The Bed Trick
Seattle Shakespeare Company
Seattle Center Armory Theatre
Through April 7, 2024
Starting from Shakespeare’s troublesome trickery in All’s
Well That Ends Well, where two women switch places in the dark to bed a man
who doesn’t realize it, playwright Keiko Green fashions a modern dive
into what we think of the “trick” now.
Sure, folks in Shakespeare’s time might have looked at it
very differently. Women had little agency or choices about who they married or
how their lives would go. But when a company puts on Shakespeare’s plays now,
shouldn’t they take a minute to evaluate what our society values are at this
moment?
Green has performed on many Seattle area stages and began
playwriting here, debuting several works before heading south for an MFA. It’s
a privilege to be able to see a playwright’s work over time, and in this case,
Green just keeps getting better! The Bed Trick dives deeply into the
concept of tricking someone without consent, and also interrogates Shakespeare
while blending in some beautiful passages.
A trio of new college students are rooming together and they
couldn’t be more different. Harriet (Libby Barnard) is a drama major with
a large helping of ditz and insecurity. Marianne (Sophia Franzella) is a
goody-two-shoes trying to do her best to get used to college. Lulu (Rachel
Guyer-Mafune) is the woman everyone thinks is cool and desirable, though we
aren’t sure what her goals or aims in life are or what she wants out of
college.
Lulu has a boyfriend and is used to have them, but she’s ambivalent
about how much commitment she wants to have. That doesn’t mean she feels so
secure with Willis (Ricky Spaulding) since he seems to be a bit distant
recently. When she finds out he has listed himself on a dating website, she
sets up some fake accounts to trap him. As a fail-safe, she sets up one with
Harriet’s picture – without asking Harriet, thinking that would be the very
least likely to attract him, but somehow he responds to that one.
When he wants to phone chat, Lulu pressures Marianne to call
him as the fake Harriet, and Marianne gets drawn farther in than she thought she
was going to. So, here is the triangle in modern times that mirrors the dilemma
in Shakespeare’s play.
But these modern college women are steeped in “consent” and asking
and receiving permission for physical contact, which is more and more important
in the attempt to change “rape culture” where physical contact is unwanted, but
made anyway. Harriet is performing in their school play, which happens to be All’s
Well That Ends Well, and is trying to understand if it’s ok that the
character Helena follows the man around, and tricks him into having sex with
her.
Green provides Marianne with newly divorced parents Benny (MJ
Sieber), and Anna (Alexandra Tavares), who have a “funny story”
about how they met that mirrors a similar bed trick where Anna got pregnant and
they got married. Ha, ha…. Didn’t that work out well?
The tempo is fast and funny and furious, mostly, with a few
poignant moments. Everyone except Willis gets a clown moment, enhancing our
care for each of them. When the bed is laid (sorry, couldn’t help it), the
second act becomes a farce as Willis pushes to meet “Harriet” in person,
Marianne hopes to lose her virginity, and Anna just happens to come to town to
see her daughter.
Scenic designer Parmida Ziaei creates three areas on
set with a particularly suitable dorm room, an office and a versatile location for
various small moments. Lighting designer Andrew D. Smith creates deft
and quick lighting changes. Costume designer Andi Alhadeff picks unique
costumes that help define each character distinctively. Pulling it all together
is director Makaela Milburn, keeping tempo while also allowing each
character to shine.
This is the last weekend to see this smart, well-crafted
production. Here’s hoping it will go on to other Shakespeare-producing theaters
or colleges around the country where they will likely have great fun putting
this on.
For more reviews, go to www.facebook.com/SeattleTheaterWriters.
Please go to https://MiryamsTheaterMusings.blogspot.com
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Seattle Shakespeare Company
Seattle Center Armory Theatre
Through April 7, 2024
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