Sarah Rose Davis and Eric Ankrim in How to Succeed in Business Without Really Trying (Mark Kitaoka) |
The "large theater" productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really
Trying take top honors, and the "small theater" productions of
ArtsWest's Death of a Salesman and
Washington Ensemble Theatre's The Things
Are Against Us take top honors for most category wins!
Seattle Theater Writers, Seattle's only critics’ circle,
presents the 6th annual Gypsy Rose Lee
Awards, theater awards devoted to recognizing excellence across the economic
spectrum of professional Seattle theaters. Our aim in developing the awards is
to entice the general public to
consider seeing excellent theatrical events at myriad venues they may never
have entered before.
The 2016 Gypsy Rose Lee Award Winners are (bolded by category, in alpha
order by name):
Excellence in
Production of a Play:
(Large Theaters)
9 Circles -
Strawberry Theatre Workshop
A Raisin in the Sun
- Seattle Repertory Theatre
The Royale - ACT Theatre
The Winter's Tale
- Seattle Shakespeare Company
Wedding Band -
Intiman Theatre
(Small Theaters)
A Hand of Talons - Pork Filled
Productions
Caught - Seattle Public Theater
Death of a Salesman - ArtsWest
The Last Days of Judas Iscariot - Sound Theatre Company
The Pride - Theatre22
Excellence in
Production of a Musical:
Billy Elliot -
Village Theatre
Disney's The Little
Mermaid - The 5th Avenue Theatre
How To Succeed In Business Without Really Trying - The 5th Avenue
Theatre
Parade - Sound
Theatre Company
Violet - ArtsWest
Excellence in
Direction of a Play:
(Large Theaters)
Greg Carter - 9
Circles (Strawberry Theatre Workshop)
Desdemona Chiang - A
Tale For The Time Being (Book-It Repertory Theatre)
Valerie Curtis-Newton - Wedding
Band (Intiman Theatre)
Ameenah Kaplan - The Royale (ACT Theatre)
Victor Pappas – Mrs.
Warren's Profession (Seattle Shakespeare Company)
(Small Theaters)
Julie Beckman - Annapurna
(Theatre22)
Valerie Curtis-Newton - The
Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry
Project/eSe Teatro)
Julia Griffin - In
Arabia, We'd All Be Kings (Theater Schmeater)
Corey McDaniel - The
Pride (Theatre22)
Mathew Wright - Death of a Salesman (ArtsWest)
Excellence in
Direction of a Musical:
Bill Berry - How To Succeed in Business Without Really
Trying (The 5th Avenue Theatre)
Andrew Russell - Violet
(ArtsWest)
Steve Tomkins - Billy
Elliot (Village Theatre)
Troy Wageman - Parade (Sound
Theatre Company)
Schele Williams - My
Heart is the Drum (Village Theatre)
Excellence in
Performance in a Play as a Lead Actor (Male):
(Large Theaters)
Gavin Hoffman - The
Brothers K (Book-It Repertory Theatre)
Conner Neddersen - 9 Circles (Strawberry Theatre
Workshop)
Alex Silva - Treasure
Island (Book-It Repertory Theatre)
Jarrod M. Smith - The
Royale (ACT Theatre)
Adam Standley - Stupid
Fucking Bird (ACT Theatre)
(Small Theaters)
Erwin Galan - The
Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry
Project/eSe Teatro)
Trevor Marston - The
Pride (Theatre22)
David Pichette - Death
of a Salesman (ArtsWest)
David Roby - One Man,
Two Guv'nors (Sound Theatre Company)
John Q. Smith - Annapurna
(Theatre22)
Excellence in
Performance in a Musical as a Lead Actor (Male):
Eric Ankrim - How To Succeed in Business Without Really
Trying (The 5th Avenue Theatre)
Nathan Brockett - Assassins
(ACT Theatre/The 5th Avenue Theatre)
Matthew Kacergis - Disney's
The Little Mermaid (The 5th Avenue Theatre)
Jeff Orton - Parade
(Sound Theatre Company)
Jesse Smith - Violet
(ArtsWest)
Excellence
in Performance in a Play as a Lead Actor (Female):
(Large Theaters)
Denise Burse - brownsville,
b-side for tray (Seattle Repertory Theatre)
Mi Kang - A Tale For
The Time Being (Book-It Repertory Theatre)
Pamela Reed - Luna Gale (Seattle Repertory Theatre)
Alexandra Tavares - The
Brothers K (Book-It Repertory Theatre)
Dedra Woods - Wedding
Band (Intiman Theatre)
(Small Theaters)
Suzanne Bouchard - Ghosts
(ArtsWest)
Angela DiMarco - The
Pride (Theatre22)
Stephanie Kim-Bryan - A
Hand of Talons (Pork Filled Productions)
Teri Lazzara - Annapurna
(Theatre 22)
Eleanor Moseley - Death of a Salesman (ArtsWest)
Excellence in Performance
in a Musical as a Lead Actor (Female):
Kate Morgan Chadwick - Bad
Apples (ACT Theatre/Circle X Theatre/ArtsWest)
Diana Huey - Disney's
The Little Mermaid (The 5th Avenue Theatre)
Claudine Mboligikpelani Nako - My Heart is the Drum (Village Theatre)
Tori Spero - Parade
(Sound Theatre Company)
Brenna Wagner - Violet (ArtsWest)
Excellence in
Performance of a Play as a Supporting Actor (Male) - any non-lead:
(Large Theaters)
Sam Hagen - 9 Circles
(Strawberry Theatre Workshop)
William Hall Jr. - Sorry (Thalia's Umbrella)
MJ Sieber - The
Winter's Tale (Seattle Shakespeare Company)
G. Valmont Thomas - Stick
Fly (Intiman Theatre)
R. Hamilton Wright - The
Royale (ACT Theatre)
(Small Theaters)
Moises Castro - The Motherfucker With The Hat
(Washington Ensemble Theatre/Hansberry Project/eSe Teatro)
Nik Doner - In Arabia,
We'd All Be Kings (Theater Schmeater)
Doug Fahl - The Pride
(Theatre22)
Erwin Galán - The Last
Days of Judas Iscariot (Sound Theatre Company)
Ray Tagavilla - The
Last Days of Judas Iscariot (Sound Theatre Company)
Excellence in
Performance of a Musical as a Supporting Actor (Male) - any non-lead:
Greg McCormick Allen- Singin’
in the Rain (Village Theatre)
Justin Gregory Lopez - Paint
Your Wagon (The 5th Avenue Theatre)
Casey Raiha - Violet
(ArtsWest)
Adam Standley - How To Succeed in Business Without Really
Trying (The 5th Avenue Theatre)
Dane Stokinger - Disney's
The Little Mermaid (The 5th Avenue Theatre)
Excellence in
Performance of a Play as a Supporting Actor (Female) - any non-lead:
(Large Theaters)
Anne Allgood - Wedding
Band (Intiman Theatre)
Molli Corcoran - Joyful
Noise (Taproot Theatre)
