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Thursday, March 14, 2024

Murder in the Mansion – “Something’s Afoot” Cast Is To Die For

Anne Allgood and Sarah Rudinoff in "Something's Afoot" (Mark Kitaoka)
Something’s Afoot
5th Avenue Theatre
Through March 24, 2024
 
Some of our town’s most iconically funny musical theater performers join together in the 5th Avenue Theatre’s production of Something’s Afoot. Anne Allgood, who I think can do anything on stage, is a past-master of the totally-serious-hysterical-delivery needed in something as campy and silly as this production.
 
If you are an Agatha Christie reader, you already know what happens in her book, And Then There Were None. It’s one of her most famous murder mysteries and so you may only have read this one – or heard of it. The title hints at what this evening of silliness will become.
 
It’s a weekend in the country (sorry, Sondheim). Guests start arriving at a mansion reached by a small land bridge, virtually all of them expecting only themselves and the mansion owner. Yet, more keep coming until there are ten guests. To their immediate surprise, the mansion owner is found shot before anyone has had the opportunity to greet him, and a storm cuts them all off from the mainland and strands them there.

Thursday, February 29, 2024

March Stages Roar To Life

Allen Fitzpatrick in Something's Afoot at the 5th Avenue Theatre (John Curry)
Seattle theater continues to roar back to life, producing as many shows this month as was usual pre-Covid! Seattle theatergoers need to continue to step up and step out to see these great shows! World premieres and early Sondheim musicals, prize-winning scripts, a horrific medical story with a happy ending – take a look and get out yer calendars and get them booked!

Sanctuary City, Seattle Rep, 3/1-31/24 (opens 3/6)
In the winter of 2001, in Newark, NJ, two teens, undocumented DREAMers-pre-DACA. meet up on the fire escape. They grapple with life's challenges, from family to their futures. She promises to him that when she becomes naturalized, she will marry him so he can receive his papers. As time passes and their relationship shifts, both must confront what they are willing to sacrifice to live freely and belong. This searing and captivating new play by Pulitzer Prize-winning Martyna Majok asks what we're willing to risk for those we love.
www.seattlerep.org
 
Something’s Afoot, 5th Avenue Theatre, 3/1-24/24 (opens 3/8)
A musical to poke fun at Agatha Christie murder mysteries; ten people are stranded in an isolated country estate during a raging thunderstorm. One by one, they are picked off by cleverly fiendish devices. As bodies pile up, the survivors frantically race to solve the mystery! Join in the tomfoolery of this farcical, raucous, and outrageous play, that will appeal to lovers of shows like Arrested Development, The Office, and Schitt’s Creek.
www.5thavenue.org
 
Ada and the Engine, Edmonds Driftwood Players, 3/1-17/24
Ada Lovelace wrote the first computer program! In 1830! Playwright Lauren Gunderson envisions a fiery, brilliant woman who sees the boundless creative potential in the “analytic engines” of her friend and soul mate Charles Babbage, inventor of the first mechanical computer. Ada envisions a whole new world where art and information converge—a world she might not live to see. A music-laced story of love, friendship, and the edgiest dreams of the future.
www.edmondsdriftwoodplayers.org

Sunday, February 25, 2024

Don’t Forget Tickets to “Memoirs of a Forgotten Man!”

Patrick Harvey, Jon Lutyens, Sunam Ellis in Memoirs of a Forgotten Man (Annabel Clark)

Memoirs Of A Forgotten Man
Thalia’s Umbrella
At 12th Avenue Arts
Through March 9, 2024
 
A fascinating and brilliantly written production, Memoirs of a Forgotten Man, is now onstage at 12th Avenue Arts, by Thalia’s Umbrella. It feels like a decades-past Russian-written critique of their government, but was written by an American, D. W. Gregory, and only in 2018.
 
We meet Dr. Berezina (Sunam Ellis) who is trying to get her doctorate thesis approved for publication and has been called in to meet Comrade Kreplev (Jon Lutyens), but it’s on a Sunday morning – a very odd time to be meeting about this effort. Immediately, we are on edge because she is on edge. A feeling of menace and discomfort infuse every moment. What is she doing there? What is he doing there?
 
