The winners of the 2017 Gypsy Rose
Lee Awards are announced by the Seattle critics circle, Seattle Theater Writers!
This year, several productions were
clear critical favorites, with multiple nominations and multiple wins. Among
musicals, 5th Avenue Theatre’s Ragtime was a standout, and in the Large
division, Lydia, produced by Strawberry Theatre Workshop, also
produced significant winners. In the Small division, the two favorites were Teh Internet Is Serious Business by Washington Ensemble Theatre, with six
wins, and Sound Theatre Company’s Hoodoo Love (taking top acting awards in
three categories).
This year we also have a Special Recognition for Donald Byrd and Spectrum Dance Theater for their Excellent Production of (IM)Pulse!
The 2017 Gypsy Rose Lee Award Winners
are (**Starred entries):
Excellence in Production
of a Play:
(Large Theaters):
Barbecue -
Intiman Theatre
|
Bring Down The House
Parts 1 & 2 - Seattle Shakespeare Company/upstart crow collective
|
Blues for Mister
Charlie - The Williams Project
|
**Lydia -
Strawberry Theatre Workshop
|
The Crucible -
ACT Theatre
|
(Small Theaters):
Downstairs -
Theatre22
|
Greensward - MAP
Theatre
|
Hoodoo Love -
Sound Theatre Company/The Hansberry Project
|
Scary Mary and the
Nightmare Nine - Annex Theatre
|
**Teh Internet Is
Serious Business - Washington Ensemble Theatre
|
Excellence in Production
of a Musical:
Dreamgirls -
Village Theatre
|
Newsies -
Village Theatre
|
Persuasion -
Taproot Theatre
|
**Ragtime - 5th
Avenue Theatre
|
The Pajama Game -
5th Avenue Theatre
|
Excellence in Direction
of a Play:
(Large Theaters):
**Sheila Daniels
- Lydia (Strawberry Theatre
Workshop)
|
Rosa Joshi - Bring Down the House Parts 1 & 2
(Seattle Shakespeare Company/upstart crow collective)
|
John Langs - The Crucible (ACT Theatre)
|
Malika Oyetimein
- Barbecue (Intiman Theatre)
|
Ryan Purcell - Blues for Mr. Charlie (The Williams
Project)
|
(Small Theaters):
Julie Beckman -
Downstairs (Theatre22)
|
Eddie DeHais - Scary Mary and the Nightmare Nine
(Annex Theatre)
|
Malika Oyetimein
- Hoodoo Love (Sound Theatre
Company/The Hansberry Project)
|
Bobbin Ramsey -
Wellesley Girl (The Horse in
Motion)
|
**Wayne Rawley
- Teh Internet Is Serious Business
(Washington Ensemble Theatre)
|
Excellence in Direction
of a Musical:
Bill Berry - The Pajama Game (5th Avenue Theatre)
|
**Peter Rothstein
- Ragtime (5th Avenue Theatre)
|
Steve Tomkins -
Dreamgirls (Village Theatre)
|
Excellence in Performance
in a Play as a Lead Actor (Male):
(Large Theaters):
Joshua Castille
- Tribes (ACT Theatre)
|
**Craig MacArthur
- (IM)Pulse (Spectrum Dance
Theater)
|
Timothy McCuen
Piggee - The Legend of Georgia
McBride (ACT Theatre)
|
Brandon J. Simmons
- The Cherry Orchard (The Seagull
Project)
|
Michael Winters
- Evidence of Things Unseen
(Taproot Theatre)
|
(Small Theaters):
TIE!
Peter Crook - Frozen (ArtsWest)
|
Tim Gouran - Building the Wall (Azeotrope)
|
Tim Gouran - Burn This (Theatre22)
|
**Richard Gray
- The Nance (ArtsWest)
|
**Brandon Ryan
- Downstairs (Theatre22)
|
Excellence in Performance
in a Musical as a Lead Actor (Male):
Joey Barriero -
Newsies (Village Theatre)
|
Joshua Carter -
Ragtime (5th Avenue Theatre)
|
John Devereaux
- Dreamgirls (Village Theatre)
|
Richard Gray - Murder for Two (5th AvenueTheatre/ACT
Theatre)
|
**Douglas Lyons
- Ragtime (5th Avenue Theatre)
|
Excellence in Performance
in a Play as a Lead Actor (Female):
(Large Theaters):
Lindsay W. Evans - Tribes (ACT Theatre)
Anastasia Higham - Proof (Strawberry Theatre Workshop)
Nike Imoru - Coriolanus: Fight Like a Bitch (Rebel
Kat Prods.)