Tracy Michelle Hughes - Wedding
Band (Intiman Theatre)
Claudine
Mboligikpelani Nako - A Raisin in the Sun
(Seattle Repertory Theatre)
Amy Thone - The
Winter's Tale (Seattle Shakespeare Company)
(Small Theaters)
Keiko Green - Caught
(Seattle Public Theater)
Rachel Guyer-Mafune - Puny
Humans (Annex Theatre)
Meg McLynn - The
Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry
Project/eSe Teatro)
Shermona Mitchell - The Last Days of Judas Iscariot (Sound
Theatre Company)
Ayo Tushinde - In
Arabia, We'd All Be Kings (Theater Schmeater)
Excellence in
Performance of a Musical as a Supporting Actor (Female) - any non-lead:
Delaney Guyer - Parade
(Sound Theatre Company)
Mari Nelson - Billy
Elliot (Village Theatre)
Sara Porkalob - Pump
Boys and Dinettes (Village Theatre)
Jessica Skerritt - How
To Succeed in Business Without Really Trying (The 5th Avenue Theatre)
Jessica Skerritt - Singin’ in the Rain (Village Theatre)
Excellence in
Performance as an Ensemble:
(Large Theaters)
9 Circles -
Strawberry Theatre Workshop (Norah Elges, Sam Hagen, Sylvester F. Kamara,
Conner Neddersen)
A Tale For The Time
Being - Book-It Repertory Theatre (Khanh Doan, Mi Kang, Mariko Kita, Scott
Koh, Kevin Lin, Michael Patten, Rachel Rene, Annie Yim)
The Royale - ACT
Theatre (Lorenzo Roberts, Jarrod M. Smith, Zenobia Taylor, G. Valmont Thomas,
R. Hamilton Wright)
Sorry - Thalia's Umbrella (Macall Gordon, William Hall, Jr., Leslie
Law, Terry Edward Moore, Jeanne Paulsen)
The Big Meal - New
Century Theatre Company (Jonelle Jordan, Darragh Kennan, Maire Kennan, Todd
Jefferson Moore, Hannah Mootz, Julian Mudge-Burns, Conner Neddersen, Betsy
Schwartz, Amy Thone)
(Small Theaters)
Duels -
stokes/amador (Daniel Christensen, Marianna de Fazio, Carter Rodriquez)
In Arabia, We'd All Be Kings - Theater Schmeater (Draeko Damen, Nik
Doner, Brandon Felker, Elena Flory-Barnes, Samuel Hagen, Drew Hobson, Jacquelyn
Miedema, Michael Ramquist, Andrew Shanks, Yolanda Suarez, Ayo Tushinde)
Puny Humans -
Annex Theatre (Patty Bonnell, Kevin Bordi, Grace Carmack, Rachel Guyer-Mafune,
Lauryn Hochberg, Cole Hornaday, Kelly Johnson, Ben McFadden, Nic Morden, Heather Persinger, David Rollison, Zenaida
Smith, Te Yelland)
The Pride -
Theatre22 (Angela DiMarco, Doug Fahl, Trevor Marston, Andre Nelson)
The Toxic Avenger
- STAGEright (Ann Cornelius, Sara Henley-Hicks, Brian Lange, Jessi Little, Nick
Michael Watson)
Excellence in Set
Design:
(Large Theaters)
Michael Ganio - Luna Gale (Seattle Repertory Theatre)
Shawn Ketchum Johnson - Daisy
(ACT Theatre)
Tommer Peterson - The
Birds (Strawberry Theatre Workshop)
Matthew Smucker - Brooklyn
Bridge (Seattle Children's Theatre)
Tom Sturge & David Sumner - How To Succeed in Business Without Really Trying (The 5th Avenue
Theatre)
(Small Theaters)
Brandon Estrella - A
Hand of Talons (Pork Filled Productions)
Silas James - Duels
(amador/stokes)
Robin Macartney - Revolt.
