The Royale (Dawn Schaefer) |
Seattle Theater Writers, Seattle’s
only critics circle, announces the Sixth Annual Nominations of the 2016 Gypsy
Rose Lee Awards!
Spanning 28 theater companies and 59
productions, from the largest and most prominent to small, humble and
innovative, the Gypsy Rose Lee Awards honor as much
professional theater as we reviewers can cram into our year.
Well known large companies such as
Seattle Repertory Theatre with 6 nominations and ACT Theatre with 15
nominations and Seattle Shakespeare Company with 8 nominations contrast
favorably with small companies such as Sound Theatre Company with 14
nominations, ArtsWest with 14 nominations and Theatre22 with 13 nominations.
Musical theater companies The 5th Avenue Theatre and Village Theatre inevitably
share 15 and 12 nominations apiece as the top musical providers in our
area.
These theater awards are devoted
to recognizing excellence across the economic spectrum of professional Seattle
theaters. Our aim in developing the awards is to entice the
general
public to consider seeing
excellent theatrical events at myriad venues they may never have entered
before!
The winners will be announced
January 27, 2017.
And without further ado, arranged in
33 (one more than last year) categories in two divisions (Large Theaters and
Small Theaters). the
2016 Gypsy Rose Lee Award Nominees are (by category,
in alpha order by name):
Excellence in Production
of a Play:
(Large Theaters):
9 Circles - Strawberry Theatre
Workshop
|
A Raisin in the Sun -
Seattle Repertory Theatre
|
The Royale - ACT Theatre
|
The Winter's Tale -
Seattle Shakespeare Company
|
Wedding Band - Intiman Theatre
|
(Small Theaters):
A Hand of Talons -
Pork Filled Productions
|
Caught - Seattle Public Theater
|
Death of a Salesman -
ArtsWest
|
The Last Days of Judas Iscariot -
Sound Theatre Company
|
The Pride - Theatre22
|
Excellence in Production
of a Musical:
Billy Elliot -
Village Theatre
|
How To Succeed In Business Without Really Trying -
The 5th Avenue Theatre
|
Disney's The Little Mermaid -
The 5th Avenue Theatre
|
Parade - Sound Theatre Company
|
Violet - ArtsWest
|
Excellence in Direction
of a Play:
(Large Theaters):
Greg Carter - 9 Circles (Strawberry
Theatre Workshop)
|
Desdemona Chiang - A
Tale For The Time Being (Book-It Repertory Theatre)
|
Valerie Curtis-Newton - Wedding
Band (Intiman Theatre)
|
Ameenah Kaplan - The
Royale (ACT Theatre)
|
Victor Pappas - Mrs Warren's
Profession (Seattle Shakespeare Company)
|
(Small Theaters):
Julie Beckman - Annapurna (Theatre22)
|
Valerie Curtis-Newton - The
Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry
Project/eSe Teatro)
|
Julia Griffin - In Arabia, We'd
All Be Kings (Theater Schmeater)
|
Corey McDaniel - The Pride (Theatre22)
|
Mathew Wright - Death of a
Salesman (ArtsWest)
|
Excellence in Direction
of a Musical:
Bill Berry - How
To Succeed in Business Without Really Trying (The 5th Avenue
Theatre)
|
Andrew Russell - Violet (ArtsWest)
|
Steve Tomkins - Billy Elliot (Village
Theatre)
|
Troy Wageman - Parade (Sound
Theatre Company)
|
Schele Williams - My Heart is the
Drum (Village Theatre)
|
Excellence in Performance
in a Play as a Lead Actor (Male):
(Large Theaters):
Gavin Hoffman - The
Brothers K (Book-It Repertory Theatre)
|
Conner Neddersen - 9
Circles (Strawberry Theatre Workshop)
|
Alex Silva - Treasure
Island (Book-It Repertory Theatre)
|
Jarrod M. Smith - The
Royale (ACT Theatre)
|
Adam Standley - Stupid
Fucking Bird (ACT Theatre)
|
(Small Theaters):
Erwin Galan - The
Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry
Project/eSe Teatro)
|
Trevor Marston - The Pride (Theatre22)
|
David Pichette - Death of
a Salesman (ArtsWest)
|
David Roby - One Man, Two
Guv'nors (Sound Theatre Company)
|
John Q. Smith - Annapurna (Theatre22)
|
Excellence in Performance
in a Musical as a Lead Actor (Male):
Eric Ankrim - How To Succeed
in Business Without Really Trying (The 5th Avenue Theatre)
|
Nathan Brockett - Assassins (ACT
Theatre/The 5th Avenue Theatre)
|
Matthew Kacergis - Disney's
The Little Mermaid (The 5th Avenue Theatre)
|
Jeff Orton - Parade (Sound
Theatre Co.)
