"Well" - meta-theatrically funny and a hard play to get right

Sarah Rudinoff and Barbara Dirickson in Well (Alan Alabastro)

Well

Seattle Repertory Theatre

Through March 5, 2017

Playwright Lisa Kron wants to explore illness and recovery. Some people recover from illnesses and others can’t. Kron wants to know if a reason can be found for who does which, and maybe why. In this kooky meta-theatrical play, Well, that breaks the fourth and fifth and sixth walls, Kron – who appears in the play as herself (but actually played by talented Seattle actor Sarah Rudinoff) – Kron explains all this to the audience at the beginning of the show.

Kron tells of her mother’s history of being sick with a mysterious disease that her mother attributes to “allergies.” And yet, even though mom has been debilitated, she’s been able to move them to a struggling integrated neighborhood and been active enough as a civic leader to help the neighborhood heal. Kron wants to link the healing of the neighborhood to the lack of healing of her mother.

“But,” Kron says, “this play is absolutely not about my mother!” Kron says she’s just using her personal life to examine the larger question.

“Three Americans” – An excellent snapshot of modern life

Cynthia Jones in Three Americans (Tiffany Diamond)

Three Americans

West of Lenin

Through March 4, 2017

A trio of monologues have been mounted by the folks at West of Lenin specifically to address, in some fashion, the new administration. Director Anita Montgomery and producer AJ Epstein asked three playwrights if they had material to contribute to the effort. The evening they have produced is a stunning example of range and response in a very “now” fashion.

Three Americans: Voices of Hope includes pieces by Yussef El Guindi, Regina Taylor and Mashuq Mushtaq Deen.  The Birds Flew In is an El Guindi monologue from an immigrant mother of a soldier. Taylor writes about an African American woman describing how important voting has been in her life in Déjà vu. Deen, in Draw the Circle, gives us a portrait of a woman in love with a trans man and the challenges she’s faced with him.

Stay outa the rain with March 2017 Theater Openings

Scott Shoemaker as Ms. Pak-Man (Doug McLaughlin)

Seattle Fringe Festival has changed its annual timing to March and has a robust line-up that may cause you to binge on short shows like candy! Other offerings include glimpses into inner city friendships, the struggle of a deaf boy in a hearing world, musical delights, and local writing. Get out your calendars. It’s time to schedule March plays!

Milk Like Sugar, ArtsWest, 3/2-25/17

On Annie's sixteenth birthday, her friends have decided to help her celebrate with a brand new tattoo. While there, one offhandedly reveals she’s pregnant. This humorous yet probing script peers into teens, friendships, inner city unhappiness, and choices that can last a lifetime.

www.artswest.org

Ms. Pak-Man: On My Last Heart!, Scott Shoemaker, 3/2-4/17 and 3/9-11/17 (at Rebar)

This original production is the third installment of the successful Ms. Pak-Man series. Watch this world-renowned video game superstar of the 1980s pop power pills while she shares scandalous songs and stories about her life and loves—glitches and all. She sings! She dances! She drinks! She might black out! There’s a chance she won’t remember the show, but you will!

http://www.strangertickets.com/events/40249902/ms-pak-man-on-my-last-heart

Valentine's plus Poetry = Lovers' Play

Alyssa Kay and Katherine Jett in When Love Speaks (John Ulman)

When Love Speaks

Thalia’s Umbrella

(at Taproot Theatre)

Through February 25, 2017

"Shall I compare thee to a summer’s day?" Well? Should I? Don’t I get an answer? If you have ever read any poetry and felt like maybe someone should be there answering “Yes” or “No,” then you are thinking like David Wright. Wright was reading a lot of poetry and decided that some of it, particularly the love poetry, sounded like it should be conversations and scenes. So, he put dozens of poets together in piles of potential dialogue, with a large portion of Shakespeare, Marlowe, and Ben Jonson, and made a lovers’ play.

First presented in 1992 by Seattle Shakespeare Company, When Love Speaks is being remounted in a pleasant and amusing fashion by Thalia’s Umbrella at Taproot Theatre’s small new space. Four talented actors and a cute Dionysian helper become visitors to an island resort – the kind where love might be born, but lust is also sometimes disguised as love.

Christine Marie Brown and Terry Edward Moore start out by appearing as the most in-love couple ever, only to have Moore suddenly become quite the temporary lover. Katherine Jett, the most shy and abashed and funny, is perhaps hopelessly in love with Alyssa Kay, who doesn’t mind, but seems to be looking for someone a little assertive.

Wacky and ominous, "Scary Mary's" vigorous production is well worth visiting

Corinne Magin as Scary Mary (Joe Iano)

Scary Mary and the Nightmares Nine

Annex Theatre

Through March 4, 2017

A vigorous, inventive and visually stimulating show has just opened at Annex Theatre. Director Eddie DeHais and their team of enthusiastic actors and technicians are pulling out all the stops they can for Scary Mary and the Nightmares Nine, a new play by Amy Escobar.

A relatively large cast of eleven never seems to overpower the small stage, in part due to expert positioning by DeHais. The nightmares referred to are created by an ensemble of five (Kai Curtis, Emily Pike, Kelly Johnson, Sarah Winsor and Raymond Williams) who wield a variety of puppets created by expert puppeteers Ben Burris and Zane Exactly. They are a series of scares that might haunt any of us, and are representative of those felt by people struggling with depression.

It’s not the Marx Brothers, but "Room Service" is still a fun farce

The cast of Room Service (Erik Stuhaug)

Room Service

Taproot Theatre

Through March 4, 2017

If you know who the Marx Brothers were, you might also know the movie they made called Room Service. It was based on a 1937 Broadway play and then they put their own improvisational, wacky spin on it.

Room Service is a farce. Taproot director Karen Lund is one of the best directors in town for farces in particular. She has a very clear sense of comic timing. Farce is not easy to get right. The main joy in farces is the quick movements of people coming in and going out of doors! That’s right, missing each other by parts of seconds! That is the height of silliness in farces.