird. It’s a unique opportunity that Seattle theaters sometimes accidentally give us to get to know a playwright more deeply by seeing two or more of his/her (but usually his) plays almost at once. Both plays focus on “art” and making it or living it or being compelled by it, but discuss “art” in very different ways.

Intimate production of "The Tempest" at New City Theater

Mary Ewald as Prospero in The Tempest (Shawn Hardison)

The Tempest

New City Theater

Through April 30, 2016

The tiny storefront venue of New City Theater can change just about any stage viewing experience dramatically, just because it’s so tiny. The intimate environment almost plunges one into the action of the play. So it is with their mounting of Shakespeare’s The Tempest, which you have two more weekends to catch.

They’ve covered the playing area with fine white sand, since this island play deserves a beachy feel (designed by Nina Moser). The presentation is spare, except for fantasy-appropriate clothing (also by Moser).  The 14 players are mere inches away from the 49 seat audience!

"Stupid Fucking Bird" - more Chekhov, less funny

Adam Standley in Stupid Fucking Bird (Chris Bennion)

Stupid Fucking Bird

ACT Theatre

Through May 8, 2016

When you see Stupid Fucking Bird at ACT Theatre, you’re going to see a play that hews very closely to its source material, Anton Chekhov’s The Seagull. It’s a modern adaptation and has some amazing one-liners in it, but it very closely mimics the scene line-up of the Chekhov play. So, what you’ll see is almost a modern translation.

I thought it was a “take-off of” and not a “modern adaptation of” the original. That distinction is important. What the modern take by Aaron Posner does reveal more clearly is that a life is pretty essentially wasted if all one does is pine for a lost love, whether the love was ever requited or not.

Charming "Becky" shows off a great Dietz script

Veronica Tuttell and Jake Friang in Becky's New Car (Ted Jaquith)

Becky's New Car
Phoenix Theatre
Through May 1, 2016

Becky's New Car is a terrific script by Steven Dietz, a prolific playwright who spend half of each year here, so we can call him "local!" Part of its joy is that it showcases the life of a middle-aged woman. How many scripts can you think of, off hand, that have the main character be a woman, much less middle aged!? You can enjoy the play at Phoenix Theatre in Edmonds, a little theater that knows its comedy.

Becky doesn't have a terrible life, it's fairly ordinary. She's got a demanding but fairly ordinary job in a car dealership. She's got a loving, fairly ordinary husband who, less-ordinarily, pays attention to little things she likes and listens to her. She has a young adult son who lives at home, still, and so poses a fairly ordinary problem.

She also doesn't think of herself as a person who would do unusual things, like fall into an affair. Yet, here she is, meeting a rich widower, letting the rich widower mistake her for a widow, and somehow she's sitting in a car, driving to a party, wondering how she got here.

Café Nordo: To Savor Tomorrow – A gastrosongical delight!

The cast of To Savor Tomorrow (Bruce Clayton Tom)

Café Nordo: To Savor Tomorrow

Through June 5, 2016

Challenging noshes, creative cocktails, some singing and dancing, and a clichéd-to-laugh-at storyline are on available for an affordable price as Café Nordo reprises and revises one of its earlier ventures, To Savor Tomorrow.

It’s 1962. This James Bond knock-off flies you overseas on a transcontinental flight from Asia to Seattle, just in time for the World’s Fair. We meet several spies loading aboard as flight crew. Chinese spies Jiang Ping (Sara Porkalob) and her henchman (Richard Sloniker) are bar crew. Russian spy Svetlana Romanova (Opal Peachey) is a stewardess (no “flight attendants” yet). CIA agent Bob (Mark Siano) is a supposed pilot. They are all trying to get their hands on Professor Peter Proudhurst’s briefcase.

The professor (Evan Mosher) is educating passengers about new technology, genetically alterned grain, that will enable crops to feed thousands of more people as they become resistant to pesticides. Of course, in 2016, we have many opinions about whether that development by Monsanto and others made for better crops or much worse ones. The spies look at the seed technology in the briefcase as either a terror to avoid or a way to destroy America from within!

Episodes of BRASS - nuggets of good stuff amid a bit of chaos

Fatal Footsteps (Dave Hastings)

BRASS: Fatal Footlights

Theater Schmeater

Through April 30, 2016

There is a media conglomerate building, called BRASS. The brainchild of writers John Longenbaugh and Louis Broome, it includes radio and podcast episodes (via KIXI 880AM), stage presentations like the episode Fatal Footlights, now appearing at Theater Schmeater, and film. Their website is www.battlegroundproductions.org.

The stage presentation at The Schmee has some charming elements, including a lot of fun stage jokes. An example, the narrator, George Bernard Shaw (Matthew Middleton), questions what the audience would think of such a bare set without various pieces of furniture and even a door, and then instructs the audience to imagine them.

Let us not forget Tray’s “brownsville song” (Seattle Rep)

brownsville song (b-side for tray) (Chris Bennion)

brownsville song (b-side for tray)

Seattle Repertory Theatre

Through April 24, 2016

The 21^st century internet has made most of us much more aware of the tragedies occurring routinely in poor neighborhoods, riddled with gangs, and poorly policed. While it’s not “fun” to go see a sad story about a murder of a bright young man with a compelling future, Kimber Lee’s play, brownsville song (b-side for tray), layers in a beguiling central character, Tray (played adorably by Chinaza Uche) and a perhaps-cliché’d difficult family life to tell the story.

Lee’s play wants to shed light on the multitudes of young people killed each year in hard-to-police neighborhoods. Her subtitle, referencing the lesser side of records, the “b” side, reflects the desire to bring attention to people that don’t make the news and don’t get attended to. Lee started with a real person, Tray Franklin, who lived and died (in 2012) in Brownsville, a community in New York City. In an article in the program, Claire Koleske says that Franklin’s name wasn’t even included in news articles about his death.

I imagine those saying, “Another young man was gunned down in Brownsville today.” It’s a collective shrug. So, I admire Lee’s impulse to help us meet this aspiring boxer who dreamed of attending college.