|
Jesse Smith - Violet (ArtsWest)
|
Excellence in Performance
in a Play as a Lead Actor (Female):
(Large Theaters):
Denise Burse - brownsville,
b-side for tray (Seattle Repertory Theatre)
|
Mi Kang - A Tale For The Time
Being (Book-It Repertory Theatre)
|
Pamela Reed - Luna Gale (Seattle
Repertory Theatre)
|
Alexandra Tavares - The
Brothers K (Book-It Repertory Theatre)
|
Dedra Woods - Wedding Band (Intiman
Theatre)
|
(Small Theaters):
Suzanne Bouchard - Ghosts (ArtsWest)
|
Angela DiMarco - The
Pride (Theatre22)
|
Stephanie Kim-Bryan - A
Hand of Talons (Pork Filled Productions)
|
Teri Lazzara - Annapurna (Theatre
22)
|
Eleanor Moseley - Death of a
Salesman (ArtsWest)
|
Excellence in Performance
in a Musical as a Lead Actor (Female):
Kate Morgan Chadwick - Bad
Apples (ACT Theatre/Circle X Theatre/ArtsWest)
|
Diana Huey - Disney's The
Little Mermaid (The 5th Avenue Theatre)
|
Claudine Mboligikpelani Nako - My
Heart is the Drum (Village Theatre)
|
Tori Spero - Parade (Sound
Theatre Company)
|
Brenna Wagner - Violet (ArtsWest)
|
Excellence in Performance
of a Play as a Supporting Actor (Male) - any non-lead:
(Large Theaters):
Sam Hagen - 9 Circles (Strawberry
Theatre Workshop)
|
William Hall Jr. - Sorry (Thalia's
Umbrella)
|
MJ Sieber - The Winter's
Tale (Seattle Shakespeare Company)
|
G. Valmont Thomas - Stick
Fly (Intiman Theatre)
|
R. Hamilton Wright - The
Royale (ACT Theatre)
|
(Small Theaters):
Moises Castro - The
Motherfucker With The Hat (Washington Ensemble Theatre/Hansberry
Project/eSe Teatro)
|
Nik Doner - In Arabia, We'd
All Be Kings (Theater Schmeater)
|
Doug Fahl - The Pride (Theatre22)
|
Erwin Galán - The Last Days
of Judas Iscariot (Sound Theatre Company)
|
Ray Tagavilla - The Last Days
of Judas Iscariot (Sound Theatre Company)
|
Excellence in Performance
of a Musical as a Supporting Actor (Male) - any non-lead:
Greg McCormick Allen - Singing
in the Rain (Village Theatre)
|
Justin Gregory Lopez - Paint
Your Wagon (The 5th Avenue Theatre)
|
Casey Raiha - Violet (ArtsWest)
|
Adam Standley - How To Succeed
in Business Without Really Trying (The 5th Avenue Theatre)
|
Dane Stokinger - Disney's The
Little Mermaid (The 5th Avenue Theatre)
|
Excellence in Performance
of a Play as a Supporting Actor (Female) - any non-lead:
(Large Theaters):
Anne Allgood - Wedding
Band (Intiman Theatre)
|
Molli Corcoran - Joyful Noise (Taproot
Theatre)
|
Tracy Michelle Hughes - Wedding
Band (Intiman Theatre)
|
Claudine Mboligikpelani Nako - A
Raisin in the Sun (Seattle Repertory Theatre)
|
Amy Thone - The Winter's
Tale (Seattle Shakespeare Company)
|
(Small Theaters):
|
Excellence in Performance
of a Musical as a Supporting Actor (Female) - any non-lead:
Delaney Guyer - Parade (Sound
Theatre Company)
|
Mari Nelson - Billy Elliot (Village
Theatre)
|
Sara Porkalob - Pump Boys and
Dinettes (Village Theatre)
|
Jessica Skerritt - How
To Succeed in Business Without Really Trying (The 5th Avenue
Theatre)
|
Jessica Skerritt - Singing
in the Rain (Village Theatre)
|
Excellence in Performance
as an Ensemble:
(Large Theaters):
9 Circles - Strawberry Theatre Workshop (Norah Elges, Sam Hagen,
Sylvester F. Kamara, Conner Neddersen)
A Tale For The Time Being - Book-It Repertory Theatre (Khanh Doan, Mi Kang, Mariko
