Tapping and “Singing in the Rain” at Village

Singing in the Rain (Mark Kitaoka)

Singing in the Rain

Village Theatre

Issaquah: Through December 31, 2016

Everett: January 6-29, 2016

Village Theatre has perfectly cast its tap-happy production of Singing in the Rain! The entire ensemble has great energy and many of the roles have just the right actor on stage for it.

You have seen the movie numerous times. It’s a new experience on a theater stage, especially when people must perform all the way through what might have been many takes for the screen version.

The storyline is about the advent of the “talkies” when silent film suddenly finds itself dead in an instant, once audiences find out technology is capable of melding voice with picture. Lockwood and Lamont are a famous silent film duo and the studio has made a love story out of their relationship, for publicity only. With the advent of The Jazz Singer, they need to make a talkie, but Lina Lamont (the supremely funny and on-point Jessica Skerritt) has a terrible, screechy voice and can’t sing or act a lick. What to do?

New SMC/SWC Artistic Director Paul Caldwell introduces himself to Seattle

Paul Caldwell (Miryam Gordon)

Silver and Soul

Seattle Men’s Chorus

Benaroya Hall

December 4-22, 2016

You’ve probably heard by now, if you pay attention to the Seattle Men’s and Seattle Women’s Choruses, that iconic artistic director Dennis Coleman retired and that the Choruses are now being led by Paul Caldwell. If you were lucky enough to have attended the recent concert by the Women, you already know that the Choruses are clearly in great hands and ready to Sing Out, loudly and proudly, into the future.

SGN had an opportunity to interview Paul on the eve of concert series #2 for him: the Seattle Men’s Chorus annual Christmas-time holiday extravaganza. We sat down with him and Executive Director Steven Smith for a chat.

The Wonderland of Zinzanni

Lady Rizo as the Red Queen (Alan Alabastro)

Welcome to Wonderland

Teatro Zinzanni

Through February 26, 2017

An inventive new storyline is now playing at Teatro Zinzanni. They’ve chosen an Alice in Wonderland theme for their newest dinner/show and in a Zinzanni kind of way, they keep the magical and mystical flavor of that story, as well.

Economics has clearly put some pressure on the speigeltent folks. They’ve apparently realized that it’s enormously expensive to change all the characters and themes every three months and have decided to elongate the run of a show. That is simply smart, and it also allows for more thinking and planning and a smarter execution of a concept.

In this adorable show, Lewis and Carol (get it?), a sweet couple of innocence, get lost in Wonderland and find themselves separated while the Red Queen Rizo tries to cut off their heads. Of course there is the ubiquitous “just missing them” routine, and this Queen is not so hard-hearted that she won’t stop to let people eat soup or supper.

Quick Take: Farewell Funny Men - The Habit Bites the Dust

The Habit (WestCoast Bell)

The Habit
Bathhouse Theater
through November 26, 2016

Six guys walk into the Bathhouse....for the last time. I don't know about you but I really really really needed something to laugh at that had nothing to do with politics. The guys of The Habit provided that to me tonight for their opening night of their Last Stand. They've been making sketch comedy together for too many years and there are families and dispersings and I guess it's harder and harder to hang out and make jokes with each other.

The six "guys" are David Swidler, Jeff Schell, John Osebold, Mark Siano, Ryan Dobosh (all of whom you see on stage) and Lucas Thayer (who shall remain anonymous). They've put a show together with some of their best pieces from over the years.

It's silly, it's smart, it's fun, and they don't take themselves too seriously, either. It's the perfect antidote to what just happened and what may yet appear. Do 'em a favor and go see 'em and laugh. You might do yourself a favor, too.

http://www.brownpapertickets.com/event/2605125 or call 800-838-3006.

New Meaker play, "The Lost Girls," has some spooks

The cast of The Lost Girls (Dangerpants Photography)

The Lost Girls

Annex Theatre

Through November 19, 2016

Courtney Meaker writes engaging and untypical and very “current” dialogue in her plays. Her characters do and say things you don’t often expect and talk about life in often-blunt and sometimes funny ways. Having lived here for a number of years, she’s off in Iowa studying how to be an even better playwright.

Her latest work, The Lost Girls, is on stage at Annex Theatre. It contains aspects that Meaker likes to include: women characters (in this case, only women characters) and characters of fluid or Gay sexual orientations. These aspects are still far under-represented in the vast theatrical universe, so her additions are generally making up for that, one play at a time.

The successful parts of this play include a lot of the dialogue and relationship building among the five camp counselor college-aged women who all have been recruited for the very first time to this spooky camp. Except one of them attended camp as a teen and tells them the tale of the foundation of the property and why it has that haunted reputation. And there’s an interesting “women empowered girls and got killed for it” story in there.

