Noir Christmas comedy makes light work of puns and parody at Seattle Public Theater

John Ulman and Amber Wolfe in Christmastown (Paul Bestock)

Christmastown: A Holiday Noir

Seattle Public Theater

Through December 24, 2014

Santa is missing! And Nick Holiday is the guy who has to find him. That’s the plot of the brand new Christmas play at Seattle Public Theater. Christmastown: A Holiday Noir is crafted by Wayne Rawley, talented local playwright, to be a cross between the standard noir mystery and a holiday parody.

Directed by Kelly Kitchens with her tongue firmly planted in her cheek, a cast of four limber actors take on mystery, danger, and candy canes. John Ulman portrays Nick Holiday, a washed up private eye. He keeps his eyes shrouded in shadow under the brim of the obligatory detective hat, and smokes multiple candy canes as he works. He is tasked with finding out if some photos of Big Red and a woman kissing under some mistletoe are real or not. The information could change some lives! (Dun dun DUN ß ominous sound effect)

Reflections on “All the Way” and “The Great Society”

Jack Willis in All the Way and The Great Society Photo: Chris Bennion

The duet of plays at Seattle Repertory Theatre, All the Way and The Great Society (both still playing in repertory through January 4, 2015) are powerful and dense and meticulous works by Robert Schenkkan featuring Lyndon Baines Johnson’s presidency. Their scope is an arduous undertaking and the revelation to a modern audience (now 50 years removed from that history) works to reacquaint us with the mercurial, passionate, gruff, power-hungry, sometimes vicious visionary that was LBJ.

As a vehicle to bring a historical figure to life, it’s masterful. Clearly, any actor who inhabits the role will henceforth consider it a career-making move, and Jack Willis roars and whispers and rails about with the greatest finesse, showing his tremendous abilities on stage. It’s a pleasure to watch him work. Like Bryan Cranston, awards for his work should be forthcoming.

The plays delve deeply into Johnson’s personality and his canny grasp of political gamesmanship. However, in some ways, both plays undercut the drama, which is puzzling for stage work. All the Way was particularly underwhelming in the sound department, where underscoring of sound or music could have helped color the emotions of situations more effectively.

Second visit from "A Christmas Story" - more fun and more funny! (and more Local)

The talented kids of A Christmas Story (Mark Kitaoka)

A Christmas Story

The 5^th Avenue Theatre

Through December 30, 2014

A Christmas Story was fun for all when it debuted at The 5^th Avenue Theatre in 2010, and then moved East to end up on Broadway. It apparently got a few tweaks along the way and the current “set” version (the way it probably will stay forever, now) is reprised at The 5^th with an all local cast and a home-grown director. And it’s even more fun for all than before.

For those who don’t know, it’s a reverie about a Christmas long ago and a nine year old boy’s desire for a particular bb gun which all the adults in his life tell him will cause him to shoot his eye out. He schemes and plots with all his might and even tries to ask Scary Santa and thinks he’s failed. But this is a Christmas story.

Hammiest Show in Town strikes again!

Peggy Platt, Michael Oaks, and Lisa Koch in the Womb (Chris Bennion)

Ham for the Holidays:Fear the Bacon

ACT Theatre

Through December 21

Every year at this time, those who know funny know to get their asses to wherever Ham for the Holidays will be performed. They know they will grin from beginning to end and laugh almost constantly. They know that they will leave feeling joy at the smart, talented crew and the amazingly punny and astute writing. They know their jaws will hurt.

Every year is different, though there are some reliable old friends to visit, such as the tiny Sequim Gay Men’s Chorus directed by Kenneth Dolman, and probably a “play” written by Mama Euomi Spudd to perform with her daughter Wynotta, who almost surprisingly never quite quits the act.

This year, at the comfortable environs of ACT Theatre, Fear the Bacon not only doesn’t disappoint, it even raises the bar a notch further in funny. You’ll visit The Waiting Womb, your local gynecology juice bar and spa! Where Dr. Dan plays the piano before your appointment and Nurse Julie sings about mammograms and vaginas. This year, you’ll play a game show (there is invariably a game show) called “What the Heck’s a Puget?” and watch Euomi’s take on the prequel to the Passion Play: Saturday Night Jesus!

Theater Anonymous’ One-Night-Only “It’s a Wonderful Life”

Amy Hill Danneker and Daniel Christensen in the 2013 performance (Truman Buffett)

For several years now, Theater Anonymous (from The 14/48Projects) has presented a very unique performance on only one night. They perform It’s a Wonderful Life (essentially the movie script) but never reveal the actors, even to all the actors!

