The cast of A Small History of Amal, Age 7 (Pankaj Luthra) |
A Small History of
Amal, Age 7
Forward Flux Productions and Pratidhwani
(at West of Lenin)
Through October 6, 2018
Pratidhwani combines forces with Forward Flux Productions to
present a “small” play, simply presented with few set pieces, many sound
effects made directly by the actors, about a small seven year old Indian boy.
It’s a production that enchants and delights in the small moments of life. A Small History of Amal, Age 7 by
Lindsay Joelle, is exactly what the title says it is.
We’re introduced to Amal (Nabilah S. Ahmed), who is sick, though we don’t know why. His uncle
has to leave him in the hospital to go to work. Uncle (Gurvinder Pal Singh) is worried about his nephew, and feels badly
leaving, because Amal’s mother and father are both dead and Uncle is all Amal
has. But Uncle works on trains and must keep working.
We get to know Amal as he interacts with his doctor (Abhijet Rane), nurse (Meenakshi
Rishi), the hospital aide (Jay
Athalye) and meets a small girl, Suda (Varsha
Raghavan), who has to periodically visit the hospital for monitoring. The
cast also becomes train passengers and siblings of Suda, and helps create the
playful atmosphere of discovery that Amal infuses his world with.
Much of the play is light and delightful. While it’s not
completely a child-oriented play, it feels like children would entirely accept and
enter this world and this explorer-mentality of Amal. The play asks the
audience to look at the world in that child-like wonder, as well.
Later, it may surprise you how invested you become to the
life of this small boy, as the play turns darker and the explosion of terrorism
on Uncle’s trains takes a toll. Then, the play becomes a vehicle of exploring
our connection to violence when the violence is far away in both physical miles
and time.
The play is set in 2006, on the day a train was bombed in
Mumbai, India. The playwright said in an interview, “When my friend was living
in Mumbai, she was introduced to Rabindranath Tagore’s century-old short play Dak Ghar (The Post Office), about a sick
child with the heart of an explorer, who interacts with the people in his
village as they pass by his bedroom window. As a result, my Amal shares many …
symptoms, as well as … optimism, intellectual curiosity, and inner strength.”
The cast, directed by Samip
Raval, does a fine job of creating the atmosphere of storytelling. No
matter their age, they throw themselves into young characters or into creating
vocalisms of rain or wind. Nothing is too silly to perform.
Ahmed brings her considerable talents to bear as Amal. She
is able to disappear as a woman and a grown up into this seven year old. Her
wide-eyed questioning of the world and the sense of folding new information
into a revised understanding is pitch perfect.
Jordan Gerow is
credited with set design, and uses mobile hospital beds and metal and sheet
covered hospital privacy barriers to set various hospital locations. The 3/4
surround of the seating makes the production feel like a camp-fire story and
like we’re all imagining together.
This is a sweet and unexpected play that provides a lot of
different aspects to react to. In an unassuming way, subject matter as large as
Life and Death becomes accessible to everyone.
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