“The Big Meal” doesn’t fill one up much

The Big Meal (Chris Monsos)

The Big Meal

New Century Theatre Company

Through November 19, 2016

New Century Theatre Company aka NCTC has done some wonderful productions and for this play, The Big Meal, they have assembled a really good cast of actors and a good director, Makaela Pollock. This particular script by Dan LeFranc, however, didn’t convince me that it was essential to produce.

Since NCTC programs itself, it’s not always clear what drives them to choose the works they choose. In this case, this play is a progression of scenes over the course of one couple’s journey through meeting cute at a casual-dining restaurant and spanning some 40 or 50 years of their life together. Some have compared it to A Long Christmas Dinner by Thornton Wilder.

Taut, terrific “Dangerous Liaisons” takes the stage at ACT Theatre

Dangerous Liaisons

ACT Theatre

Through November 20, 2016

Begin with a beautiful “moment” of set (an ornate door here, a small French desk there, a divan) and add two handfuls of beautifully dressed and coiffed actors sailing through and around the set, mix in some biting sarcasm on love and fidelity, sprinkle a dash – or maybe two or three – of seduction, and you have the delicious recipe for a murderous dramedy. This is the world of Dangerous Liaisons at ACT Theatre.

The world of these pre-revolutionary French aristocrats is one of cards, wine, social one-upmanship and appearance of propriety. Christopher Hampton’s play, which you might have seen as a movie, strips away the velvet coating so we might see the toxic underground of a few particular combatants. Two in particular are hell-bent on revenge and winning. Or maybe winning and revenge.

Some of the biggest theater openings of the year are saved for November

Cast of Big Bad (Dangerpants Photography)

Three of the biggest musicals of the year are crammed into November. The 5^th Avenue kicks off the new national tour of Disney’s The Little Mermaid, starring our local favorite Diana Huey, who moved to NYC to forward her national career. She’ll be on the road for a year, after the Seattle debut! We wish her the best of experiences.

Village Theatre presents Singing in the Rain, which few of us have seen on stage. Make it rain, folks! ArtsWest brings us Peter and the Starcatcher, continuing the new efforts of this stalwart West Seattle theater to musicalize up our town.  In addition to that excitement, we also have upstart Reboot Theatre Company giving us the local premiere of a new off-Broadway musical, Fly By Night.

Then there is the anticipated arrival of King Charles III at Seattle Rep. It’s a big month!

Shatteringly good - "The Pride" by Theatre22

Angela DiMarco, Andre Nelson, Trevor Young Marston in The Pride (Margaret Toomey)

The Pride

Theatre22

(at 12^th Avenue Arts)

Through November 19, 2016

A shattering emotional catharsis awaits audience members who attend The Pride, now being staged by Theatre22 at 12^th Avenue Arts! Every SGN reader should make plans to see this production, if you can. It’s exceptionally well-acted, intelligently well-written, and is a great reminder of how far society has changed in a fairly short period of years regarding Gay life and issues.

It’s almost criminal that this play is Alexi Kaye Campbell’s first play, since it is so well-written. Perhaps more of his plays will be produced here in the near future, so we can experience the growth of his writing.

In The Pride, we meet Philip (Andre Nelson), Sylvia (Angela DiMarco) and Oliver (Trevor Young Marston) in two time periods: 1958 and 2008. But no, they don’t “age” – they are two different sets of characters with two different sets of concerns. In 1958, Philip and Sylvia are married and Oliver is a writer that Sylvia works with. In 2008, the three are all very contemporary friends.

Music elevates this sleek production of "Medea" even more

Sylvester Foday Kamara and Alexandra Tavares in Medea (John Ulman)

Medea

Seattle Shakespeare Company

Through November 13, 2016

A taut, sleek and musicalized version of Medea is on tap by Seattle Shakespeare Company. The normally unmusical drama includes original compositions by Shenandoah Davis that are aptly provided and allow a Greek Chorus to actually sing! This aspect elevates this well done production even more.

Ritualistically directed by Kelly Kitchens, the play runs about an hour and forty minutes straight through as the Euripides’ story of Medea unfolds on a spare, modern bedroom suite set by Andrea Bryn Bush. The translation used, by Kenneth McLeish and Frederick Raphael, feels contemporary and because of that feeling, it both helps the audience understand the words well, yet hurts the understanding of an ancient story.

Certainly, the language feels immediate and accessible, and with contemporary costuming by Chelsea Cook, it feels like it could be a story that happens today. But part of what we need to understand about Medea is that she is a woman “of her time.” Euripides wrote more than two thousand years ago about a woman treated as worthless when her husband decides to throw her over for a princess and a crown.