Kita, Scott Koh, Kevin Lin, Michael Patten, Rachel Rene, Annie Yim)
The Royale - ACT Theatre (Lorenzo Roberts, Jarrod M. Smith, Zenobia
Taylor, G. Valmont Thomas, R. Hamilton Wright)
Sorry - Thalia's Umbrella (Macall Gordon, William Hall, Jr., Leslie
Law, Terry Edward Moore, Jeanne Paulsen)
The Big Meal - New Century Theatre Company (Jonelle Jordan, Darragh
Kennan, Maire Kennan, Todd Jefferson Moore, Hannah Mootz, Julian Mudge-Burns,
Conner Neddersen, Betsy Schwartz, Amy Thone)
(Small Theaters):
Duels - stokes/amador (Daniel Christensen, Marianna de Fazio,
Carter Rodriquez)
In Arabia, We'd All Be
Kings - Theater Schmeater
(Draeko Damen, Nik Doner, Brandon Felker, Elena Flory-Barnes, Samuel Hagen,
Drew Hobson, Jacquelyn Miedema, Michael Ramquist, Andrew Shanks, Yolanda
Suarez, Ayo Tushinde)
Puny Humans - Annex Theatre (Patty Bonnell, Kevin Bordi, Grace
Carmack, Rachel Guyer-Mafune, Lauryn Hochberg, Cole Hornaday, Kelly Johnson,
Ben McFadden, Nic Morden, Heather Persinger, David Rollison, Zenaida
Smith, Te Yelland)
The Pride - Theatre22 (Angela DiMarco, Doug Fahl, Trevor Marston,
Andre Nelson)
The Toxic Avenger - STAGEright (Ann Cornelius, Sara Henley-Hicks, Brian
Lange, Jessi Little, Nick Michael Watson)
Excellence in Set Design:
(Large Theaters):
Michael Ganio - Luna
Gale (Seattle Repertory Theatre)
|
Shawn Ketchum Johnson - Daisy (ACT
Theatre)
|
Tommer Peterson - The Birds (Strawberry
Theatre Workshop)
|
Matthew Smucker - Brooklyn Bridge (Seattle
Children's Theatre)
|
Tom Sturge & David Sumner - How
To Succeed in Business Without Really Trying (The 5th Avenue
Theatre)
|
(Small Theaters):
Brandon Estrella - A
Hand of Talons (Pork Filled Productions)
|
Silas James - Duels (amador/stokes)
|
Robin Macartney - Revolt. She
Said. Revolt Again. (Washington Ensemble Theatre)
|
Michael Mowery - Annapurna (Theatre22)
|
Julia Welch - The Things Are
Against Us (Washington Ensemble Theatre)
|
Excellence in Costume
Design:
(Large Theaters):
Nanette Acosta - Joyful Noise (Taproot
Theatre)
|
Melanie Taylor Burgess - A
Raisin in the Sun (Seattle Repertory Theatre)
|
Sarah Burch Gordon - The
Trial of Ebenezer Scrooge (Taproot Theatre)
|
Catherine Hunt - Dangerous
Liaisons (ACT Theatre)
|
Rose Pederson - How
to Succeed in Business Without Really Trying (The 5th Avenue Theatre)
|
(Small Theaters):
Chelsea Cook - Amadeus (Seattle
Public Theater)
|
Jocelyne Fowler - A Hand of
Talons (Pork Filled Productions)
|
Carolyn Hall - The
Wedding Gift (Forward Flux Productions)
|
Helen Roundhill - The
Toxic Avenger (STAGEright)
|
K.D. Schill - Puny Humans (Annex
Theatre)
|
Excellence in Lighting
Design:
(Large Theaters):
Robert Aguilar - Wedding
Band (Intiman Theatre)
|
Alex Berry - Billy Elliot (Village
Theatre)
|
Reed Nakayama - The
Birds (Strawberry Theatre Workshop)
|
Tristan Roberson - A
Tale for the Time Being (Book-It Repertory Theatre)
|
Ben Zamora - The Royale (ACT
Theatre)
|
(Small Theaters):
Ahren Buhmann - The
Pride (Theatre22)
|
Ryan Dunn - Death of a
Salesman (ArtsWest)
|
Tess Malone - A Hand of
Talons (Pork Filled Productions)
|
Alyssa Milione - Ghosts (ArtsWest)
|
Tristan Roberson - The
Things Are Against Us (Washington Ensemble Theatre)
|
Excellence in Sound Design:
(Large Theaters):
Brendan Patrick Hogan - The
Birds (Strawberry Theatre Workshop)
|
Sharath Patel - The
