Beth Pollack and Kevin Lin (Joe Iano) |
The (curious case of
the) Watson Intelligence
Ghost Light Theatricals
Through February 4, 2017
To a large extent, Madeleine George’s Pulitzer finalist
play, The (curious case of the) Watson
Intelligence, seems to suggest that artificial intelligence could be
somewhat seductive as a partner, but it’s not as fulfilling as messy real life.
To get around to that conclusion, you might have to mull it over for a few days
after you see the production at Ghost Light Theatricals.
Let’s start by saying that Ghost Light’s production is
nicely directed by Steven Sterne,
who brings out sensitive portrayals by the two playing sensitive characters, Beth Pollack and Kevin Lin, and an appropriately off-putting one by Brent Griffith. This is a well-balanced
trio of actors.
So, the evening is a pleasing one, watching them interact,
though George’s play is not so easy to tease apart. I also spent some not
insignificant time enjoying the rubric-cube-like puzzle set piece designed by Brandon Estrella that folded open and
closed and became multiple locations while staying in one large cube-space.
The trio of actors must all fly back and forth in a
time-travel morphing persona adventure from 1876 to 2011. They each portray
several characters who all keep the same name but are not the same persons.
Here’s a rundown, but it’s not in the order we meet these characters. It’s in
an order that makes it easier to describe here.
Victorian industrialist-innovator Mr. Merrick longs for
science to build him the perfect wife, though he has a real life
"imperfect" Mrs. Merrick, who worries about her husband's sanity. He
tries to get Sherlock Holmes to help him, but only meets Holmes’ friend, Dr. Watson.
There is another “olden days” Watson, Thomas Watson, assistant to Alexander
Graham Bell, inventor of the telephone.
Later, Merrick runs for public office in 2011. He has an
ex-wife Eliza, who is finishing work on a computerized android designed to
serve as a service/comfort companion to the physically and/or emotionally
impaired. Her android is named Watson. She has named her AI after the Watson
that kicked Ken Jennings' butt on Jeopardy.
2011 Merrick is paranoid about being stalked by his ex-wife
and hires a guy, Watson from the Dweeb Team tech team who helps fix his
computer, to spy on his ex-wife. Instead of reporting back to Merrick, tech
Watson finds himself falling in love with Eliza.
George’s dialogue develops intriguing premises and
relationships. All the Watsons are there to serve. All their service is
selfless and giving. They are great at being second-bananas. They don’t long to
become any more than what they are.
The Elizas and the Franks are the ones who are uneasy with
the varieties of service offered to them. The play suggests that people who
both give and take, hurt and love, demonstrate their better selves and their
worst selves, are more satisfying than those who try to make life “perfect” all
the time.
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