Triumphant debut by new SWC/SMC Artistic Director Paul Caldwell

Paul Caldwell (courtesy Seattle Choruses)

Seattle Women’s Chorus: Unveiled

St. Mark’s Cathedral

October 21-22, 28-29, 2016

SWC has clearly fallen head over heels for new artistic director Paul Caldwell. By the looks of things, he’s fallen in love with them, too! The love fest is on full display at St. Mark’s Cathedral on Capitol Hill during Seattle Women’s Chorus’ concert, Unveiled.

The audience is falling in love, too, because the program is fresh and inviting and focuses on the core function of a concert: choral singing. There are a few soloists, and they are all fantastic, but by and large, the whole chorus sings every song except for those done by “pocket choir” Sensible Shoes.

An AIDS play with a fascinating twist ("Roz and Ray" at Seattle Rep)

Ellen McLaughlin and Teagle F. Bougere in Roz and Ray (Alan Alabastro)

Roz and Ray

Seattle Repertory Theatre

Through November 13,2016

Karen Hartman is a local playwright also gaining national recognition. Her newest play, Roz and Ray, is getting a co-world premiere production between the Seattle Repertory Theatre and Victory Gardens Theater in Chicago. The artistic director of Victory Gardens, Chay Yew, supplely directs this production and two veteran actors with national theater credits take on the roles in this roiling, emotional two-hander.

The unassuming title gives nothing away about what kind of relationship Roz and Ray have. It is definitely unique, in that Roz is a hematologist and Ray is a parent of twin hemophiliacs who need constant medical attention and blood products to stay alive. The play jumps back and forward in time from the late 1970s to 1991. This is key to the subject at hand.

We’re talking about AIDS. It’s a potent topic, not significantly explored in plays, though not unknown for including Gay life and AIDS’ affect on that culture, as many or most SGN readers can attest to. But most of us don’t know and can stand some education about how AIDS affected people who needed blood product to live normal lives.

Taproot asks: Is God a game?

The cast of The God Game (Erik Stuhaug)

The God Game

Taproot Theatre

Through October 29, 2016

Somehow, in the late 20^th century through 2016, there has appeared a religious test in our political societal vetting. Particularly for Republicans, often one must be devoutly Christian and loudly and visibly so. It may be that Trump is disrupting this idea, since he seems to barely know his Two Corinthians from his Thou Shalt Nots.

However, it’s enough of a “thing” that playwright Suzanne Bradbeer has crafted a play, set in the most present present, where a Senator is pressed to call upon Jesus and visibly display his faith during an election process.

The God Game displays the trenchant options in the political set, especially on the national stage. Here, Tom (played by David Drummond) is a senator from Virginia, well thought of and highly approved of, who is tapped to be vetted for a vice presidential running mate option. The presidential candidate is a controversial one, sounding similar to the disruptive Trump, but smart enough to want to have a diversity of opinions on his team.

"Pump Boys" more a concert than musical with great hard-working cast

Cast of Pump Boys and Dinettes (Mark Kitaoka)

Pump Boys and Dinettes

Village Theatre

Issaquah: through October 23, 2016

Everett: October 28-November 20, 2016

Village Theatre has a feel-good show for you to hoot and holler with and enjoy their kick-ass cast of seven. For Pump Boys and Dinettes, director Brandon Ivie assembled a bunch of mostly-local actor/singer/musicians to pluck and strum their hearts out in a fun outing of this feels-like-a-country-concert musical.

There really isn’t a story here, except for some background information about the small town these characters inhabit, their auto repair shop and the local coffee shop. There’s a bit of attempting to make some romantic coupling happen, but it’s not consummated.

The main reason to go is because these performers all work so very hard to please and to bring home the honky-tonky music. Led by Joshua Carter of the aw-shucks boy-next-door looks, Village also brings now-actual Nashville song-writer Sylvie Davidson home to Seattle to perform. The other big import is Levi Kreis and his magic piano-hands.

The sun shines on this "Raisin" (at Seattle Rep)

Cast of A Raisin in the Sun (Alan Alabastro)

A Raisin in the Sun

Seattle Repertory Theatre

Through October 30, 2016

The production of A Raisin in the Sun at Seattle Repertory Theatre is a fabulous opportunity to see this classic play on stage, and it appears that a good number of regional theaters are realizing that, almost 60 years later, it still represents a huge chunk of the African-American struggle in this country.

When you realize that Lorraine Hansberry only wrote two major plays before she died in her mid-thirties, and how powerful the play is in succeeding the tests of time, it is even more distressing that we lost her voice so soon. While Hansberry certainly wasn’t the first black woman playwright, and Alice Childress (for one) was contemporaneously writing, she was the first to have a play on Broadway. Apparently, that’s all that our theater community often paid attention to.

Daisey on Trump - Go see it if you can

The Trump Card by Mike Daisey

If you find yourself in a city where Mike Daisey can tell you the story of Trump (in The Trump Card), please try to go hear it! Especially in the waning days of this horrid campaign, and Daisey’s clear ability to amend his script, there may be much to ponder.

