Some of the cast of Bring Down the House (John Ulman) |
Bring Down the House
Seattle
Shakespeare Company
Through March 12,
2017
A great
gathering of women is happening in the Armory Theatre where Seattle Shakespeare
Company has joined with upstart crow collective to present a massive two-part
Shakespearian epic! Why is it a gathering of women? Because all the actors in this play are women,
most playing male roles!
Bring Down the House is actually an adaptation of Shakespeare’s
trilogy about Henry VI (Henry VI, Part 1,
Part 2 and Part 3). It’s created
in two parts which you can choose to see either separately or both in one day. Throne of Treachery opened last week and
Crusade of Chaos opens Friday,
February 3. Director Rosa Joshi and
upstart member Kate Wisniewski (who
plays Queen Margaret) pared down these three long plays into a fairly nimble
two-parter which speeds along at a break-neck pace.
While the plays
are “historical,” they are not necessarily always accurate, and clearly depend
on theatricalities and tensions. Given that, it is still a good way to learn
about the period of The War of the Roses (1455-87), a period of turmoil over
who deserved the English crown.
In Part 1 of Bring Down the House, a short, vivid
section of exposition shows how virtually the entire court of Henry V – who has
just suddenly died at the beginning of the play – was made up of nobles who are
all cousins! Joshi’s direction uses specificity and focused lighting to help us
understand those complexities as the court divides into those who choose red
roses (the House of Lancaster) and those who chose white (the House of York).
What was
unfortunate for England is that the War of the Roses was actually just a moment
past The Hundred Years War (1337-1453) which was mostly about England trying to
take over France. Of course, you might guess that this war was also fought
among cousins, since nobles of France has married English and vice versa. The
clear aim and difficulty was in securing power and money.
Part 1 focuses
on Henry VI, who throws off the yoke of his uncle Protector, marries a French
woman, Margaret, who uses her wiles to control him, and loses France back to
the French. Under his nose, his noble cousins spar to control him and
overthrow the power of each other.
Part 2, not yet
seen, promises the rise of York, who claims the throne over Henry because York
is descended from an older brother in the line of succession that brought Henry
to the crown. After all, the rule said older brothers and their offspring were
supposed to get crowned first.
The thrill of
the production is really due to all the strong, powerful women who strut and
proclaim and connive and scheme. The strong cast is full of the talent of our
city.
Betsy Schwartz plays a barely capable Henry VI with
conviction and pathos, but allows us to laugh at his naivety. Marianne Owen plays Protector Humphrey,
who is betrayed for his loyalty to Henry VI to get him out of the way, with
strength and purity. Mari Nelson
strides masterfully in the boots of York.
There are just
too many good actors to name, but a stand out in Part 1 was Sunam Ellis who inhabits a female role,
Eleanor, the wife of Humphrey, who gets too big for her britches and is brought
down for her treachery. Certainly, Part 2 will bring other such key moments and
actors.
Joshi, as
director of upstart crow, knows Shakespeare and is a master director. You just
know you’re in good hands when you experience how she stages a play, visually
and rhythmically. She is aided by a solid lighting design by Geoff Korf and
sound design by Robertson Witmer. An almost bare set with matching wooden
chairs and interlocking table by Shawn Ketchum Johnson keep the movements taut.
This is a
refreshing and spirited set of productions and if you like Shakespeare, or
history, or both, you will definitely enjoy these plays. It’s not a bad idea to
bone up on the exact plots of all three plays before you come, though. Especially
because of this compression, there are a lot of confusing relationships.
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