Tale of a Divided Korean Family

The cast of American Hwangap (Alabastro Photography)

American Hwangap

West of Lenin/SiS Productions

Through February 25, 2018

If your dad disappeared in your teens and then showed up expecting you to celebrate his 60th birthday, what would you do? What if your family was Korean and obedience to family was baked into your DNA? Family dynamics and reconciliation are on full display with Lloyd Suh’s American Hwangap at West of Lenin, co-produced with SiS Productions.

In many Asian cultures, the 60th birthday is very important. There are 12 animal years in the Asian Zodiac, each with specific social attributes, and after five cycles, you are honored for your long life. Min Suk Chun (Stephen Sumida) lost his job as an engineer in America, after moving with his wife to Texas and birthing three children. He is so demoralized about his future that he believes moving back to Korea would be best and essentially abandons his family.

Now, on the eve of his 60th birthday, he shows up again, and tries to make amends to his wife Mary (Kathey Hseih), and his adult children, David (Moses Kristjanson Yim), Esther (Mara E. Palma) and Ralph (Michael Cerado). Each of them has their own reaction and their own relationship with him and Suh allows them each to unfold for the audience.

New Plays Abound This Month of February

The cast of American Hwangap (Alabastro Photography)

February includes an unexpectedly large number of world premieres! No one has ever seen them before and you can be their first audiences! If you like adventure, then world premieres must be your bag. There is music and politics and explorations of family and personal transition. This fine eclectic mix is sure to give you subjects to think and talk about.

American Hwangap, West of Lenin, 2/1-25/18 (ages 13+)

American Hwangap is a funny story about a weekend in the lives of the whimsically dysfunctional Chuns, a Korean American family living in West Texas in 2005. Min Suk wants to celebrate his hwangap - 60th birthday celebration, even after he abandoned his family and returned to his native South Korea. Lloyd Suh's deftly observant play drives at the heart of what it means to be a family.

www.westoflenin.com

You Are Right, If You Think, Theatre9/12, 2/2-25/18 (world premiere)

This adaptation of Pirandello’s 1917 Right You Are, If You Think You Are tells the story of a suspicious family that moves into a city "some time ago, but not too long" and excites the whole neighborhood to investigate their peculiar lives.

www.theatre912.com 

Do We Really Want to Go “Camping With Henry and Tom”?

David Pichette and Rob Burgess in Camping with Henry and Tom (Erik Stuhaug)

Camping With Henry and Tom

Taproot Theatre

Through March 3, 2018

Mark St. Germain’s specialty is writing plays about real events and bringing them to life through infusing his imagination into how these events might have come about. Taproot Theatre really likes his stuff and has done three previous plays of his (the vital Best of Enemies, Freud’s Last Session and Relativity) before the current production of Camping With Henry and Tom.

St. Germain is adept at inventing realistic dialogue with historical figures and even when his plays don’t quite work all the way through, they are generally not boring. Camping is not one of his best plays. It, too, is not exactly boring, especially with the terrific actors employed by Taproot as Thomas Edison (Rob Burgess), Henry Ford (David Pichette) and President Warren Harding (Frank Lawler). Scott Nolte’s usual deft direction brings out the best in these actors as they take on these semi-well-known people.

Top-notch “Frost/Nixon” at Strawshop

Amy Thone as Nixon in Frost/Nixon (John Ulman)

Frost/Nixon

Strawberry Theatre Workshop

Through February 17, 2018

One of the most famous quotes of all time is ex-President Nixon's, "when the President does it that means that it's not illegal." That ridiculous statement, which Nixon took back almost immediately, echoes in the attempts of the current administration to shield its occupant.

Frost/Nixon, a play by Peter Morgan which was the basis for the movie of the same name, is being mounted by Strawberry Theatre Workshop with an all-female cast! Stalwart veterans Amy Thone (Nixon) and Alexandra Tavares (Frost) go toe to toe in a fascinating portrayal.

The play brings to the stage a historic moment in television, when David Frost, noted talk show host, and Richard Nixon, ex-President, having resigned in disgrace, sat down together in 1977 for a television interview series retrospectively examining Nixon's presidency. Morgan's play suggests that this seminal interview series might never have happened if financing and advertisers passed on participation.

The Winners of the 2017 Gypsy Rose Lee Awards Are...

The winners of the 2017 Gypsy Rose Lee Awards are announced by the Seattle critics circle, Seattle Theater Writers!

This year, several productions were clear critical favorites, with multiple nominations and multiple wins. Among musicals, 5th Avenue Theatre’s Ragtime was a standout, and in the Large division, Lydia, produced by Strawberry Theatre Workshop, also produced significant winners. In the Small division, the two favorites were Teh Internet Is Serious Business by Washington Ensemble Theatre, with six wins, and Sound Theatre Company’s Hoodoo Love (taking top acting awards in three categories).

This year we also have a Special Recognition for Donald Byrd and Spectrum Dance Theater for their Excellent Production of (IM)Pulse! 

WIT at SecondStory Rep - Exquisite and Still Completely Relevant

Eleanor Moseley and Eric Hartley in WIT (Michael Brunk)

WIT
SecondStory Repertory Theatre
Through February 3, 2018

Margaret Edson hit it out of the park with her first - and only - play: Wit (or W;T). With her background working in a research hospital with AIDS and cancer patients, Edson decided she had something to say about Life and Death. She won a Pulitzer Prize for her drama and continued to become a public school teacher, having focused her early education on dramatic literature. She remains a teacher, today, as far as we know.

Her play introduces Vivian Bearing, Ph.D. in English, an expert in the brilliant and difficult metaphysical sonnets of John Donne. As soon as Bearing (the captivating and intense Eleanor Moseley) begins to speak to the audience, we know she is going to die by the end of the play. It's not a mystery.