"Bootycandy" is equal parts deep profane pain and great joy! Best Intiman show this season!

Tyler Trerise in Bootycandy (Jeff Carpenter)

Bootycandy

Intiman Festival

(at Cornish black box)

Through October 3

The challenging, engaging, challenging, funny (did I say challenging?) play finishing up the Intiman “season” is Bootycandy by Robert O’Hara. It is by far the best production in their list. The play is being presented through their newly-formed Director’s Lab with MFA-candidate Malika Oyetimein helming the project.

So, this review will skew toward discussing her success in directing this semi-autobiographical play. Many people may not understand a director’s job in the collaborative process of staging a play. I hope to clarify that a bit, too. To start that explanation, the director is what I think of as a “crystallizer” – someone who has a vision of what the play should look like, feel like, and help the audience experience. The director uses that vision to work with the designers of the set, costumes, lights and sound (and props) to determine the whole look and feel of a particular staging.

Azeotrope's new play "Sound" exemplifies Hearing-Privileged vs. Deaf Culture...Gracefully!

Lindsay W. Evans and Cheyenna Clearbrook in Sound (Jason Tang)

Sound

Azeotrope 

(at ACTLab – ACT Theatre)

Through October 4, 2015

There are so many graceful moments in the new play, Sound, presented by Azeotrope! That is not the intention of this intensely deep and interesting exploration of the deaf community, but it’s part of my opinion on the intentions of directors Desdemona Chiang and Howie Seago!

This play “speaks” two languages: American Sign Language and spoken English. Azeotrope was determined to learn how to accommodate an audience filled with both hearing and deaf members and they have done so with… grace! And intelligence! And success!

The play, before I get too far off on the “grace notes,” is a new one by Don Nguyen, on the really controversial use of the cochlear implant. If you’re a hearing person and know that it’s a pretty revolutionary device that helps deaf people hear, you might be surprised to know that it’s controversial in the deaf community. What could be wrong with that???

If You love Green Day's "American Idiot" IMMERSE YOURSELF at ArtsWest Immediately

Justin Huertas, Fredrick Hagreen, Michael Coale Grey in American Idiot (Michael Brunk)

Green Day’s American Idiot

ArtsWest

Through October 11, 2015

Have you wondered what it would be like to be on stage? Participate in a play? But you felt intimidated by rehearsing and memorizing lines? Now you can! No rehearsing! No memorization!

Does that sound like an infomercial? ArtsWest is giving you a unique opportunity to get a feeling of participation by attending their ardent, emotional, in-your-face production of Green Day’s American Idiot as an “immersive experience!”

From the standpoint of someone who is probably a bit too old to really care much about the slackers in the story and their angst and suffering, observing all the angst is just fine from a regular seat. The “observational” audience can see the “immersive” audience being told what to do and hurried from place to place, and sometimes that gets distracting even in a production with balls-to-the-walls sets of action.

Imagining the fun and the grit and the sense of immediacy someone of the generation of American Idiot would experience, now there’s a theatrical experience like no other! And for that idea, and ArtsWest’s execution, I give a standing ovation! I think it can really excite younger audiences, less prone to going to theater and feeling like it speaks to them.

Vital questions raised in Intiman’s new play

Charles Leggett and Adam Standley in John Baxter is a Switch Hitter (Chris Bennion)

John Baxter is a Switch Hitter

Intiman Theatre

Through September 27, 2015

Writing plays about “history” is a peculiar challenge: there is a true story people can read about; there is an aspect that a playwright thinks should be animated on stage. Such is the case with Intiman’s new play, John Baxter is a Switch Hitter, written by playwrights Ana Brown and Andrew Russell.

The play covers the 2008 Gay Softball World Series, held for the first time ever in Seattle. It was a big deal with teams coming from all over, along with supporters and family members. A team from San Francisco, the D2s, was doing better than they ever had, and during the championship game with the Los Angeles Vipers, a challenge was issued against the D2s: they had too many heterosexual players on their team!

Hurry to the old INS building to see Paper Angels!

Kathy Hsieh (front) in Paper Angels (Celeste Mari Williams)

Paper Angels

SiS Productions

(at INScape)

Through August 31

Hurry over to the old INS building to the performance space “INScape” to see a beautifully written play revealing another example of American injustice toward immigrants! Paper Angels, by poet and playwright Genny Lim, focuses on the immigration center on Angel Island, a large island in the middle of San Francisco Bay that processed a million Asians through its doors. However, there were extra-special rules for Chinese.

Have you ever heard of the Chinese Exclusion Act of 1882? It’s not likely taught in very many American History classes in high school, but it reflected attitudes of resentment against Chinese workers – a ubiquitous ethnic exclusion that was focused only on Chinese while unfettered immigration of any other backgrounds was unchecked.

September Theater: Ready, Set, OPEN!

Hannah Mootz and Tiffany Yvonne Cox star in Intiman Theatre's production of The Children's Hour
(Photo by Hayley Young)

The theater community often goes a bit crazy in September, with a “new season” mentality, but this year it’s almost too much to bear! In fact, after a lazy Labor Day weekend, 13 (13?) productions open the next weekend!! The biggest companies and small ones and everything in between. Also, there may never have been as many world premieres in one month as September 2015. It’s a bounty of riches, folks!

The Children's Hour, Intiman (at Cornish), 9/9-27/15

This production, helmed by Sheila Daniels, will relocate this classic script about the ruination of gossip and crowd-fearmongering from the 1930s to the 1980s. This is the second production in Seattle this year. If you saw the other, this spring, it might be doubly interesting to compare.

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