Royale (ACT Theatre)
|
Kyle Thompson - Treasure
Island (Book-It Repertory Theatre)
|
Nathan Wade - Titus
Andronicus (Seattle Shakespeare Company)
|
Robertson Witmer - Daisy (ACT
Theatre)
|
(Small Theaters):
Erin Bednarz - The Lost Girls (Annex
Theatre)
|
Brian Brooks - King Kirby (Ghost
Light Theatricals)
|
Erick Johnson - The Pride (Theatre22)
|
Alex Potter - Puny Humans (Annex
Theatre)
|
James Schreck - The Things Are
Against Us (Washington Ensemble Theatre)
|
Excellence in Musical
Direction:
Dan Pardo - How To Succeed
in Business Without Really Trying (The 5th Avenue Theatre)
|
Brandon Peck - The Toxic
Avenger (STAGEright)
|
Tim Symons - Billy Elliot (Village
Theatre)
|
R.J. Tancioco - Violet (ArtsWest)
|
Nathan Young - Parade (Sound
Theatre Company)
|
Excellence in
Choreography or Movement:
Scott Brateng - Parade (Sound
Theatre Company)
|
Donald Byrd - Medea (Seattle
Shakespeare Company)
|
Sonia Dawkins - My Heart is the
Drum (Village Theatre)
|
Bob Richard - How To Succeed
in Business Without Really Trying (The 5th Avenue Theatre)
|
Katy Tabb - Billy
Elliot (Village Theatre)
|
Excellence in Local
Playwriting:
Rose Cano - Bernie's
Apt. (eSe Teatro)
|
Laura Ferri - A
Tale for the Time Being (Book-It Repertory Theatre)
|
Maggie Lee - A
Hand of Talons (Pork Filled Productions)
|
Nick Stokes - Duels (amador/stokes)
|
Seayoung Yim - Do
It For Umma (Annex Theatre)
|
Excellence in Local Composing:
Shenandoah Davis - Medea (Seattle
Shakespeare Company)
|
Paul Lewis - The Pride (Theatre22)
|
Paul Lewis, Carrisa Meisner Smit - The
Crossing (Theater Schmeater)
|
Lauren Wilder - The Mechanics
of Love (SiS Productions)
|
Annastasia Workman - To
Savor Tomorrow (Café Nordo)
|
Excellence in Video Design (New
Category for 2016):
Tristan Roberson - Daisy (ACT
Theatre)
|
MJ Sieber - Titus
Andronicus (Seattle Shakespeare Company)
|
About Seattle Theater
Writers:
Founded in 2010 by Miryam
Gordon and comprised of local writers and reviewers, Seattle Theater Writers is
a group of critic/reviewers dedicated to raising public awareness of theater
practitioners and the work produced by professional theater organizations.
Seattle Theater Writers’ hope is that these awards might
encourage theater attendance and enjoyment of our rich cultural offerings.
Born from this mission are the
annual Gypsy Rose Lee Awards, recognizing excellence in
Seattle theater across 33 categories.
The participants in this
year’s award process were Candace Brown (goodlifenw.blogspot.com), Miryam Gordon (Seattle Gay News and miryamstheatermusings.blogspot.com), David-Edward Hughes (www.talkinbroadway.com/page/regional/seattle/se727.html),
Rosemary Jones (www.seattletheateranddance.com/), Dusty Somers (guest
writer for Seattle Times), Michael Strangeways (www.seattlegayscene.com/), and Nancy Worssam (artsstage-seattlerage.com/).
For more information, go
to www.facebook.com/SeattleTheaterWriters. The Notes section of the Facebook page shows the evolution of
the awards.
No comments:
Post a Comment
This is a moderated comment section. Any comment can be deleted if the moderator feels that basic civility standards are not being met. Disagreements, however, if respectfully stated, are certainly welcome. Just keep the discussion intelligent and relatively kind.