Mike Daisey tells us stories about ourselves. Sometimes we don’t recognize ourselves and sometimes we might not like the story. This is what he was counting on in telling us about Trump and what Trump’s candidacy means about American society, today.

In The Trump Card, Mike lauds “competency” and, most of the time, we probably do, too. But Mike lauds Donald Trump’s competency and says that Trump is good at his job, which is as an entertainer. Trump is great at getting and keeping attention, must like any entertainer.

Halleluyah - we find out "Handel's Messiah" was a scandal

Cast of Joyful Noise (Erik Stuhaug)

Joyful Noise

Taproot Theatre

Through October 22, 2016

Nowadays, “Handel’s Messiah” is the kind of phrase that no one thinks twice about, especially at Christmas time. It’s a piece of choral singing that you might even take for granted. But at one point in time, back when Georg Handel wrote the piece, it was actually a scandal that almost ruined his composing career!

The back story can be seen on stage at Taproot Theatre, as researched and created by Tim Slover, and produced with a wonderful cast, directed by Scott Nolte. It begins about 1741-3, as Handel’s career seems to be going into the toilet. His oratorios are said to be boring and people are not flocking to his current compositions.

Played masterfully by Jim Gall, we see him deep in debt and at the mercy of King George II (Frank Lawler), who may or may not decide to pay his bills. King George has a Catholic bishop whispering hard-line religious doctrine into his ear. Bishop Henry Egerton (William Kumma) is already against Handel’s earlier works based on the Bible, because they were written with an apostate, librettist Charles Jennens (Kevin Pitman) and performed outside a church. Horrors!

October Theater Openings for your pleasure

Don Darryl Rivera returns home (from starring for years on Broadway in Aladdin as Iago) to the 5th Avenue Theatre for Man of La Mancha (courtesy 5th Avenue)

October productions are fraught with big emotion. Catharsis awaits along with mystery and suspense. See what October has to offer. Note world premiere plays by locals Karen Hartman and Courtney Meaker are on tap.

Man of La Mancha, 5^th Avenue Theatre, 10/7-30/16

Local performer turned Aladdin’s Broadway Iago, Don Darryl Rivera, returns to perform in a multi-ethnic production of this classic musical. Inspired by one of the greatest novels in Western literature, Man of La Mancha enters the mind and world of the mad knight Don Quixote as he pursues his quest for the impossible dream. In a tale told by Author Cervantes himself, Quixote is against all odds, a man who sees good and innocence in a world filled with darkness and despair.

www.5thavenue.org

Forward Flux presents two one-acts of note: The Wedding Gift and The Summer House

The Wedding Gift (Joe Moore)

The Wedding Gift

Forward Flux Productions

(at Gay City Arts)

Through October 8, 2016

Chisa Hutchinson wrote a whole new language for her 80 minute play, The Wedding Gift! What’s fascinating is that by the end of the play, we understand a whole lot of it, or at least can clearly understand what has happened. Don’t worry, there’s some English in there, too.

Hutchinson turns the slavery story on its racial head in Forward Flux’s production. A white guy, Doug (Andrew Shanks) wakes up mostly naked in a strange, strange land. He doesn’t know how he got there, but once shackled and threatened, he realizes he’s a slave.

Cafe Nordo strays a bit with spooky show, better menu

Hotel Nordo (Bruce Clayton Tom)

Hotel Nordo

Café Nordo

Through November 20, 2016

Café Nordo continues their fun mission, creating new scripts paired with innovative menus, with Hotel Nordo. The atmosphere is of a spooky 125 year old former Pioneer Square hotel with lots of stories embedded in the walls. They attempt to evoke a history of dark deeds, while feeding squares of various courses for reasons revealed toward the end of the meal.

Their press release says, “Each plate of surrealist cuisine is paired with an episode of this Hotel's history, beginning with a 1927 wedding that ended in tragedy. Hotel Nordo tells four haunting tales of memories, death, loss, and regret. Audiences are encouraged to don their drop-waist dresses, spats, and boas and raise a toast at the ill-fated wedding that whets the Hotel’s appetite for human suffering.”

For a spoof-­tastic good time see STAGEright’s "Toxic Avengers"

Jessi Little not eyeballing Brian Lange in The Toxic Avenger Musical (Galen Wicks)

The Toxic Avenger Musical

STAGEright

(at Ballard Underground)

Through October 1, 2016

Joe DiPietro and David Bryan created a musical version of the 1984 film Toxic Avenger in 2008. It’s basically a spoof-takeoff of cartoon stories like Spiderman and there are no real surprises once the introductions are done. But it is very fun, especially when performed by some of Seattle’s most spooftastic performers.

