Thursday, July 31, 2014


Joel de la Fuente in Hold These Truths (photo by Lia Chang)

Hold These Truths
starring Joel de la Fuente
ACT Theatre
through August 3, 2014

If you see this post and it is still August 1st, 2nd or 3rd, stop reading this and go get your tickets to this beautiful piece of theater, Hold These Truths, right now. I'll wait.

This powerful 90 minute solo performance is everything that makes theater unique, important, amazing. Actor-turned-playwright Jeanne Sakata was so moved by her subject that she became a writer to tell the story. She does a masterful job, with the help of consummate theater practitioners director Lisa Rothe and actor Joel de la Fuente.

It is a unique opportunity to experience this production in Gordon Hirabayashi's home neighborhood which makes it even more powerful, I would think, than anywhere else. "Opening night" included dozens of Gordon's family members in the audience, which made it that much more amazing to be in the room.

Gordon Hirabayashi was a Seattle native who refused to relocate to an internment camp and refused, again, to be drafted in the Armed Services because it meant signing a pledge that he would not swear allegiance to the Japanese Emperor. Though he was not a lawyer, and not even that great a student (by this account), somehow he figured out what few Japanese-Americans seemed ready to agitate for: the internment was anti-Constitutional and so was asking only Japanese-American potential soldiers to sign a loyalty pledge.

Wednesday, July 30, 2014

“Clue” on a Grand Scale! The Schmee's "Attack of the Killer Murder...of Death!"

Ashley Bagwell behind Allie Pratt in Attack of the Killer Murder of ...Death (photo D Hastings)
Attack of the Killer Murder … of Death
Written by Wayne Rawley
Through August 16, 2014

There is a ton to like about Theater Schmeater’s opening show in its spankin’ new space. Wayne Rawley’s Attack of the Killer Murder…of Death! is generally funny, though not hysterical every moment. What it is, though, is a great opportunity to hear spot-on dialogue from uniquely specific characters who break out of stereotype to become their own special beings.

Every single member of this large cast pulls his/her weight in solid, fully realized characters. There is so much going on on this stage that it can be hard to focus on the dialogue fully, and you do want to try to do that, because the dialogue is so smart and well-crafted. Like in real life, though, the characters don’t just stop and wait for others to speak; they are constantly interacting with each other, sometimes in hysterical ways.

The basic plot is a bunch of people on an island making a B-movie (or who knows how far down the alphabet you might go on this one). It’s a horror movie, but there are horrors when filming stops. The power keeps going out, props won’t work and then the leading diva does her death scene for the movie…and doesn’t get up!

Friday, July 25, 2014

“Seminar” at Theatre9/12 warns you “Never take a writing class!”

From left: Samantha Camp, Randall Brammer, Jeff Berryman, Michael LoSasso (photo by Michael Brunk)
Through August 3, 2014

Theresa Rebeck’s play, Seminar, now being presented by Theatre9/12, seems like a two hour exhortation to never take a writing seminar! You’ll meet people who are either uninteresting or socially awkward or competitive or all three. At least, the initial impression of the writers in her play, all of whom have found $5,000 in New York dollars to attend a select writing seminar, points to those personality traits.

Tuesday, July 22, 2014

Who killed “Jane Eyre the Musical”? Major Underscore in the Drawing Room with a Piano

Art Anderson and Jessica Spencer  in Jane Eyre at Taproot Theatre (photo by Erik Stuhaug)
Jane Eyre the Musical
Starring Jessica Spencer, Art Anderson
Through August 16, 2014

The rather unfortunate musical, Jane Eyre, is being presented by Taproot Theatre, currently. It is a rare misfire for the company, though I can understand reasons why this company would really like the content (in a moment). An able cast still cannot succeed in making this musical more than palatable, unless your particular enjoyments include dour, unpleasant and almost hopeless circumstances.

If you know the Charlotte Bronte book, the basic story is included, though it experiences more like the greatest moments hits than an adaptation that works to include the feeling and scope of the novel. This is not inventive writing. In fact, it misses from the very beginning scene.

Jane comes out as an adult to begin telling us about her very unfortunate and difficult childhood. Here is a major opportunity to show us that she ultimately triumphs in the end (this should not be a spoiler). Here a song could be that says something like, “I thought it was hopeless, I had no reason to believe that a good life lay before me, yet here I am today to tell you that, but for the grace of God, I am happy and …” etc. Instead, the unidentified-aged Jane immediately plunges us into her childhood starting with a rousing song of, “Beat the liar out of that nine year old.”

Monday, July 14, 2014

Summer Reading: “The Greenlake Play Series” (by and for people who visit Greenlake)

A group of eight playwrights have crafted a themed short-play event and are presenting is as a free reading at the Bathhouse, Sunday July 27th at 2pm. The shorts have all been generated with settings at Greenlake and at least one idea came from making a story out of bits overheard from people running past.

The eight plays are:
Spider in the Mouth by Kevin Bordi
Glamour Shot by Rebecca Demarest
Open Water by Emily Golden
Blood Brothers by Melanie Hampton
The Diagnosis by Courtney Kessler
The Path by Jerry Kraft
Puppy Love by J.D. Panzer
Buckets by J. Michael Tumblin

Nathan Jeffrey and J. Michael Tumblin direct four pieces each, with actors including Ryan Childers, Tom Dewey, Olivia Hartshorn, Bill Johns, Caitlin Macy-Beckwith, Jenny Vaughn, and members of the Seattle Public Theatre Youth Program: Jake Gordon, Tess Sevetson, and Olivia Sterne.

Friday, July 11, 2014

The new Zinzanni show is electric!

The Zinzanni cast (photo Mike Hipple)
When Sparks Fly
Through September 21, 2014

There is something electric going on at Teatro Zinzanni. Their new show, When Sparks Fly, is fun and fresh. It is definitely going to give a lift to those who have been to the amazing spiegeltent before. In fact, it’s magic!

The theme feels a bit like fusion from Rocky Horror Picture Show and Franken-lite. The Master (Voronin) conjures up a love for himself while the rest of his ensemble find love themselves. But first, as you get seated, The Accordion Player (Sergey Krutikov) serenades you, sometimes with violinist Tom Dziekonski. They make beautiful music together, and the sound is sent through the p.a. system, so you can sit anywhere in the tent and hear them.

Of course, anyone who has never gone to any of their shows will find themselves amazed and delighted. I’ve hoped that returnees could find just as good a time, going for fourth or fifth times. This iteration does have more of a surprising and delightful feel to it. Part of that is the inclusion of illusions that are definitely top-notch skull scratchers.