Aishé Keita - I Know Why The Caged Bird Sings (Book-It
Repertory Theatre)
Mari Nelson - Bring Down The House Parts 1 & 2 (Seattle
Shakespeare Company/upstart crow collective)
**Sofía Raquel Sánchez - Lydia
(Strawberry Theatre Workshop)
(Small Theaters):
Kiki Abba - No More Sad Things (Forward Flux
Prods.)
|
Christine Marie
Brown - Downstairs (Theatre22)
|
Demene E. Hall
- Sycorax (Snowflake Avalanche)
|
Jody Kuehner - Cherdonna's Doll's House (Washington
Ensemble Theatre)
|
**Porscha Shaw
- Hoodoo Love (Sound Theatre
Company/The Hansberry Project)
|
Excellence in Performance
in a Musical as a Lead Actor (Female):
Kendra Kassebaum
- Ragtime (5th Avenue Theatre)
|
Corinna Lapid
Munter - Sweeney Todd
(ArtsWest)
|
**Mari Nelson -
Into the Woods (Village Theatre)
|
Sara Porkalob -
Howl's Moving Castle (Book-It
Repertory Theatre)
|
Sara Porkalob -
Madame Dragon's 60th Birthday (Cafe
Nordo/Sara Porkalob)
|
Excellence in Performance
of a Play as a Supporting Actor (Male) - any non-lead:
(Large Theaters):
Ronnie Hill - I Know Why The Caged Bird Sings
(Book-It Repertory Theatre)
|
Charles Leggett
- Proof (Strawberry Theatre
Workshop)
|
Christopher Morson
-Room Service (Taproot Theatre)
|
Brandon O'Neill
- Pride and Prejudice (Seattle
Repertory Theatre)
|
**Andrew
Pryor-Ramírez - Lydia
(Strawberry Theatre Workshop)
|
(Small Theaters):
**André G. Brown
- Hoodoo Love (Sound Theatre
Company/The Hansberry Project)
|
Daniel Christensen
- The Secret & Impossible League of
the Noösphere in the Baltimore Plot (Live Girls! Theater)
|
Drew Highlands
- The Nance (ArtsWest)
|
John Q. Smith -
Downstairs (Theatre22)
|
Corey Spruill -
Hoodoo Love (Sound Theatre
Company/The Hansberry Project)
|
Excellence in Performance
of a Musical as a Supporting Actor (Male) - any non-lead:
Greg McCormick
Allen - The Pajama Game (5th
Avenue Theatre)
|
Guthrie Bettinger
- Newsies (Village Theatre)
|
John Coons - Howl's Moving Castle (Book-It
Repertory Theatre)
|
Michael Krenning
- Newsies (Village Theatre)
|
**Nathaniel
Tenenbaum – Dreamgirls (Village
Theatre)
|
Excellence in Performance
of a Play as a Supporting Actor (Female) – any non-lead:
(Large Theaters):
Sunam Ellis – The Realistic Joneses (New Century
Theatre Company)
|
Peggy Gannon – Bring Down The House Parts 1 & 2
(Seattle Shakespeare Company/upstart crow collective)
|
**Kamaria Harris
- Barbecue (Intiman Theatre)
|
Shaunyce Omar -
I Know Why The Caged Bird Sings
(Book-It Repertory Theatre)
|
Wendy Robie - Coriolanus: Fight Like A Bitch (Rebel
Kat Prods.)
|
(Small Theaters):
|
Excellence in Performance
of a Musical as a Supporting Actor (Female) - any non-lead:
Danyel Fulton -
Ragtime (5th Avenue Theatre)
|
Alexandria
Henderson - Dreamgirls (Village
Theatre)
|
**Kate Jaeger -
Howl's Moving Castle (Book-It
Repertory Theatre)
|
Lorna Luft - Holiday Inn (5th Avenue Theatre)
|
Arika Matoba - Into the Woods (Village Theatre)
|
Excellence in Performance
as an Ensemble:
(Large Theaters):
Barbecue - Intiman Theatre (Angel Brice, Macall Gordon, Kamaria Harris, Eryn
Joslyn, Lamar Legend, Charles Leggett, Shaunyce Omar, Rachel Pate, Carol
Roscoe, Cynthia Lauren Tewes)
**Blues for Mister
Charlie
- The Williams Project (Grant
Chapman, Ryan Williams French, Alexis Green, Rafael Jordan, Brenda Joyner,
Leicester Landon, Elise LeBreton, Nancy Moricette, Max Rosenak, Reggie D.