In STAGEright's production, we have Brian Lange, Seattle’s geek heartthrob, who turns from the mild-mannered Melvin Ferd the Third (and a thin, querulous vocal style) to the hunky but eyeball dropping Toxy (and a powerful, hunky vocal). We have Ann Cornelius, the mama with the mostest as Ma Ferd and the hatingest mayor of Tromaville ever. We have Jessi Little stumbling blindly around as the silliest librarian west of the Mississippi.

Then there are the two hard-working ensemble members who get to be everyone else, and crack us up in every iteration: Sara Henley-Hicks and Nick Michael Watson. They play cops, robbers, henchmen, doowap backup dancers, best friends, and many others.

Spend time with "A Tale for the Time Being" at Book-It

Mi Kang at Nao in A Tale for the Time Being (John Ulman)

A Tale for the Time Being

Book-It Repertory Theatre

Through October 9, 2016

Book-It’s new production, A Tale for the Time Being, adapted from the Ruth Ozeki novel by Laura Ferri, is a heart-breaking and mesmerizing story. Book-It hired Desdemona Chiang to direct it, which was a great move, because she helps create a fluid and graceful rhythm to the production.

The tale has many flavors, including dark ones, but is all told first-person by Nao (Mi Kang), a sixteen year old in Japan, through her diary that has floated, carefully wrapped in plastic and a Hello Kitty lunchbox from Japan to the coast of Canada. A writer, Ruth (Mariko Kita) finds the package floating near her island home and becomes obsessed with the contents of the lunchbox.

Her husband, Oliver (a warmly geeky Michael Patten), contextualizes the lunchbox’s potential travel from the tsunami-wrecked Japan to Canada, and adds key moments of bird lore about various crow species that wind through the tale. Ruth reads passages of diary to Oliver as they try to unwind the mystery of Nao’s life.

"The Royale" perfection

The Royale (Chris Bennion)

The Royale

ACT Theatre

Through October 9, 2016

Sometimes, you can experience a stage production where everything is just about as perfect as it can be made. The Royale at ACT Theatre is one such production. This will be remembered for a long, long time if you get a chance to see it. I recommend it unreservedly for all people over about age 10!

This is a startlingly fast production at about 70 minutes that encompasses the challenge of Jay “Sport” Jackson (Jarrod M. Smith) to become the first African American heavy weight boxing champion of the world. The story is based on the real life Jack Johnson, who spurred many movies and documentaries of his accomplishments in the early 1900s.

We meet his trainer (G. Valmont Thomas), his promoter (R. Hamilton Wright), his sparring partner (Lorenzo Roberts) and his sister Nina (Zenobia Taylor). We are privy to the conversations and maneuvering to get him a fight with the white heavy weight champ that he longs to beat in order to break the color barrier. We hear about the formidable barriers, including the concerns of his sister, who is terribly afraid of what might happen to her and her children if he wins! This kind of concern is not the “usual fare” of under-dog plays.

This good Trump idea is trumped by production

Kevin Bordi in Trump the King (D. Hastings)

Trump the King or POTUS Drumph

Theater Schmeater

Through October 15, 2016

Trump the King or POTUS Drumph had a subtitle, when it was announced by Theater Schmeater, that seems to have been subsequently dropped: Another Sh**ty Adaptation of Alfred Jarry’s Ubu Roi Which May or May Not Resonate with a Contemporary American Audience. This subtitle certainly augments the idea of the production at hand.

Adapted by Nick Edwards, an actor sometimes found on the Schmee stage and others around town, this play completely skewers the life of one Donnoh Trump, who is “orange.” All the names and associations of characters in this ensemble-scurrying play are smartly altered so as not to be confused with reality. Examples are: Candanida, not to be confused with the real Canada, Vananana, not to be confused with the real Ivana Trump, Koranistas, not to be confused with any real Muslims. You’ll meet Justin the True of Candanida, and the daughters of Nobama, too.

"The Winter's Tale" - an autumn delight

Jasmine Jean Sim and Rudy Roushdi in The Winter's Tale (John Ulman)

The Winter's Tale
Seattle Shakespeare Company
(at Seattle Repertory Theatre)
through October 2, 2016

An energetic and deeply considered production of Shakespeare's The Winter's Tale is now on stage by Seattle Shakespeare Company. Director Sheila Daniels has pulled together a solid cast (as usual - Shakes always has a considerably talented cast on stage) with several actors showing their most adept performance selves.

The Winter's Tale combines aspects of many other Shakespeare plays, and is currently thought of as a later work. If, as some later works display, Shakespeare cribbed from himself, liking aspects of earlier work and replicating them into "new" plays quickly, this makes sense as one that could feel new, but be made of cut-and-paste parts.

