Dina Martina (courtesy Dina Martina) |
The Dina Martina
Christmas Show
ACT Theatre
Through December 24, 2018
Dina Martina is celebrating her 20th year of
producing a Christmas extravaganza with her now-world-wide known persona. Off-stage,
Martina-creator Grady West is likely
one of those quiet types that doesn’t attract a great deal of public notice
when sipping coffee in a shop somewhere. But Dina enters with panache and
splash and attempts to win the audience over with a combination of bad
pronunciations, off-key singing, and generally groan-worthy jokes. And that is
all on purpose.
For the last bunch of years, her show has been a complete
sell-out in the squished and run-down performance space at Seedle’s (Dina’s way
of saying Seattle) beloved ReBar. It’s become a holiday tradition to pack into
those hard folding chairs, grab a bunch of drinks and let Dina mash up her
stories and forget lyrics to songs.
This year, it’s her first celebration at ACT Theatre, where
her costumes have gotten even better, and the set is quite a real set, with
faux paintings, a real movie screen for segments of moving pictures, and room
for a grand piano for the grand Chris
Jeffries, Dina’s “adult prodigy” musical accompanist, to play.
Like any smart performer, every year is a bit different. But
somethings stay resolutely the same. She doesn’t try to make sure the show
makes sense, and in fact immediately claims to not pay attention to continuity
or cohesiveness. She has two different moments in the evening when she gives
away “jifts” to some lucky audience member, and the jifts are memorable and the
kind of thing that we’d locally expect to find at Archie McPhee’s. (She has a
spectacular problem with hard “g” sounds and will sing a phrase like, “sleigh
ride toJether with you.”)
Dina is a drag star, but she’s a “bad” one whose costumes
don’t fit well (and the costumers work really hard on that) and who wears a
terrible wig, and then earnestly comes out onto the stage and powers on through
as America’s worst holiday host. For many, that means a lot of hilarity and
fun. There are many followers who make her show an annual tradition and will
buy her “merch” and sing her praises.
For others, it’s just not their kind of humor and there’s no
saving the show for them. The difficulty is how to decide if you’re going to
love her or hate her unless you go and see her. Some equate her with John
Waters’ characters and some think her “bad drag” act is a complete waste of
money.
Humor is really subjective. If you have never seen her and
have not considered this holiday tradition, well, it might be a bit late for
you. Twenty years ago, she was a real phenomenon and was some of the only
counter-programming around. Her brand of off-hand drag, with huge, over-sized
lips, awkwardly see-through costuming, and almost unbearably bad singing was
new and spooftastic. It’s hard to keep a character like this fresh for all
these years.
In general, most of what she does is genial and
good-natured. She doesn’t general go after anyone with a major chip on her
shoulder. It is a holiday show, after all, and she’s trying to spread good
cheer. If this sounds like a good time, then definitely get yourself downtown.
Pick a designated driver and drink ahead of time and then buy more at the
theater. If that’s your idea of a good time, happy holidays to you!
For more information, go to www.acttheatre.org
or call 206-292-7676.
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