White)
I Know Why The Caged Bird
Sings
- Book-It Repertory Theatre (Ronnie
Hill, Aishé Keita, Lamar Legend, Shaunyce Omar, Chip Sherman, Anthony Lee
Simmons, Lindsay Zae Summers, Brennie Tellu, Dedra D. Woods)
Lydia - Strawberry Theatre Workshop (Yadira Duarte, Ray González, Pablo
López, Rafael Molina, Carolyn Marie Monroe, Andrew Pryor-Ramírez, Sofía Raquel
Sánchez)
The Legend of Georgia
McBride
- ACT Theatre (Adam Standley,
Nastacia Guimont, Timothy McCuen Piggee, Jeff Steitzer, Charles Smith)
(Small Theaters):
Downstairs - Theatre22 (Christine Marie Brown, Brandon Ryan, John Q. Smith)
Hoodoo Love - Sound Theatre Company/The Hansberry Project (Eva Abram, André G.
Brown, Porscha Shaw, Corey Spruill)
Milk Like Sugar - ArtsWest (Allyson Lee Brown, Andre G. Brown, Marlette Buchannan,
Nastacia Guimont, Jay O'Leary, Lindsay Zae Summers, Dimitri Woods)
Scary Mary and the
Nightmare Nine
- Annex Theatre (Kiki Abba, Kai
Curtis, Kelly Johnson, Corinne
Magin, Jordan Moeller, Emily Pike,
Carter Rodriquez, Jenn Ruzumna, Cody Smith, Raymond Williams, Sarah Winsor)
**Teh Internet Is Serious
Business
- Washington Ensemble Theatre (Megan
Ahiers, Jeffrey Azevedo, Ian Bond, Stanley Dang, Samie Spring Detzer, Nick
Edwards, Rachel Guyer-Mafune, Kevin Kelly, Arjun Pande, Ryan Sanders, Zenaida
Smith, Jessie Underhill, Lisa Viertel, Jordan-Michael Whidbey)
Excellence in Set Design:
(Large Theaters):
**Andrea Bryn Bush
- The Realistic Joneses (New
Century Theatre Company)
|
Shawn Ketchum
Johnson - Bring Down The House
Parts 1 & 2 (Seattle Shakespeare Company/upstart crow collective)
|
Matthew Smucker
- Dry Powder (Seattle Repertory
Theatre)
|
Julia Welch - Coriolanus: Fight Like A Bitch (Rebel
Kat Prods.)
|
Carey Wong - Murder for Two (5th Ave Theatre/ACT
Theatre)
|
(Small Theaters):
Eddie DeHais - Scary Mary and the Nightmare Nine
(Annex Theatre)
|
Brandon Estrella
- Greensward (MAP Theatre)
|
Robin Macartney
- Downstairs (Theatre22)
|
**Tristan Roberson
- Teh Internet Is Serious Business
(Washington Ensemble Theatre)
|
Margaret Toomey
- Hoodoo Love (Sound Theatre
Company/The Hansberry Project)
|
Excellence in Costume
Design:
(Large Theaters):
Karen Ann Ledger
- Dreamgirls (Village Theatre)
|
Rose Pederson -
The Pajama Game (5th Avenue
Theatre)
|
Pete Rush - The Government Inspector (Seattle
Shakespeare Company)
|
**Pete Rush - The Legend of Georgia McBride (ACT
Theatre)
|
Christine Tschirgi
- Bring Down The House Parts 1 & 2
(Seattle Shakespeare Company/upstart crow collective)
|
(Small Theaters):
Jordan Emery Fell
- Hoodoo Love (Sound Theatre
Company/The Hansberry Project)
|
Michael Notestine
& Danial Hellman - Cherdonna's
Doll's House (Washington Ensemble Theatre)
|
Jennifer Oaster
- Teh Internet Is Serious Business
(Washington Ensemble Theatre)
|
**Fantasia Oslund
& Sydney Tucker - Scary Mary
and the Nightmare Nine (Annex Theatre)
|
Kelsey Rogers -
Milk Like Sugar (ArtsWest)
|
Excellence in Lighting
Design:
(Large Theaters):
Evan Christian
Anderson - The Realistic Joneses
(New Century Theatre Company)
|
Jack Mehler - (IM)Pulse (Spectrum Dance Theater)
|
**Reed Nakayama
- Lydia (Strawberry Theatre
Workshop)
|
Duane Schuler -
Ragtime (5th Avenue Theatre)
|
Tom Sturge - Dreamgirls (Village Theatre)
|
(Small Theaters):
Ahren Buhmann -
Burn This (Theatre22)
|
Emily Leong - Scary Mary and the Nightmare Nine
(Annex Theatre)
|
Tess Malone - Greensward (MAP Theatre)
|
Alyssa Millione
- Milk Like Sugar (ArtsWest)
|
**Tristan Roberson
- Teh Internet Is Serious Business
(Washington Ensemble Theatre)
|
Excellence in Sound Design:
(Large Theaters):
Matt Jorgensen
- Proof (Strawberry Theatre
Workshop)
|
Sharath Patel
& Josh Schmidt - Coriolanus: Fight Like a Bitch (Rebel
Kat Prods.)