Rhinoceros: good thought, not as good execution

Scene from Rhinoceros (John Ulman)

Rhinoceros

Strawberry Theatre Workshop

Through October 8, 2016

Rhinoceros is a famous absurdist play by Romanian playwright Eugène Ionesco, written in 1959. Certainly, Strawberry Theatre Workshop chose to mount the play now because it was originally written to reflect Ionesco’s experience of the rise of “group think” during Nazism, and Strawshop is making a comparison to today’s Trump politics.

For more background, I will quote from Wikipedia.org about the play. “Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses… The only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure…The play is often read as a response and criticism to the sudden upsurge of Communism, Fascism, and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, mob mentality, philosophy and morality.”

Bérenger, in this production is played by Carol Louise Thompson, who has done some excellent work around town on various small stages. Translating a man into a woman here doesn’t change much. There is a love story and so, obviously, it becomes a same-sex one, but that changes little else about the trajectory of the play.

"Bad Apples" - important story, bad musical

Kate Morgan Chadwick and Carlton Byrd in Bad Apples (Jeff Carpenter)

Bad Apples

Co-produced by ACT Theatre/ACTLab, Artswest, and Circle X Theatre

(at ACT Theatre)

Through September 25, 2016

Bad Apples, the new musical at ACT Theatre (co-produced by Artswest and the originating theater in Los Angeles, Circle X Theatre), is bound to get mixed reviews and stir controversy. After all, it is a musical about the most egregious torture and debasement the public is aware of during the 2003 Iraq War aftermath at Abu Ghraib prison. We might as well have someone write a musical about the My Lai Massacre, the 1968 killing of hundreds of civilians by American soldiers.

If you are not aware of what happened at this notorious Iraqi prison, nor the government cover-up of torture (waterboarding, electric shock, hanging from the wrists-behind-the-back, withholding food and water, and sexually debasing prisoners), this musical doesn’t exactly educate you well. Vice President Dick Cheney is on record as saying he would torture again “in a minute.”

Dinner with unicorns - "The Glass Menagerie" Nordo-style

The Glass Menagerie (Jeff Carpenter)

The Glass Menagerie

The Williams Project and Café Nordo

Through September 3, 2016

I have never eaten with the Wingfield family, so it was with hope for a unique experience that I went to the Culinarium, Café Nordo’s home, to experience what eating with the Wingfield’s would be like. If you don’t know who they are, they’re the family in the play, The Glass Menagerie, by Tennessee Williams.

The Williams Project, a group of east coast actors who seem to be coming to Seattle for summer residencies, focus a lot of their attention on their namesake’s work. They also seem, in the experience I’ve had with two Williams plays they’ve done here, to work particularly hard at deconstructing and reconstructing Williams in a fresh and far from stereotypical way.

The most explosive September in memory!

Dedra Woods in a rehearsal of Wedding Band at Intiman Theatre (Alex Garland)

It’s that time of year again! Theater in Seattle explodes and there are too many wonderful productions to see at once! Anyone up for a contest? Who will see the most September performances? How many can you fit into a week? Some of the most anticipated shows of the year are opening now….

The 39 Steps, Lamplight Productions and KTO Productions, 9/1-11/16 (at Bathhouse Theatre)

Based on the 1935 Alfred Hitchcock spy/romance film, this hit play is sure to please anyone who enjoys spies, hi-jinks, handcuffs, murder, missing fingers, kissing, secrets, chase scenes, more kissing, trains, planes and yes, automobiles. A cast of four actors tackle over 100 characters in what is guaranteed to be a good time.

http://lamplightproductions.bpt.me/

Scab, Many Hats Theatre, 9/2-10/16 (at Ballard Underground)

In this unconventional comedic-drama, Anima's sphere of desperation and self-destruction is invaded by the arrival of her perky new roommate, Christa. Prompted by a malevolent talking statue of the Virgin Mary and a bloodthirsty houseplant named Susan, Anima and Christa enter into a friendship that incurs traumatic results.

http://scab.brownpapertickets.com/

Fun Farce Faces Final Forays

David Roby in One Man, Two Guvnors (Ken Holmes)

One Man, Two Guvnors

Sound Theatre Company

(at Armory Theatre)

Through August 27, 2016

David Roby is everything one would want in a classic prat-falling (hey, anyone know what a “prat” is?) door-slamming British farce, like One Man, Two Guvnors, playing now by Sound Theatre Company. In Richard Bean’s slick adaptation of Carlo Goldoni’s 1746 play, Servant of Two Masters, Roby pulls out all the stops to make us laugh as he moans about needing to eat and then hankers after love.

Bean’s adaptation hews closely to the original. A young woman (Kayla Teel) disguises herself as her dead brother, trying to find the man who killed him. She doesn’t realize that that man is her lover (Luke Stubbers). But she also needs money, so she goes to the father (John Clark) of her brother’s betrothed (Christine Riippi) to collect the dowry, not knowing that the betrothed wants to marry someone else (Daniel Stoltenberg).

