The Brothers Paranormal (Roger Tang) |
The Brothers Paranormal
Pork Filled Productions
(at Theatre Off Jackson
Through November 16, 2019
Prince Gomolvilas kind of hit the jackpot with a “rolling
world premiere” for his play, The Brothers Paranormal. It’s a new kind
of world premiere where several theater companies across the country choose to present
a brand new play all around the same time. In the past, a new play was “world
premiered” at one theater company and then no other company really wanted to do
the “second” production! So, as an innovation to get over that dumb hump, this
new way was invented.
So, Seattle and Pork Filled Productions were a part of the
roll-out of this new play. PFP is presenting it at Theatre Off Jackson.
Gomolvilas was there for opening night and the company was so delighted that
they were able to surprise the playwright: They innovated a creepy special
effect that he hadn’t seen any other company do where an actor was swallowed by
a wall grate.
What? Yep, swallowed by a wall grate. The Brothers Paranormal
is a wonderfully creepy, mostly funny, play with a hint of dark reality that
gives it a fuller feeling than “just” having fun. It is, of course, masterfully
positioned at the end of October so you can go to it as a timely celebration of
spookiness.
It’s 2007, in a mid-sized Midwestern city, and Max (Sean
Nguyen) and Visarut (Van Lang Pham) have established a new company
that provides ghost busting services. It’s not that they think all ghosts are
real. In fact, Max assures his first major client, Delia (Selena
Whitaker-Paquiet), that what they mostly do is de-bunk ghost sightings,
rather than confirm them. But Delia is very sure that something or someone is
haunting her house.
Delia is so sure that she has convinced her husband, Felix (Ronnie
Hill), to spend what little they’ve put away after losing everything in Hurricane
Katrina. Felix goes along for his own special reason, out of love for his wife.
The reason Delia has chosen this company is because they are Thai – and she
thinks the ghost speaks Thai to her!
We also meet Max and Visarut’s mother (Kathy Hsieh),
who teaches them Thai and might even be able to help talk to the ghost. And the
audience gets to see a ghost played by Margaret Luxamon Hotchkiss who
does a great job being spooky as hell.
There are some terrific low-tech special effects and even
some magic tricks that definitely caused the audience to gasp in surprise. The
set with secret sauce was created by the mega-talented Robin Macartney,
who has been a multiple nominee and winner of several Gypsy Rose Lee Awards for Excellence in Set Design over the last half
decade.
Carolina Johnson contributes spooky lighting effects
(strobes, spotlights on various things moving by themselves). Troy Lund
provides more atmosphere via the sound design.
The family dynamics in the play are cute to watch with Hsieh
reveling in the dominating mother, enforcing the Thai culture. Whitaker-Paquiet
and Hill have lovely chemistry as husband and wife and it’s nice to see a black
couple simply being a loving and supportive couple without major plot drama.
There some plot twists that may not be revealed here, and
that should keep you guessing and on your toes as the play unfolds. It’s family-friendly
for older kids and up, perhaps 11 or so. Besides Dracula at ACT Theatre, this
is definitely the most freaky fun.
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