The Dreams and Jimmy in Dreamgirls (Mark Kitaoka) |
Dreamgirls
Village Theatre
Issaquah: through July 2, 2017
Everett: July 7 – 30, 2017
Best Musical Production of 2017 – so far for sure! Village
Theatre has a bona fide hit on its hands with its final production of the
season: Dreamgirls! The production is exciting, visually gorgeous, with a cast
that is palpably having fun doing the show. It works on every level.
Steve Tomkins
said it’s one of his “bucket list” musicals, one that he’s been wishing to do
for a long time. Well, his choice to do it now speaks, also, to the growth of
Village and its ability to field a sophisticated cast of mostly
African-American talent who are mostly all located here, now, to accomplish
this intense operetta (much of the dialogue in this musical is sung).
If you have never seen the 1983 stage musical or the 2006
movie, the plot takes inspiration from the real-life history of Motown founder
Berry Gordy and the Supremes. A trio of naïve singers arrives in New York to
make it big. A somewhat-shady “operator” takes them under his wing and defies
expectation by finding a way to make R&B more palatable to “white” radio
stations and helps them become stars. But only after pushing the larger, better
singer to a supporting role to the one he thinks is prettier and with more star
quality.
The musical demonstrates a lot of the seedy history of our
country where white singers like Elvis and others heard a song and appropriated
it into a hit by singing it themselves. The energy of change and civil rights
in the 1960s and ‘70s did allow for breakout black stars to get the recognition
they deserved.
Village is graced by the talents of Angela Birchett, who was just working on Broadway in The
Color Purple revival. She plays Effie, the larger woman with the big voice
who is temperamentally difficult and can’t step back from the lead of the
Dreams. We are used to hearing the iconic song “And I Am Telling You” which Effie sings, but often it’s out of
context. Here, Birchett is tormented, desperate, clinging, and needy. She acts
the hell out of the song and brings a great deal more meaning to it.
Lauren Du Pree stars
as Deena with Alexandria Henderson as
Lorrell, the two other Dreams. John
Devereaux stars as Curtis, their manager. Each of them does a great job at
these characters from their early days to their more famous and sophisticated
challenges.
The show I saw had Chandler
Thomas go on for Charles Simmons
as C.C., Effie’s brother and the songwriter who also makes it big. Thomas did a
great job, seamlessly fitting into a tough understudy situation. The family
talents of Ty Willis, who handily
plays the older manager, Marty, and his two daughters, Bethanie and Shelby in
the ensemble, are a particularly nice touch.
There is a “side” love affair between young Lorell and the
fading R&B star and lothario Jimmy. However, Nathaniel Tenebaum apparently cannot help stealing every single
scene he’s in! His amazing vocal talents are supreme and there is no denying
him his due. Apparently, he has also
relocated here, so we are destined (yes, yes, yes!) to see some powerful
performances wherever people can fit him in!
But aside from the wonderful ensemble, I must give all kinds
of kudos to the terrific team surrounding director Tomkins. From the
period-appropriate choreography of Daniel
Cruz, to the lush 16-piece orchestral sound headed by music director R.J. Tancioco, the concert-style
lighting from Tom Sturge, and the
flexible set by David Sumner, every
aspect was on point.
Then there are the sumptuous and beautiful costumes from Karen Ann Ledger! They are bedazzled
and be-trained (is that a thing?) and faux-furred, with eye-popping colors. And
they go along beautifully with the big-haired wigs, courtesy Douglas Decker.
Aside from a few swear words, this musical is totally
family-friendly and is so alive and fun that it’s sure to be a hit with the
entire family. Take Grandma and your ten year-old. Bring the aunts and uncles
and cousins. Everyone will want to dance and shout along with this show!
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