Kreplev practically dismisses all of her scientific effort. He demands to know information that is not present in her writings. Her focus is regarding memory and how it works. She has written about a subject of hers whom she both studied and counseled 20 years earlier. But the man has disappeared. Kreplev is most interested in him and where he has disappeared to. She is completely baffled by this.

Thursday, February 22, 2024

Time Travel Matters in Seattle Public Theater's "Once More, Just For You"

 
Once More, Just For You (Joe Iano)
Once More, Just For You
SeattlePublic Theater and
Macha Theatre Works
Through February 25, 2024
 
A world premiere from Seattle’s preeminent sci-fi fantasy playwright, Maggie Lee, is now on stage at Seattle Public Theater (co-produced with Macha Theatre Works). The premise of Once More, Just For You is that a woman (scientist) has a time machine in her basement and is intent to do something very specific with it. What she wants and why are the two questions that fill the mystery of the play.
 
Scientist Rae (Ina Chang) has a mission to go back in time and change one very tiny, very unimportant - to the whole universe - event. She doesn’t want to change world history because that’s a step too far. She doesn’t believe that changing this one tiny event will affect much of anything else, though of course she’d never know if it did later.

Saturday, February 17, 2024

"Blood Countess" Horrifies (In A Good Way)

Brandon Ryan as Fitzco and Zenaida Rose Smith as Elizabeth Bathory (Truman Buffett)

Blood Countess
MAP Theatre (at 18th and Union)
Through February 24, 2024
 
Ten years ago (ok, 9 ½), Annex Theatre produced a world premiere by local “goth” playwright Kelleen Conway Blanchard called Blood Countess. The subject is a poetic and evocative telling of a real-life noblewoman, Elizabeth Bathory, whose life spawned many folktales after her life and death in the 1500s, including that she maimed, tortured, and killed hundreds of young women. There were claims of vampirism!
 
Blanchard has a very unique writing voice and often blends macabre humor and sexuality into her work. Laughter is inextricably mixed with dark subjects. Here, Blanchard had a wide-open field to imagine the life of Bathory. And imagine she does. The play begins with Bathory’s childhood, then marriage to a fellow sadist, up to her final captivity and end.

Thursday, February 08, 2024

Experienced Talent Brimming in "The Book of Will" at Taproot Theatre

Nolan Palmer and Melanie Godsey in The Book of Will (John Ulman)
The Book of Will
Taproot Theatre
Through February 24, 2024
 
This production of prolific playwright Lauren Gunderson is rambunctiously performed by a mostly-veteran ensemble of wonderful actors. It’s such a joy to see/hear them chew into the script, especially Nolan Palmer, as he skillfully overacts, as Richard Burbage, Shakespeare’s soliloquys while wanting to murder the young, ridiculous thespians who mangle and change Shakespeare’s words – because Shakespeare’s plays have not yet been codified in print.
 
The play surmises that after Shakespeare’s death, no one has thought to collect all of his plays and make sure they are properly saved for future audiences. In 1619, a few years after Shakespeare’s death, dumbed-down versions of his plays are proliferating, with actors guessing at what the script would be! Determined to fix this are the fabled actor Richard Burbage (Nolan Palmer), who played dozens of the great roles, John Heminges (Eric Jensen),the business manager of Shakespeare’s acting company, The King’s Men, Henry Condell (Reginald André Jackson), an actor and co-owner of the Globe. They are aided by wives and daughter (Llysa Holland, Nikki Visel, and Melanie Godsey).
 
Palmer doubles as William Jaggard, a swindler in the publishing game who has often been accused of plagiarism, and somehow has spawned a son, Isaac (Christopher Clark), who swears he will help bring authenticity and trust to publishing the Folio. The rest of the wonderful ensemble include Ben Johnson (Nik Doner), the other great playwright of the era, and Ralph Crane (Andrew Litzky), a meticulous scribe of the “acting” scripts of Shakespeare who wrote down and kept many crucial scripts for himself (thankfully), and William Eames, who plays several small but important roles.