"Julia" at On the Boards - TRY to fit it in - Beautiful, hard to describe

Julia
adapted from Miss Julie by August Strindberg, and directed, by Christiane Jatahy
performed by Julia Bernat and Rodrigo dos Santos

(In Portuguese and subtitles)

Tonight 2/13 at 8pm, tomorrow 2/14 at 5pm
http://www.ontheboards.org/performances/julia

This film/stage, screen/live offering is a powerful experience as Jatahy dances on the edges of film versus live, stage versus screen, private versus public, and many other aspects. She has been working on this piece since 2011 with the same actors. This allows tremendous risk and vulnerability from these seasoned performers, and they are asked to take full advantage of that (with a live sex scene, more viceral than most but on-screen!) and a physical intimacy that is almost too much to bear.

You will be glad you saw this. I project that you will remember this piece for a long, long time.

"Success" with a bullet!

A great example of the vivid color combos in How to Succeed (Tracy Martin)

How to Succeed in Business Without Really Trying

The 5^th Avenue Theatre

Through February 21, 2016

This 5^th Avenue production is a Skittles (or older candy: Chiclets) colored musical that tastes as sweet, tart, and happy as it looks! How to Succeed in Business Without Really Trying is a popular musical for high schools and summer camps because it’s so G-rated. Here, the retro feel is on full display, and every moment of fun is amped to a 10!

The story is of a young man reading a book on succeeding in business (fun fact: former Seattle mayor – and musical theater lover – Norm Rice is the narrator of the book sections), and he follows the book to the letter. The book is amazingly prescient and covers every possible situation on your rise to the top. But also, Pierrepont Finch (who adds a J. to the beginning to sound posh-er) is a whiz at thinking on his feet.

Meaty two-hander, "Annapurna," next up for Theatre22

John Q. Smith and Teri Lazzara (Ahren Buhmann)

Annapurna

Theatre9/12 (at 12th Avenue Arts)

http://www.brownpapertickets.com/event/2405204 or call 800-838-3006

2/19/16-3/12/16

The next offering by Theatre22, Annapurna by Sharr White, seems like an actor’s paradise. It’s a two-hander, as they say, two actors who get to throw themselves into meaty, emotional material. It’s about a long-extinct marriage where the ex-wife comes back to nurse her dying ex-husband and rehash their relationship.

Most won’t get the title reference. Annapurna is a mountain in the Himalayas; the play is set in mountains of Colorado; so the mountains are the struggles of the relationship. Very poetic. White wrote the play in 2013-14, and it was done Off-Broadway in 2014. So, it’s very new. White has other plays that have been well received, and you might think of him as “up and coming.”

I spoke to director Julie Beckman about this play. Beckman is an award-winning director (she won the Gypsy Rose Lee Award in 2014 for directing A Small Fire at Sound Theatre Company and was nominated for directing Water By the Spoonful for Theatre22 in 2015). Here’s a taste of how she goes about directing a play.

"Buzzer" doesn't quite work

Andrew Lee Creech and Spencer Hamp in Buzzer (Michelle Bates)

Buzzer

AJ Epstein Productions at ACT Theatre

Through February 21, 2016

A lot could be said about gentrification. There are all kinds of sides to look at: the people who live in a blighted area because they must (no income options, red-lining, etc.); the people who move there early to take advantage of lower costs in anticipation of the boom; the people who move there after most or all the dangerous elements have been displaced. Plays have examined this, somewhat, like Clybourn Park.

Since so often gentrification has happened to areas that start with poor black residents and become majority white, there are powerful stories to be told in play format. Tracey Scott Wilson has written one that defies easy categorization as commentary on gentrification, Buzzer, now onstage at ACT Theatre, co-produced with AJ Epstein Productions. She includes an uncommon trio, and in this production, the trio on stage feel uneasily linked. So, should the play be seen as commentary on gentrification?

"Silent Sky" twinkles brightly!

Hana Lass and Candace Vance in Silent Sky (John Ulman)

Silent Sky

Taproot Theatre

Through February 27, 2016

Talented and prolific playwright, Lauren Gunderson, loves science and scientists. She also loves to reveal the accomplishments of real women whom most of us have never heard about. Gunderson has been produced before in Seattle. Emilie: La Marquise du Châtelet Defends Her Life Tonight, and Exit, Pursued By a Bear, and The Taming were all produced at ArtsWest. Now, her play, Silent Sky, is at Taproot Theatre with a terrific cast.

Gunderson’s fascination with scientific women is a boon to us all. She not only informs us that they exist, she brings them to life, with hopes, fears, lust, ambition, brilliance, and the willingness to break the societal bonds that tried to keep them from their accomplishments. So, we meet Henrietta Leavitt.

Leavitt was an astronomer who fought all her life to achieve what she did, and volunteered for years at Harvard College Observatory just to be close to their telescope and to work in her field. She lived a fairly short life, dying at 53, as many did at the time, from cancer. But by that point, she had discovered so much about stars that her discoveries allowed other scientists, including Edward Hubble, to determine that the Milky Way was one of billions of galaxies, rather than the only one.