Dual ways of looking at "Duels" by Nick Stokes

The cast of Duels (Andrea Sassenrath)

Duels

amador/stokes

(at 12^th Avenue Arts)

Through September 10, 2016

In a metaphorical and concrete way, Irene tends her garden, in the premiere of Nick Stokes’ play, Duels, mounted with the help of director Jose Amador, and presented at 12^th Avenue Arts. But this garden has more than vegetables in it. It has become the graves of her husband and lover.

Walking into the room at 12AA, one is immediately met by the pungent smell of dirt packed into inverted triangles with a path between them. Plantings immediately bring to mind a vegetable garden, but lying there, as well, are the two men in the play. Carter Rodriquez and Daniel Christensen play Juan and John, the two men in Irene’s life.

At first, we see Irene (Marianna de Fazio), coping confidently and graciously with birthing a new calf, sure of her ability to manage the facets of country urban farming on her own. But suddenly, Juan and John arise and face each other in an inexplicable duel, while she explains that they’ve killed each other and walks them through the process of doing it again.

2016 Village Theatre Festival of New Musicals Wrap-Up

Jessica Skerritt, Lauren DuPree and Sara Porkalob in String (Sam Freeman)

Musicals are one of the forms of theatrical presentations that take just about the longest to get on their “feet” since they are often the most collaborative, with the most fingers in the pie, and the most complicated, with music, dance and story inter-mingling. So, in order to support them from an idea to a fully complete stage-ready vehicle, a system of presentation opportunities has developed around the country to propel them forward, often a presentation at a time. This is a “festival” system.

Those in Seattle who love new musical development may be well aware of where new musicals have opportunities to develop. Aside from some internal supports from the two major musical theatre companies, Village Theatre and The 5^th Avenue Theatre, there has been, for 16 years now, Village’s Festival of New Musicals, on the second weekend of August. The 5^th Avenue has now added a “festival” of their own, which this year will take place in October.

New company, Studio 18, catches Seattle premiere: musical Bonnie and Clyde

Cast of Bonnie and Clyde (Ashley Joncas)

Bonnie and Clyde

Studio 18 Productions

(at 12^th Avenue Arts)

Through August 13, 2016

How to Mount a Production of a New Musical When You’ve Never Produced a Show Yourselves: I guess the answer is: “Be Studio 18 Productions!” Somehow, the young folks (Matt Lang and Alia Collins-Friedrichs) heading up this effort to bring the Seattle premiere of Bonnie and Clyde (the musical) to town found a way to get the rights, get a highly sought after venue (12^th Avenue Arts) and a stupendous cast for this effort, and they pulled it all together!

Bonnie and Clyde debuted on Broadway in 2011 and is written by Frank Wildhorn (music), Don Black (lyrics) and Ivan Menchell (book). The show did not do very well and only lasted a month before closing. It is, of course, based on the lives of the infamous duo who lived, loved, and robbed in Texas, destined to die in a hail of bullets. Laura Osnes originated the role and she probably was able to elevate the production by force of will.

Benne’s "Terra Incognita" has something to crow about

Gretchen Douma and Lillian Afful Straton in Terra Incognita (Shane Regan)

Terra Incognita

Annex Theatre

Through August 20, 2016

Annex Theatre’s current theatrical opening is a world premiere. That’s not unusual for the tiny (only in physical space), volunteer collective. What’s a bit unusual is that this play, Terra Incognita, by Benjamine Benne, only has four actors. Some of their recent world premieres have had a dozen or more characters.

This is Benne’s first fully-mounted production, but he’s been extremely busy generating product over the last several years, getting noticed by Eugene O’Neill’s National Playwrights Conference, and will be leaving us to serve for a year in Minneapolis’ Playwright Center as a Many Voices Fellow. That’s not to say that more of his plays may well be produced here! He has a unique energy and commitment to his craft.

Here are your August Theater Openings!

Cast in Do It For Umma at Theatre Off Jackson (Ian Johnston)

You can still get out and enjoy many free outdoor Shakespeare and other plays in the parks, but here are the productions opening in August.

Girl, Annex Theatre, 8/2-17/16 (Tue/Wed)

Think of the classic hero’s quest: a rousing call to adventure, legendary challenges and temptations, a road full of trials and perils, transformation, atonement, and an ultimate resolution. The heroes here are young women in modern-day Seattle, who must navigate a male-dominated world and fight their battles in a society that imposes constraints on their gender and generation. This devised ensemble adventure asks, what does it take to be a modern heroine?

www.annextheatre.org

Consummate performer Porkalob opens full length solo show

Sara Porkalob and her grandmother The Dragon Lady (Joe Iano)

The Dragon Lady

Theatre Off Jackson

Through July 30, 2016

Sara Porkalob has been extremely busy lately. She’s been acting and directing up a storm, despite fears of racist barriers in casting due to being an American of Filipino descent. She is a consummate performer, and I’ll bet, just on seeing her perform, that she’s got a bit of OCD tendency. Every detail is thought about and chosen carefully.