She Said. Revolt Again. (Washington Ensemble Theatre)
Michael Mowery - Annapurna
(Theatre22)
Julia Welch - The Things Are Against Us (Washington
Ensemble Theatre)
Excellence in Costume
Design:
(Large Theaters)
Nanette Acosta - Joyful
Noise (Taproot Theatre)
Melanie Taylor Burgess - A
Raisin in the Sun (Seattle Repertory Theatre)
Sarah Burch Gordon - The
Trial of Ebenezer Scrooge (Taproot Theatre)
Catherine Hunt - Dangerous
Liaisons (ACT Theatre)
Rose Pederson - How to Succeed in Business Without Really
Trying (The 5th Avenue Theatre)
(Small Theaters)
Chelsea Cook - Amadeus
(Seattle Public Theater)
Jocelyne Fowler - A
Hand of Talons (Pork Filled Productions)
Carolyn Hall - The
Wedding Gift (Forward Flux Productions)
Helen Roundhill - The
Toxic Avenger (STAGEright)
K.D. Schill - Puny Humans (Annex Theatre)
Excellence in
Lighting Design:
(Large Theaters)
Robert Aguilar - Wedding
Band (Intiman Theatre)
Alex Berry - Billy
Elliot (Village Theatre)
Reed Nakayama - The
Birds (Strawberry Theatre Workshop)
Tristan Roberson - A
Tale for the Time Being (Book-It Repertory Theatre)
Ben Zamora - The Royale (ACT Theatre)
(Small Theaters)
Ahren Buhmann - The
Pride (Theatre22)
Ryan Dunn - Death of a
Salesman (ArtsWest)
Tess Malone - A Hand
of Talons (Pork Filled Productions)
Alyssa Milione - Ghosts
(ArtsWest)
Tristan Roberson - The Things Are Against Us (Washington
Ensemble Theatre)
Excellence in Sound
Design:
(Large Theaters)
Brendan Patrick Hogan
- The Birds (Strawberry Theatre
Workshop)
Sharath Patel - The
Royale (ACT Theatre)
Kyle Thompson - Treasure
Island (Book-It Repertory Theatre)
Nathan Wade - Titus
Andronicus (Seattle Shakespeare Company)
Robertson Witmer - Daisy
(ACT Theatre)
(Small Theaters)
Erin Bednarz - The
Lost Girls (Annex Theatre)
Brian Brooks - King
Kirby (Ghost Light Theatricals)
Erick Johnson - The
Pride (Theatre22)
Alex Potter - Puny
Humans (Annex Theatre)
James Schreck - The Things Are Against Us (Washington
Ensemble Theatre)
Excellence in Musical
Direction:
Dan Pardo - How To Succeed in Business Without Really
Trying (The 5th Avenue Theatre)
Brandon Peck - The
Toxic Avenger (STAGEright)
Tim Symons - Billy
Elliot (Village Theatre)
R.J. Tancioco - Violet
(ArtsWest)
Nathan Young - Parade
(Sound Theatre Company)
Excellence in
Choreography or Movement:
Scott Brateng - Parade
(Sound Theatre Company)
Donald Byrd - Medea
(Seattle Shakespeare Company)
Sonia Dawkins - My
Heart is the Drum (Village Theatre)
Bob Richard - How To Succeed in Business Without Really
Trying (The 5th Avenue Theatre)
Katy Tabb - Billy
Elliot (Village Theatre)
Excellence
in Local Playwriting:
Rose Cano - Bernie's
Apt. (eSe Teatro)
Laura Ferri - A Tale
for the Time Being (Book-It Repertory Theatre)
Maggie Lee - A Hand of
Talons (Pork Filled Productions)
Nick Stokes - Duels
(amador/stokes)
Seayoung Yim - Do It For Umma (Annex Theatre)
Excellence in Local
Composing:
Shenandoah Davis - Medea
(Seattle Shakespeare Company)
Paul Lewis - The Pride
(Theatre22)
Paul Lewis, Carrisa Meisner Smit - The Crossing (Theater Schmeater)
Lauren Wilder - The
Mechanics of Love (SiS Productions)
Annastasia Workman - To Savor Tomorrow (Café Nordo)
Excellence in Video
Design (New Category for 2016):
Tristan Roberson - Daisy (ACT Theatre)
MJ Sieber - Titus
Andronicus (Seattle Shakespeare Company)
The participants in this year’s award process were Candace
Brown (goodlifenw.blogspot.com), Miryam Gordon (Seattle Gay News and
miryamstheatermusings.blogspot.com), David-Edward Hughes
(www.talkinbroadway.com/page/regional/seattle/se727.html), Rosemary Jones
(www.seattletheateranddance.com/), Dusty Somers (guest writer for Seattle
Times), Michael Strangeways (www.seattlegayscene.com/), and Nancy Worssam
(artsstage-seattlerage.com/).
No comments:
Post a Comment
This is a moderated comment section. Any comment can be deleted if the moderator feels that basic civility standards are not being met. Disagreements, however, if respectfully stated, are certainly welcome. Just keep the discussion intelligent and relatively kind.