|
Matt Starritt -
Pride and Prejudice (Seattle
Repertory Theatre)
|
**Robertson Witmer
- Bring Down The House Parts 1 & 2
(Seattle Shakespeare Company/upstart crow collective)
|
Robertson Witmer
- (IM)Pulse (Spectrum Dance
Theater)
|
(Small Theaters):
D.R. Amromin - Into the Deeps (Dangerswitch)
|
Erin Bednarz &
D.R. Amromin - Scary Mary and the Nightmare
Nine (Annex Theatre)
|
**Mariah Brougher
- Teh Internet Is Serious Business
(Washington Ensemble Theatre)
|
GOODSTEPH - Milk Like Sugar (ArtsWest)
|
Stefanie Senior
- The Secret & Impossible League of
the Noösphere in the Baltimore Plot (Live Girls! Theater)
|
Excellence in Musical
Direction:
Joel Fram - The Pajama Game (5th Avenue Theatre)
|
Michael Nutting
- Persuasion (Taproot Theatre)
|
R.J. Tancioco -
Dreamgirls (Village Theatre)
|
R.J. Tancioco -
Newsies (Village Theatre)
|
**Ben Whiteley - Ragtime (5th Avenue Theatre)
|
Excellence in
Choreography or Movement:
Daniel Cruz - Dreamgirls (Village Theatre)
|
Alyza DelPan-Monley
- Teh Internet Is Serious Business
(Washington Ensemble Theatre)
|
**Alice Gosti
(Movement) & Peter Dylan O'Connor (Fight Choreography) - Bring Down The House Parts 1 & 2 (Seattle
Shakespeare Company/upstart crow collective)
|
Ryan Higgins (Fight
Choreography) - Money & Run
Trilogy (Theater Schmeater)
|
Katy Tabb - Newsies (Village Theatre)
|
Excellence in Local
Playwriting:
Amy Escobar - Scary Mary and the Nightmare Nine
(Annex Theatre)
|
Katie Forgette
- Evidence of Things Unseen
(Taproot Theatre)
|
**Rosa Joshi &
Kate Wisniewski - Bring Down The
House Parts 1 & 2 - Adapting Shakespeare's Henry VI Part I, II, III (Seattle Shakespeare Company/upstart
crow collective)
|
Darian Lindle -
The Secret & Impossible League of
the Noösphere in the Baltimore Plot (Live Girls! Theater)
|
Y York - Sycorax (Snowflake Avalanche)
|
Excellence in Local Composing:
William Satake Blauvelt
- Bring Down The House Parts 1 & 2
(Seattle Shakespeare Company/upstart crow collective)
|
Amy Escobar - Scary Mary and the Nightmare Nine
(Annex Theatre)
|
**Chris Jeffries
- Persuasion (Taproot Theatre)
|
Excellence in Video Design:
Reed Nakayama -
Proof (Strawberry Theatre Workshop)
|
**Travis Mouffe
- (IM)Pulse (Spectrum Dance
Theater)
|
Charlie Spears -
Much Better (Really-Really Theatre
Group)
|
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