She first came to (non-school) notice in Seattle Public Theater’s 2013 production of Edith Can Shoot Things And Hit Them where she was part of a Gypsy Rose Lee Award-winning ensemble. She was pitch-perfect as a young, uncertain teen, and brought all the pathos and humor out of her character.

“Daisy’s” considerable potential not unleashed

Michael Gotch in Daisy (Dawn Schaefer)

Daisy

ACT Theatre

Through August 7, 2016

The very first “attack television commercial” is now thought of as an iconic ad. It was created to support LBJ’s first run for the presidency after becoming “the accidental president” when Kennedy was shot. The commercial had a little girl pulling petals off a daisy and counting them (upwardly) and then a countdown of some official sort from 10 and a bomb exploding. It was meant to take advantage of people’s innate fear of getting bombed and was supposed to make people fear Barry Goldwater – the upstart Republican who many felt was extreme and rash.

That topic, particularly when another rash Republican is running for election, now, is a compelling and potentially fascinating idea. Playwright Sean Devine has been working on a play, Daisy, for a number of years and decided he would focus on the ad agency, itself, that developed the concept and created the ad. They won awards for it, later, too (the Cleo). That particular choice might have undercut the ability to exploit the excitement of that topic…

Third Guirgis play this year shows he is a genius, and so is Sound Theatre Company!

Shermona Mitchell and Jose Abaoag in The Last Days of Judas Iscariot (Photo by Ken Holmes)

The Last Days of Judas Iscariot

Sound Theatre Company

(at Seattle Center’s Armory Theatre)

Through July 31, 2016

I am officially in awe of Stephen Adly Guirgis. This now Pulitzer-Prize-winning playwright (2015 for Between Riverside and Crazy) has had four of his plays done fairly recently in Seattle. Three of them so far have been met with critical and popular acclaim, with several Gypsy Rose Lee Award nominations and wins (many for Jesus Hopped the “A” Train, produced by Azeotrope).

This year alone, we had Motherfucker with a Hat and In Arabia (Washington Ensemble Theatre/Hansberry Project/eSe Teatro) and In Arabia, We’d All Be Kings (Theater Schmeater). Now, newly opened, we have a fantastic full-throated, killer-casted production of The Last Days of Judas Iscariot. Sound Theatre Company reliably produces solid and well-chosen plays each summer. This is absolutely up there with their best! This is now one of the best of the year for me, no question.

Exquisite “Gentleman” will murder your funny bone

Kristen Beth Williams and Kevin Massey in A Gentleman’s Guide to Love & Murder (Joan Marcus)

A Gentleman’s Guide to Love & Murder

The 5^th Avenue Theater

Through July 31, 2016

The Tony Award winning best musical, A Gentleman's Guide to Love & Murder, just opened at The 5th Avenue Theater with the national tour. If you’ve been wondering why it got such smashing reviews on Broadway, what earned it a Tony, well, it is absolutely a barrel of fun and well worth checking out.

It’s got the new-fangled device of having one actor play all the people who get killed. Possibly a good budget support, but the one actor has got to be on his game. John Rapson is absolutely up to the daunting task, though some of his costume changes must be magic. His turn for clowning is an opportunity to study a master. His timing is perfect.

Wait, what? One guy gets killed 9 times? Starting over: Montague Navarro (Kevin Massey) has just lost his mother and an old friend arrives who helps him find evidence that he is a far-down-the-line heir to an enormous Dysquith fortune. Indeed, he has a birth certificate with that name in the middle. But there are 9 people in his way. It’s not long before the idea of helping them die pops into his fertile brain.

Things You Can Do omits actual advice

Things You Can Do (Roberta Christensen)

Things You Can Do

Live Girls! Theater

(at ACTLab)

Through July 31, 2016

Things You Can Do is a world premiere play by Kristen Palmer, a playwright with a solid list of produced plays who is also the artistic director of a theater for young people in Connecticut. The play includes three intelligent women, an intelligent girl, and a street-smart guy. Live Girls! Theater has been working on the script for quite a while, starting with public readings in 2013.

The big theme in the play is glacial ice, permafrost, and climate change. The small theme is whether you can do much about the big issues in life when your individual life is pretty much falling apart. Stevie (Hannah Ruwe) is a scientist, writing her PhD thesis on permafrost. But something has driven her to leave her school and suddenly appear back in her small Virginia town, even before she’s called her mother to say she’s back.