This year, it is going to be December 6th at the Cornish Playhouse at Seattle Center. Those that know about it and have seen or participated in past years know to attend in costuming that makes it appear you might be an actor in the play. It helps confuse the audience and amps up the confusion over who exactly is going to act with whom. It even fakes out the actors, scattered in the audience, as well, if they see other actors they guess might be performing.

Daniel Christensen was last year’s George Bailey. I spoke to him about his experience. A funny fact for Daniel is that he had never, ever seen the movie before he put his hat in the ring to do the show. He says, “I wasn’t even sure who George was! I don’t know why. If there was one movie tradition, it was A Christmas Story, not that one.”

"Fangs" pulls Reality into Farce

Cast of Fangs (courtesy Jim Moran)

Fangs

Eclectic Theater 

Through December 6, 2014

A new play, Fangs, by local playwright Jim Moran is being presented at Eclectic Theater. It has an interesting political slant, showing a Republican state lawmaker in the middle of a campaign when his daughter charges him with hypocrisy. It’s comedic reality until it becomes farce.

Moran sets up a solid confrontation in a cabin in the woods during a snow storm. Riley Perkins (Chris Macdonald) and his aide, Toby Beale (Shane Regan), continue to work the phones on state business and campaign issues. They wheel and deal while Riley’s wife (Samantha Routh) gets drunk and snow falls.

Suddenly, Riley’s daughter, Madison (Rachel Anne Godbe), arrives after hitching a ride with a state wildlife official (Ashley Bagwell). She’s come to remind her father that she had an abortion when she was 16, and she thinks his stance against abortion is hypocritical, since he helped her obtain hers but would legislate against others doing so.

"Mary Poppins" – Practically perfect in every way

Cayman Ilika and Greg McCormick Allen in Mary Poppins (Mark Kitaoka)

Mary Poppins

Village Theatre

Issaquah: to January 4, 2015

Everett: January 9-February 8, 2015

Anticipation for Village Theatre’s production of Mary Poppins ran high, especially after casting was announced of Cayman Ilika as Mary Poppins and Greg McCormick Allen as Bert. Both have every attribute you would want for those roles, and each is as professional a pro can be in delivering the goods! And so it is no surprise at all that they do in spades!

Then you have some lovely casting choices like real-life-marrieds Christine Marie Brown and Andrew McGinn as George and Winifred Banks, the keep-your-eye-on youngster Mae Corley as young Jane Banks, other real-life-marrieds Connie Corrick (as the Bird Woman) and Hugh Hastings (as the Admiral) and the sure-to-be-comic-duo of Laura Kenny and Erik Gratton as the housekeeper Mrs. Brill and the butler Robertson Ay. Add the furious, chew the stage, anti-Poppins aria of Mary Jo DuGaw (as Miss Andrews) and a passel of dancers and you’ve brewed up a terrific, family fun show sure to please everyone!

Intimate “Messiah” focuses on story says Inverse Opera’s director

Rob Scherzer directing rehearsal (courtesy Inverse Opera)

Handel’s Messiah

Inverse Opera (at Taproot Theatre)

December 5-20, 2014

Inverse Opera has been performing in performance venues and bars for a few years now, introducing non-opera folks to a more intimate experience of operatic voices. Last year, Rob Scherzer took on the task of directing a kind of “pocket” version of what people usually think of as a grand (read “large”) piece of holiday music, Handel’s Messiah.

This is their second year doing this in an intimate, 12-performer version, which they will perform in street clothes, in a sort of “casual” atmosphere at Taproot’s black box theatre. However, Rob doesn’t want you to think that shrinking the cast or the musicians (from at least 18, often, if not a whole symphony, down to just one pianist!!!) means that the quality of the production is cut-rate in any way. “This production is rife with Seattle’s top musical talents. It’s an interesting distinction, where some folks are from a purely operatic background and some from a purely theatrical (musical theater) discipline and are top talents in each area.”

Arouet stumbles with "The Fierce Urgency of Now"

Evan Louis Thomas and Laura Crouch in The Fierce Urgency of Now (Michael Brunk)

The Fierce Urgency of Now
Arouet (at Stone Soup)
through November 22, 2014

I can see the interest Arouet had in a script with a gay man as lead. Unfortunately, The Fierce Urgency of Now is a tepid script that does not go beyond stereotyping of ad agencies, office politics, or much else. Also unfortunately, the production is also tepid and uninspiring.

Four of five actors are people I have seen many times and enjoyed very much. Their work here cannot be said to be their best work. The lead, Evan Louis Thomas, may be a genial fellow, but he is not up to the challenge of the lead and was not at all convincing in the role.