Rob McClure is Mrs. Doubtfire (Tracy Martin) |
Mrs. Doubtfire
5th Avenue Theatre
Through January 4, 2020
There is a huge trend in recent years to turn movies into stage
musicals. Some end up in the trash heap of historical flops (think Flashdance
– the awful musical that toured into the Paramount in 2013). Recently, Tootsie
the Musical gained a Broadway run for a time and now the 5th
Avenue Theatre is hosting the out-of-town warm-up of Mrs. Doubtfire (the
musical) before it enters the competitive Broadway world in February, 2020.
What that means is that right here in our fair city, you can
see essentially the Broadway show just before it hits New York! So, the stellar
cast, headed by multi-talented Rob McClure, already celebrated for his
popular Broadway turn in Something Rotten, is here in Seattle strutting
their stuff in what is sure to be very close to what people in Broadway theater
will see.
There is no doubt that the cast of this show is top-notch. While
adapting a tour-de-force performance by Robin Williams in the film into a stage
musical was no sure thing, I can report that there are some very solid belly
laughs to be had in this surprisingly charming show.
McClure demonstrates his talents throughout, and dominates
the show. He juggles, he sings, he dances, he changes clothes and voices and
personas, and all are excellently done!
The story of the movie, that an actor-dad who has never grown
up has worn out his wife (who has grown up) and marriage and is in
danger of losing access to his kids until he decides to fake being a nanny for
them, is all there. Book-writers (script) Karey Kirkpatrick and John O’Farrell
have stayed very close to the original tale, except that Daniel Hillard is now
in commercials instead of cartoons.
Music and lyrics writers Karey and Wayne Kirkpatrick have
crafted some very funny and fun upbeat contemporary music, especially for the
commercials. None of those songs, though, are of any particular time-lasting
quality – they just sound “contemporary.” Their ballads are less satisfactory.
Also, here in 2019/2020, their treatment of Miranda Hillard,
the beleaguered wife, played with all her might by Jenn Gambatese, is
really pretty poor. Gambatese tries to help us understand and identify with
this wife, but can’t really overcome the wooden treatment of the character they’ve
scripted.
Better is the treatment of the three Hillard children, led
by young powerhouse Annalise Scarpaci. This young lady is definitely “one
to watch” as she moves to Broadway. Jake Ryan Flynn as Chris and Avery
Sell as Natalie also do a great job. But why have oldest Lydia be suspicious
and want to make trouble only to turn around and apologize before even mouthing
off once? This is one of the hard-to-believe moments that can easily be fixed.
Choreography by Lorin Latarro is sharp and terrific,
and the pacing brisk as director Jerry Zaks seamlessly knits the scenes
together. The handsome set by David Korins moves beautifully to change
locations and looks effortless.
A fun innovation away from the movie is a nightmare that
Daniel has of the social worker (Charity Angel Dawson) finding out he’s
the nanny, with what looks like dozens of Mrs. Doubtfires. Dawson gets her
chance to belt her face off, which she does with great power, but why is she
all glitzed up? Shouldn’t she still look like the social worker? And what if
there were several social worker types running after the Doubtfires?
There is a lot to like about this show, but there is some
work to do before they open again on Broadway. Hats off to the 5th
Avenue Theatre for continuing to be the out-of-town tryouts for Broadway-bound
shows! Here’s to #24 and #25 and #26.
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