A marvelous cast in Schmeater’s "In Arabia"

Jacquelyn Miedema and Ayo Tushinde in In Arabia We'd All Be Kings (D Hastings)

In Arabia We’d All Be Kings

Theater Schmeater

Through February 13, 2016

Theater Schmeater is performing an early Stephen Adly Guirgis play, In Arabia We’d All Be Kings. Guirgis is now an exciting and accomplished playwright and we have two ongoing productions in Seattle to choose from (The Motherfucker with the Hat is at Washington Ensemble Theatre).

This play is more “episodic” and jerky, with scenes that tell a story when strung together, but with a lot of holes and plotlines left out. Still it has compelling characters, some really funny moments, even within a rather gritty, down-and-out subject area. Several characters swirl around a run-down bar (circa 1990s) that is gentrifying and displacing its old clientele for more profit and an upscale crowd. Guirgis seems to want to ask, “What happens to those people who used to populate the lower-class bar?”

Director Julia Griffin has collected a group of talented actor to create this gritty atmosphere and even tiny roles are a joy to watch. Drew Hobson is probably what might be called the lead, Lenny, a big, threatening, recently-paroled low-life who wants life to be the same as he left it six years earlier. That includes his girlfriend, Daisy (Elena Flory-Barnes), who doesn’t want to tell him she’s more with bar owner Jake (Brandon Felker) than with Lenny. Hobson gives the best performance I’ve seen from him, and embodies the character fully.

February Theater Openings!

Ecce Faustus cast members (Annie Paladino)

This month brings company-devised works on classics, a couple of world premieres, farce and other comic material. There should be something sweet to see for just about everyone.

Buzzer, ACT Theatre co-production with AJ Epstein Presents, 2/2-21/16

Jackson went to all the right schools, has the perfect job, an amazing girlfriend, and they've just moved into a high-end, newly remodeled apartment building in his old neighborhood. Except Jackson's old hood is being completely overhauled into a place that's barely recognizable and going home again has its drawbacks.

http://www.acttheatre.org/Tickets/OnStage/Buzzer#Tickets

Do It for Umma, Annex Theatre, 2/2-17/16 (Tue/Wed)

A surreal comic detective story. The ghost of Hannah's recently deceased mother returns to haunt the Korean convenience store she once ran with an iron fist, shaming, cajoling, and needling her daughter into avenging her extremely suspicious death. New play by (local) Seayoung Yim.

http://www.annextheatre.org/2016-season/off-night/do-it-for-umma/

Good actors in pleasant Village show

Brenda Joyner, Sydney Andrews and Rhonda J. Soikowski in Crimes of the Heart (Mark Kitaoka)

Crimes of the Heart

Village Theatre

Issaquah: Through February 28, 2016

Everett: March 4-27, 2016

It’s easy to see why women actors love playing the characters in Beth Henley’s Crimes of the Heart. Strong actors are cast in the Village Theatre production, now on stage in Issaquah. The women get to have all kinds of emotion and demonstrate their familial bonds and struggles. Subject matter is a full plate of difficult situations, and most actors love to really dig in and chow down on a role.

The play is a slice of life in 1974 Mississippi, but it’s not “normal” life, by any means. Three sisters are in turmoil. Lennie (Rhonda J. Soikowski) has called Meg (Brenda Joyner) back from her failing music career in Los Angeles to tell her that their youngest sister, Babe (Sydney Andrews), has shot – but not killed – her lawyer husband, and has been arrested! Babe won’t say why she did it, except to say that she didn’t care for his looks.

Find out who "The Motherfucker with the Hat" is at Washington Ensemble Theatre

Erwin Galan and Anna Lamadrid in The Motherfucker with the Hat (photo Chris Bennion)

The Motherfucker with a Hat

Washington Ensemble Theatre

Through February 1, 2016

Maybe you shouldn’t trust an addict… When, in recovery, do you think you could start trying to trust an addict? Do we ever really know what someone is thinking or feeling? These questions, and a focus on humans relating in general, are the kind raised by Stephen Adly Guirgis’ play, The Motherfucker with the Hat. It’s being produced by Washington Ensemble Theatre at 12^th Avenue Arts. While the language is blunt and crass, with lots of “fucks,” the fundamentals of love and trust and relationship are really at stake.

Jackie (Erwin Galan) is a recovering addict with a girlfriend who waited for him while he was in the joint, Veronica (Anna Lamadrid), a jerky, narcissistic sponsor, Ralph (Ali Mohamed al-Gasseir), and a cousin who used to adore him, Julio (Moises Castro). He’s proud of himself, having gotten out of jail and found a job. He wants to celebrate with Veronica, until he sees a man’s hat on the table, and instantly decides she’s been cheating on him. Just who is the motherfucker with the hat?